Sentences with phrase «depth of the first film»

The lower - budget visuals lack the power and depth of the first film, but offer plenty of appeal on their own.

Not exact matches

Unlike franchises overexplained to breaking point, the sequel repeats the no - frills plot of the first outing with no further depth — which means that as a film, it needs to work as an engine, primarily, to scare us into submission.

Filmed over the course of seven years, Bitter Honey offers the first in - depth exploration of these

Filmed over the course of seven years, Bitter Honey offers the first in - depth exploration of these family's lives.

Directed by Anthony Wonke, the feature - length film gives fans an extensive and in - depth look behind the scenes of the latest entry in the Star Wars saga, and you can watch the first 12 minutes of the movie right now.

Combining penetrating on - camera interviews and never - before - seen still and archival motion picture footage with the testimony of Warhol's bewilderingly vast body of work itself, the film will be the first to exploit in depth the immense Warhol archives at the Andy Warhol Museum in Pittsburgh.

For all of his obvious skills and uncommon talent as a visual storyteller, Kosinski's first two films were short on character depth and emotional engagement, but whether a function of Kosinski's innate preferences for spectacle over substance or simply script - related issues, Kosinski's feature - film output made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more than a decade earlier.

Wan and his screenwriters very purposefully hit many of the same beats as the first film, presenting us with a set - up that often feels too similar, and disappoints by comparison because O'Connor's character isn't given nearly the depth of Lili Taylor's in the original.

At first, the prospect of characters in the MCU interacting in - depth with each other in films seemed like something that would only happen in during the Avengers movies.

But for the first time in a long time, not only does Schwarzenegger star in a film worthy of his name, but one that's way out of his comfort zone, lending considerable emotional depth to the deadly serious zombie drama, «Maggie.»

The title is at first glance an echo of Gianfranco Rosi's magnificent refugee documentary study Fire at Sea: a film whose subtlety, complexity and depth I have to say go way beyond this.

It's a sequel that has all of the laughs of the first film with the added depth of a social issue picture.

On first viewing, I mostly loved the film, but had some reservations, but a second viewing recently saw them fall away, even when it came to the biggest of them, Aaron Taylor - Johnson «s turn (first - time round, he felt out of his depth, the second, that seemed to be the exact right approach to the part.

Now, this film's message could certainly be seen as a «first - world - problem» by many, which perhaps is true, but the reality and emotional depth of the film overrides any criticism that could arise from this point.

Monahan's script adapts the story of James Toback, whose actual gambling exploits first inspired the 1974 film; only in this 2014 version, the character drama is saddled with an attempt at greater depth, with Monahan relying on lengthy explanations and pontifications where the original film preferred action and implication to convey its deeper themes and ideas.

First and foremost, more than 22 minutes of deleted scenes (10 total) that add some depth and background to the film.

What first looks like a film exploring how fame and success effects a sportsman of the late 1800's just as it does today, rapidly gives way to greater depth.

It's a remarkable performance that shows the impressive depth of the actor's skills to carry a film and brought Oldman his first Oscar gold.

After some vague hints dropped in the first film, Jean Grey (Famke Janssen) suffers through certain control issues with her telepathic and telekinetic abilities, worrying fiancé Scott Summers (James Marsden, who painfully proves to be far out of his depth), a.k.a. the optic - blasting goody two - shoes Cyclops.

Welcome to the first episode of FILM COMMENT's podcast providing an in - depth discussion of a DVD reviewed in our most recent issue.

Like the anti-drug propaganda film of the same name, Dark Horse's Reefer Madness collects stories by comics creators of the 1940s — like Jerry Siegel and Joe Shuster (creators of Superman), Jerry Robinson, Frank Frazetta and Jack Kirby — plus an in - depth discussion by Henry Aslinger (America's first drug czar) and newspaperman William Randolph Heart.

The list of full advanced settings includes: manually lock framerate, unlocked at launch, lights quality, chromatic aberration toggle, shading quality, post-process quality, particles quality, game F / X quality, decal quality, directional occlusion, reflections quality, depth of field toggle, decal / texture filtering, motion blur quality / toggle, sharpening amount, lens flare toggle, lens dirt toggle, texture atlas size, show performance metrics, resolution scaling, UI opacity, film grain, rendering mode, FOV slider, simple reticle, show first - person hands toggle, use compute shaders and V - sync.

Danny Lyon: Message to the Future is the first in - depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context.

As the first exhibition to survey the filmic work of Yuri Ancarani (* 1972), this panorama of the Italian artist's output from 2010 to the present reveals the meticulous precision, distinctive aesthetics, and even sculptural depth to films that critically explore masculinity, labor, and social codes.

From the moment that Vhils invited me to make a film around his first solo exhibition in Hong Kong, we both agreed that we wanted to give it a dimension and depth that would go beyond a mere «making of» about the show.

«Don't Axe Me» will also feature the first New York presentation of Osedax (2010; made in collaboration with Edgar Cleijne)-- an immersive environment consisting of 16 mm film and painted slide projections inspired by a species of undersea worm that buries into the bones of whale carcasses.The exhibition highlights the humor, historical depth, psychological complexity, and formal inventiveness inherent in Gallagher's rich oeuvre.