Sentences with phrase «der kunsthalle»

Renate Puvogel, «Dan Flavin und Donald Judd in der Kunsthalle Baden - Baden,» Parkett, no. 22, 1989, p. 19 (illustrated) Rolf Gunter Dienst, «Dan Flavin: Staatliche Kunsthalle, Baden - Baden,» Das Kunstwerk, no. 2, June 1989, p. 95 Christian W. Thomsen, «Part 8: Light - Architecture - Media,» A + U, no. 310, July 1996, p. 120 (illustrated) David Batchelor, Minimalism, Cambridge University Press: London, 1997, p. 52 (illustrated) Michael Govan, Tiffany Bell, Dan Flavin: The Complete Lights 1961 - 1996, New York, 2004, no. 512, p. 368 (illustrated)

Doris Lasch shares insights on her most recent artist's book, The Imaginary Museum, developed together with Astrid Seme for the exhibition Exposed Exhibitions: Fotoarchiv der Kunsthalle Basel.

We asked the creative minds of Adam Csoka Keller and Evelyn Bencicova (6th Finger Studio) to take inspiration from our exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel and make a short film that would both represent it and act as an independent object based on their interpretations of it.

On the last day of the exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel, a public guided tour by curator Sören Schmeling will take place at 3 pm, in German.

This evening of lectures examines installation views and digital archives, on the occasion of the current exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel.

A public guided tour by the curator Sören Schmeling (in German), through the current exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel.

Raoul Müller, installation view, Forget it, 2013 - 2017 (front) and selected archival material «Archeology of Rooms» (back), Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel, Kunsthalle Basel, 2017.

Installation view of selected archival material «Contac Sheets,» Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel, Kunsthalle Basel, 2017.

Doris Lasch and Astrid Seme, installation view, The imaginary museum, 2017, Exposed Exhibitons — Fotoarchiv der Kunsthalle Basel, Kunsthalle Basel, 2017.

Public guided tour in German through the exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel and the solo exhibition The Cold Horizontals of Shahryar Nashat

Family Sunday A special program for the whole familiy in conjunction with the exhibition Exposed Exhibitions — Fotoarchiv der Kunsthalle Basel

Not exact matches

About the artist Wilhelm Sasnal (b. 1972, Tarnow, Poland) has had solo shows throughout Europe and the USA including those at Lismore Castle Arts, Ireland (2013); Haus der Kunst, Munich, Germany (2012); Whitechapel Art Gallery, London (2011); K21, Düsseldorf, Germany, and Centro De Arte Contemporàneo, Málaga, Spain (both 2009); Wilhelm Sasnal — Years of Struggle, Zacheta Narodowa Sztuki, Warsaw (2008); Matrix, The Berkeley Art Museum, Berkeley, California (2005); and Kunsthalle Zürich, Switzerland (2003).

Solo exhibitions included Kunsthalle, Bern (1989); Van Abbemuseum in Eindhoven (1990, 1997); the Belgian pavilion at the Venice Biennale (1993); Mies van der Rohe's Museum Haus Lange and Haus Esters in Krefeld (1995); Palais des Beaux - Arts, Brussels (1999); Museum Dhondt - Dhaenens in Deurle (2001) and Museum M in Leuven (2009).

2013 Salon der Angst, Kunsthalle Wien, Vienna 12th Biennale de Lyon, Lyon Pride Goes Before a Fall — Beware of a Holy Whore, Artists Space, New York Biennial of Moving Image, Contour, Mechelen Issues of our Times II, castillo / corrales, Paris Ljubljana Biennial of Graphic Arts, Slovenia Göteborg International Biennal for Contemporary Art, Göteborg, SwedenSweden

This exhibition is supported by the Kunsthalle der Hypo - Kulturstiftung, Munich; HypoVereinsbank, New York; The Mondriaan Foundation, Amsterdam; The Contemporary Arts Council of the Museum of Modern Art; The Junior Associates of The Museum of Modern Art; Goethe - Institut Inter Nationes; Visual Word Systems, JVC; Lawton Fitt; and Gregor Medinger.

He has had solo exhibitions at Schirn Kunsthalle, Frankfurt (2015), kestnergesellschaft, Hanover (2011), Museum der Moderne: Rupertinum, Salzburg (2010), Essl Museum of Contemporary Art, Klosterneuberg, Austria (2009), Hamburger Kunsthalle, Hamburg (2007), Centro de Arte Contemporáneo de Málaga, Spain (2007), Denver Art Museum, Colorado (2007), and Kunstmuseum Basel — Museum für Gegenwartskunst, Switzerland (2006).

A former student of Olafur Eliasson and participant of the Institut für Raumexperimente (Institute for Spatial Experiments), Charriere has exhibited his work — both individually and as a part of the collective Das Numen — at museums and in - stitutions worldwide, including the Parasol Unit Foundation for Art in London, Musée des Beaux - Arts de Lau - sanne in Switzerland, Centre Culturel Suisse in Paris, Haus der Kulturen der Welt in Berlin, Kunsthalle Wien in Vienna, Thyssen Bornemizsa Art Contemporary in Vienna, Neue Nationalgalerie in Berlin, The Reykjavik Art Museum in Iceland and at the Museum of Contemporary Art in Tokyo.

Vital has exhibited internationally at venues including the Solomon R. Guggenheim Museum, New York; Museum of Modern Art (MoMA), New York; The Arts Club of Chicago, Chicago; Ullens Centre of Contemporary Art, Beijing; Museum der Moderne, Salzburg; Kunsthalle Wien, Vienna; and the Kunsthalle Bielefeld, Bielefeld.

Visiting museum groups included tBelvedere Museum (Austria), The Power Plant Contemporary Art Gallery (Canada), Centre Pompidou (France), Musée d'Orsay (France), Palais de Tokyo (France), Pinakothek der Moderne (Germany), Stedelijk Museum (Netherlands), Mu - seo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Ser - ralves Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art (USA).

Other solo exhibitions have been staged at a number of institutions worldwide, including the Museo d'Arte Moderna, Rio de Janeiro, Brazil (1965); Stedelijk Museum, Schiedam, Netherlands (1968); Kunsthalle Bern, Switzerland (1969); Kunstmuseum Düsseldorf, Germany (1973); ICA, London, UK (1974); Contemporary Art Museum of Genoa, Italy (1995); Pinakothek der Moderne, Munich, Germany (2003); and Fondazione Zappettini, Milan, Italy (2011); and MASI, Lugao, Switzerland (2016).

Munich, Kunsthalle der Hypo - Kulturstiftung, Du Bist Faust: Goethes Drama in der Kunst, 2017 (another example exhibited).

More than 200 patron groups and leadership from museums around the world visited Frieze New York, including: Maria Balshaw (Tate), Richard Armstrong (Solomon R. Guggenheim Museum), Caroline Bourgeois (Louis Vuitton Moët Hennessey Foundation), Glenn D. Lowry (MoMA), Michael Darling (Museum of Contemporary Art of Chicago), Elena Filipovic (Kunsthalle Basel), and Diana Campbell Betancourt (Dhaka Art Summit); plus groups and leadership from the Andy Warhol Museum (The Warhol), USA, Dallas Museum of Art (DMA), USA, Contemporary Istanbul, Turkey, Centre Pompidou, France, Denver Art Museum (DAM), USA, Eli and Edythe Broad Art Museum, USA, Fine Arts Museums of San Francisco (FAMSF), USA, Institute of Contemporary Art, Boston (ICA Boston), USA, Israel Museum, Israel, Los Angeles County Museum of Art (LACMA), USA, Museo de Arte Latinamericano de Buenos Aires (MALBA), Argentina, Musée d'Art Moderne de la Ville de Paris, France, Musée D'Orsay, France, Museu de Arte de São Paulo (MASP), Brazil, Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Contemporary Art Chicago (MCA Chicago), USA, Museum of Contemporary Art, Los Angeles (MOCA LA), USA, Museum of Fine Arts, Boston (MFA Boston), USA, Nasher Museum of Art at Duke University, USA, National Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Denmark, Denmark, Philadelphia Museum of Art, USA, Pinakothek der Moderne, Germany, Seattle Art Museum (SAM), USA, Smithsonian's Hirshhorn Museum and Sculpture Garden, USA, Stedelijk Museum Amsterdam, Netherlands, Tel Aviv Museum of Art, Israel, Victoria and Albert Museum (V&A), United Kingdom, Virginia Museum of Fine Arts, USA, and Walker Art Center, USA, among many others.

Other recent solo exhibitions include those organized by Haus der Kunst, Munich (2012); LWL - Landesmuseum für Kunst und Kulturgeschichte, Münster; Centro de Arte Contemporáneo de Málaga, Spain (both 2011); Castello di Rivoli, Turin; Museum für Neue Kunst, Freiburg, Germany; Kunsthalle Wien, Vienna (all 2009); Műcsarnok Kunsthalle, Budapest (2008); Moderna Museet, Stockholm; and Sprengel Museum Hannover, Germany (both 2007).

(Tokyo Opera Art City Gallery, 2000), Counter Pieces (Galerie der Stadt Stuttgart, Germany, 2000), Count of Life (Art Sonje Center, Seoul and Art Sonje Museum, Gyeongju, Korea, 2002), Tatsuo Miyajima (Museo d'Arte Contemporanea Roma, Rome, 2004), Beyond the Death (Contemporary Art Museum, Kumamoto, Japan, 2005), Counter Voice (Contemporary Art Centre of South Australia, Adelaide, Australia, 2005), Art in You (Art Tower Mito, Japan, 2008), Time Train (Kunsthalle Recklinghausen, Germany, 2008), 38 (Mongin Art Center, Seoul, 2008), Time Train (Six, Osaka, Japan, 2010), Ashes to Ashes, Dust to Dust (Ullens Center for Contemporary Art, Beijing, 2011), Three Time Train / Counter voice on the Wall (Kunstmuseum St. Gallen, Switzerland, 2011), House Lives with Time (Han Family's House, Gahoe - dong, Seoul, 2012), LIFE I - model (SCAI THE BATHHOUSE, Tokyo, 2012), I - Model (Lisson Gallery, London, 2013), Life (Rhizome)(Buchmann Galerie, Berlin, 2013), KU (Lisson Gallery, Milan, Italy, 2014).

Their work has been presented in major art institutions such as the Hamburger Bahnhof in Berlin, Kunstverein Bregenz (Austria), Haus der Kunst in Munich, Domus Artium da2 in Salamanca (Spain), Schirn Kunsthalle in Frankfurt (Germany) and others.

Other venues that have presented recent solo exhibitions include Kunsthalle Bremerhaven, Germany (2012); Centro de Arte Contemporáneo de Málaga, Spain (2011); Haus der Kunst, Munich; Zach?ta National Gallery of Art, Warsaw (both 2008); M?csarnok Kunsthalle, Budapest (2007); and Museu Serralves, Porto, Portugal (2006).

His video work has been screened recently at Anthology Film Archives, New York; Evas Arche und der Feminist, Berlin; Kunsthalle Bern; the Kunstlerhaus Stuttgart; on www.keystoourheart.tv; and a selection of video works can be viewed anytime on ubuweb.

Doig has had major solo exhibitions at Tate Britain (2008), touring to Musée d'Art Moderne de la Ville de Paris and Schirn Kunsthalle Frankfurt, [16] Dallas Museum of Art (2005), Pinakothek der Moderne, Munich (2004), Bonnefanten Museum, Maastricht (2003), and Whitechapel Art Gallery, London (1998).

Her recent solo exhibitions were held at the following institutions, among others: Kunsthaus Graz (2017/2018), KINDL — Centre for Contemporary Art, Berlin (2017); Centre Pompidou, Paris (2016); Serralves Museum of Contemporary Art, Porto (2016); Hamburger Kunsthalle (2016); Ullens Center for Contemporary Art, Beijing (2015); Leeum, Samsung Museum of Art, Seoul (2015); Bonner Kunstverein (2014); Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg (2013); Haus der Kunst, Munich (2012); Kunsthaus Bregenz (2011); New Museum, New York (2010); and Walker Art Center, Minneapolis (2009).

Ernesto Neto's recent major solo exhibitions include Ernesto Neto, at the Museum of Contemporary Art Kiasma, Helsinki, Finland, 2016; Enresto Neto, KUNSTEN Museum of Modern Art Aalborg, Denmark 2016; The Jaguar and the Boa, Kunsthalle Krems, Krems an der Donau, Austria, 2015; Ernesto Neto and the Huni Kuin ~ Aru Kuxipa Sacred Secret, TBA21 — Augarten, Vienna, Austria, 2015; Haux Haux, Arp Museum Bahnhof Rolandseck, Remanagen, Germany, 2015; Ernesto Neto, Aspen Art Museum, Aspen, CO, 2015; Ernesto Neto: The body that carries me, Guggenheim, Bilbao 2014; O ABRIGO E O TERRENO: Arte e sociedade no Brasil, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2013; Fecundation, Loucura é parte da vida / Madness is part of life, Espace Louis Vuitton, Tokyo, 2012; Cuddle on the Tightrope, Nasher Sculpture Center, Dallas, TX.

Steinbach has held solo exhibitions at major museums worldwide including most recently The Menil Collection, Houston, Texas (2014); Kunsthalle Zurich and Serpentine Galleries, London (2014); CCS Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York (2013); Statens Museum fur Kunst, Copenhagen (2013 - 14); Berkeley Art Museum, UC Berkeley (2005); Haus der Kunst, Munich (2000); Museum Moderner Kunst, Vienna (1997); Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy (1995); Guggenheim Museum, New York with Ettore Spalletti (1993); and CAPC musée d'art contemporain, Bordeaux (1988).

Die Wohltat der Kunst, Post / Feministische Positionen der Neunziger Jahre aus der Sammlung Goetz, published by Sammlung Goetz and Staatliche Kunsthalle Baden - Baden, Germany, 2002, pp. 126 - 131 [ill.]

Ein Film als Kunstwerk, Kunsthalle Bremen (2015); Im Inneren der Stadt, GAK Gesellschaft für aktuelle Kunst Bremen (2015); Krankheit als Metapher, Kunsthaus, Hamburg (2014); Fremd & Eigen, Galerie im Taxispalais, Innsbruck (2013); Risc Society, MoCA Museum of Contemporary Art Taipeh (2013) and One On One, KW Institue for Contemporary Art, Berlin (2012).

2015Die Moderne der Frauen in Deutschland, Kunsthalle Bielefeld, Bielefeld, Germany Empathy and Abstraction.

a FUTURISTIC WORLD FAIR, Museum Dhondt - Dhaenens, Deurle, Belgium (2008) and South London Gallery, London (2007); and Kunsthalle Mannheim, Museum in der Alten Post, Muehlheim, (cat.)

His work was also included in Mahjong: Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern (2005), which traveled to the Hamburger Kunsthalle, Hamburg; Museum der Moderne, Salzburg; University of California Berkeley Art Museum and Pacific Film Archive; and the Peabody Essex Museum, Salem, MA.

Eitel's work has also been included in a traveling exhibition organized by Mass MocA (2004 - 2008) and in group shows at the Kunsthalle Wien, Vienna (2008 - 9); MART Museo di arte moderna e contemporanea di Trento e Rovereto, Italy (2008); Cleveland Museum of Art (2005); Rubell Family Collection, Miami (2004 - 8); Museum der Bildenden Künste, Leipzig (2003); and Frankfurter Kunstverein (2003).

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

[25] He has been the focus of several retrospectives at various international institutions, including the Műcsarnok Kunsthalle in Budapest, Hungary; Haus der Kunst in Munich, Germany; the Zachęta National Gallery of Art in Warsaw, Poland; the Tate Modern, London, England (2004); Museu Serralves, Porto, Portugal; Musee d'Art Moderne et Contemporain (MAMCO), Geneva, Switzerland (both 2006); and, most recently (2011) the BOZAR Centre for Fine Arts in Brussels, Belgium.

The Imagines (Berlin: Sternberg Press, 2014); «Sol LeWitt and the (Re --RRB- Birth of Wall Drawing,» essay in Auf Zeit / For the Time Being, exibition catalogue (Staatliche Kunsthalle Baden - Baden / Kunsthalle Bielefeld / Verlag der Buchhandlung Walther König, 2013).

Bettina Pousttchi has gained widespread attention recently with her large - scale, site - specific photographic work «Echo» (2009/2010) that involved covering the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin) with a digitally manipulated collage of archival images of the German Democratic Republic's Palast der Republik (Palace of the Republic).

Frize's work has been shown extensively internationally and has been the subject of numerous solo exhibitions, including Akademie der Künste, Berlin, Germany (2015), Fundação Calouste Gulbenkian, Lisbon, Portugal (2015), Berlinische Galerie, Berlin, Germany (2011), Musée d'Art Moderne de la Ville de Paris, Paris, France (2003), Haggs Gemeentemuseum, The Hague, Netherlands which travelled to Stedelijk Museum voor Actuele Kunst, Gent, Belgium (2002), Kunstverein St. Gallen Kunstmuseum, St. Gallen, Switzerland (2000), Chisenhale Gallery, London, UK (1994), Kunsthalle Zurich, Zurich, Switzerland (1993) which travelled to D.A.A.D. Galerie, Berlin, Germany (1994).

The recent project involved covering all four elevations of the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin), built in 2008 by Adolf Krischanitz and situated in the historical centre of Berlin, with a digitally manipulated collage of archival images of the glass skin and concrete pilasters of the nearby Palast der Republik (Palace of the Republic).

Haliti's work was present ¬ ed at venues including Mumok, Vienna; Kunsthalle Wien, Vienna; 6th Moscow Biennial, Moscow; Galerie für Zeitgenössische Kunst, Leipzig; Kosovo Art Gal ¬ lery, Prishtina; ZKM, Karlsruhe; Haus der Kulturen der Welt, Berlin; and Portikus, Frankfurt / Main.

Recent and upcoming solo exhibitions include White Cube, London (2016), Galerie Buchholz, New York (2015), Berlinische Galerie, Berlin (2013); MoMA P.S. 1, New York (2011); Portikus, Frankfurt (2010); Aspen Art Museum, Aspen (2010); KW Institute for Contemporary Art, Berlin (2009); Pinakothek der Moderne, Munich (2008); Malmö Konsthall, Malmo (2008); and Kunsthalle Bergen, Bergen (2008).

Among the artist's current and upcoming exhibitions are Essential Painting at the National Museum of Art in Osaka, Japan; Back to the Figure — Contemporary Painting at Die Kunsthalle der Hypo - Kulturstiftung in Munich, Germany; Zones of Contact: 15th Biennale of Sydney in Sydney, Australia; and The Moderna Exhibition 2006 at the Moderna Museet in Stockholm, Sweden (all 2006).

Past solo exhibitions include: Liam Gillick: From 199A - 199B, curated by Tom Eccles, Hessel Museum of Art, Annadale - on - Hudson, New York (2012) Liam Gillick: One Long Walk — Two Short Piers, Kunst - und Ausstellungshalle der Bundesrepublik, Deutschland (2009) and the travelling retrospective Three Perspectives and a Short Scenario, Kunsthalle, Zürich, organized by Beatrix Ruf (2008), Witte de With, Rotterdam, organized by Nicolaus Schafhausen (2008), Museum of Contemporary Art, Chicago, organized by Dominic Molon (2009).

Kim has shown at venues including: Kunsthalle Basel; The Queens Museum; STEIM, Amsterdam; Witte de With, Rotterdam; Haus der Kunst, Munich; Tranzitdisplay, Prague; the 2004 Gwangju Biennale, Gwangju; the 2008 Berlin Biennale, Berlin; Manifesta 8, Murcia; and Media City Seoul 2010, Seoul.

His work appeared recently in exhibitions and screenings at La Biennale de Montreal, Montreal (2014), Art as a Verb, Monash University Museum of Art MUMA, Melbourne, Australia (2014), MEDIACITY Seoul Biennial, Seoul Museum of Art, Seoul (2014); Passerelle Centre d'art contemporain, Brest, France (2014); Trafo House of Contemporary Art, Budapest (2014); CRAC Alsace, Altkirch, France (2014); 13th Istanbul Biennial, Istanbul (2013); Tate Modern, London (2013); Centre Culturel Suisse, Paris (2013); Sharjah Biennial 11, Sharjah, UAE (2013); Yerba Buena Center for the Arts, San Francisco (2013); Biennale Jogja XII, Yogyakarta, Indonesia (2013); The High Line, New York (2013); Askhal Alwan, Beirut (2013); Haus der Kulturen der Welt, Berlin (2012); La Triennale: Intense Proximity, Palais de Tokyo, Paris (2012); Argos Art Center, Brussels (2011); Kunsthalle Wien, Vienna (2011); Institut Mathildenhohe, Darmstadt, Germany (2011); Mass MOCA, North Adams (2010) and Ateliers de Rennes — Biennale dʼart contemporain, Rennes, France (2010) among others.

2012Effects & Affects: The Alphabet, curated by Tobias Madison and Martin Jaeggi, Fumetto Festival, Luzern, Switzerland The Piano Lesson, Vilma Gold, London Leigh Bowery, Kunsthalle, Vienna John Cage and... The visual Artist John Cage, Museum der Moderne, Monchsberg, Salzburg The Third Sculpture, Straat van Sculpturen, Amsterdam Dance Your Life, Pompidou, Paris Ocean, screening, Whitney Biennale, New York Michael Clark, screening, Whitney Biennale