Third, there is the representation or sign, perhaps
derived by abstraction from the object, in the respect.
Whitehead's approach here is crystallized in his «ontological principle,» that «whatever things there are in any sense of «existence,» are
derived by abstraction from actual occasions» (PR 73).
Not exact matches
The doctrine (widely held until recently) that «matter» itself is fully real (rather than an
abstraction,
derived from intellectual analysis of concrete really - existing things, as Aristotle held), and that such self - subsistent «matter» is intrinsically inert (as opposed to self - organizing), arguably reached its full flower in the late Renaissance.18 Part of contemporary divergence between theistic and naturalistic approaches may be understood to arise from overly complete internalization (
by both naturalists and theists) of the cosmology that emerged from the scientific revolution of the seventeenth century — the cosmology in which «matter» was full real, but intrinsically inert.
«My impression is that so much of the literature that has really dominated our thinking about the church
derives from generalized
abstractions about what the church ought to be or about what the evils of the church are
by theologians who are at best uncomfortable in trying to apply that to particular congregations.
By pairing the first - an abstract painting whose flat forms are schematic and
derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both
abstraction and representation.
Addressing concepts deeper than aesthetics — these four artists are influenced
by the light they experience, the color they
derive from their environment, and the focused study of nature through geometric
abstraction.
Adian resists
abstraction by giving each painting a title
derived from a narrative he has attached to it.
• Art Nouveau (c.1890 - 1914) An important precursor because of its style of decorative
abstraction,
derived from Celtic Art style curvilinear interlace, spirals, and knot patterns, notably employed in book - covers, textile, wallpaper designs
by William Morris, Arthur Mackmurdo, and others.