Sentences with phrase «derived drawing and printing»

Not exact matches

There's a rose - print pussy - bow silk blouse (the print derived from a 19th century rose tapestry which Michele drew inspiration from and also the anchor print of this collab), embroidered flared jeans and flowing dresses that will make you feel like a 60s flower child all over again.

Art historical, political, and historical references are layered deep in images like that of George W. Bush in The Ghost of Liberty: the 2004 drawing is derived from the artist's charcoal drawings Poor George after Philip Guston, which echoed Guston's Nixonian Poor Richard series from 1971, which in turn drew its title from Ben Franklin.32 More recent codices have addressed the global economic collapse: Illegal Alien's Guide to the Concept of Relative Surplus Value; and Escape from Fantasylandia: An Illegal Alien's Survival Guide [see Art in Print Vol.

The German term «Kupferstichkabinett» describes the special collection of prints and drawings within a museum, «kabinett» originally deriving -LSB-...]

The exhibition derives from the catalogue Conversations from the Print Studio: A Master Printer in Collaboration with Ten Artists, co-authored by Zammiello and Elisabeth Hodermarsky, Sutphin Family Senior Associate Curator of Prints, Drawings, and Photographs at the Yale University Art Gallery.

Her installation consists of a slide projection, a wall drawing, a series of photographs and scanned prints deriving from three different archives.

At MoMA, «Jasper Johns: Regrets» features two prints, in conjunction with two paintings and ten drawings, all created in the 18 months prior to the exhibition's March opening and all derived from a battered photograph of the British painter Lucian Freud.

The German term «Kupferstichkabinett» describes the special collection of prints and drawings within a museum, «kabinett» originally deriving from the small space within a castle where personal collections were kept by the wealthy and aristocratic.

Drawing on the Smart Museum's permanent collection, with selected loans from the University of Chicago's Library and the Oriental Institute, this intimate exhibition examines the Renaissance fascination with wings as symbols of speed and power through the influential histories of flight derived from the bird cult of Horus in ancient Egypt to the circulation of winged creatures in prints by Albrecht Dürer and others.

Derived from hand drawings and digital processes combined with chance operations, found materials and printing from discarded laser cut plates from architectural models, the result is a generative series of colorful, haptic and playful works intended to express ideas about the anxieties, fears, and instability experienced around the world.