Saint - Paul de Vence, Fondation Maeght, La Sculptures
des Peintres, July - October 1997 (another example exhibited).
1994 - Introduced to madame Bernadette Chirac on the occasion of the exhibition at the «Mairie du XII arrondissement Salon
des Peintres et Sculpteurs Contemporains».
Capogrossi was featured in several major exhibitions of Italian artists in the 1930s, including Exposition
des peintres romains in Paris in 1933 and the Quadriennale of Rome in 1935; following the latter, critics recognized him as one of the major figures in the renewal of Roman painting.
Not exact matches
[12] Impressionist artists formed a group, Société Anonyme Coopérative
des Artistes
Peintres, Sculpteurs, Graveurs («Association of Painters, Sculptors, and Engravers») which, despite internal tensions, mounted a series of independent exhibitions.
During the latter part of 1873, Monet, Pierre - Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme
des artistes
peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently.
In December 1873, Monet, Renoir, Pissarro, Sisley, Cézanne, Berthe Morisot, Edgar Degas and several other artists founded the Société Anonyme Coopérative
des Artistes
Peintres, Sculpteurs, Graveurs («Cooperative and Anonymous Association of Painters, Sculptors, and Engravers») to exhibit their artworks independently.
A French art critic called Sanjuan: le
peintre des rouges» because of his use of the color red in many of his paintings.