The Gee family sold the plantation to Mark Pettway in 1845, and most present - day residents, including many of the Gee's Bend quilters, are
descendants of slaves from the former Pettway plantation.
Others are descendants of the historical Trans - Saharan trade in peoples and / or, and after the Arab invasions of North Africa in the 7th century,
descendants of slaves from the Arab Slave Trade in North Africa.
Not exact matches
This social transformation represents a remarkable, unparalleled experience; in barely the span
of a generation, and with comparatively little violence, a despised and largely disenfranchised minority
descendant from chattel
slaves used the courts, the legislature, the press, and the rights
of petition and assembly
of the republic to force a redefinition
of their citizenship.
The American Black
slave is a
descendant from the God
of Jacob & the Star
of Jacob is Christ (Psalm 77:15) * Exodus 11:7 *
We're a long way
from the back - to - back Best Picture success
of «12 Years a
Slave» and «Birdman,» plus Oscar favorites like «The Grand Budapest Hotel,» «Slumdog Millionaire,» «Beasts
of the Southern Wild,» and «The
Descendants.»
They didn't know that we were a people
of different cultures,
descendants from the native Taino Indians, the Spaniards who colonized the island and the African
slaves who were brought unwillingly to the Caribbean islands.
The «American Colonization Society» was supported by two very different groups: abolitionists who wanted to free African
slaves and their
descendants and «repatriate» them, and
slave owners who feared free people
of color and wanted to expel them
from America.
The Garinagu are
descendants of Carib Indians (South American natives who settled on the Caribbean island
of St Vincent) and West Africans who were said to have escaped
from Spanish
slave ships in 1635 and made the island their home.
The Garifunas are
descendants of African
slaves who were deported by the British
from the Caribbean island
of St. Vincent in the mid1800s.
Finally, a quick run over the Williamsburg Bridge to the condemned Domino Sugar Factory for the stunning tour de force sphinx — its Aunt Jemima head bound in a bandana, its rump fleshing out a scatalogical valentine — that Kara Walker worked
from eight tons
of white sugar into a stinging visual metaphor for the sugar cane that America's
slaves harvested to enrich their masters and the refined processed sugar that is killing the
descendants of both.
In Codex, his most recently completed project, Biggers continues to probe these themes through another stylistic departure: painting on historical quilts, many
of which were gifts to the artist
from descendants of slave owners.
Jaar's light box and Dawit L. Petros» Act
of Recovery, a print
of people standing on a coast before a sunken ship, questions the ways the term African American, in its intended use for
descendants of African
slaves in the United States, obscures the identities
of South American
descendant of slaves and the more recent histories
of black immigrants living in the United States
from the Caribbean or Africa.