Not exact matches
A convinced Platonist, at least with regard to the existence of mathematical laws, Davies rejects the cultural view of mathematics merely
as a language created by
man to
describe the natural world; and like his colleague Roger Penrose (one of the foremost theoreticians on
black holes) he flatly asserts that mathematical laws have an existence of their own:
Suddenly she noticed several
men in
black suits and sunglasses «all looking super professional» along with what she
described as a herd of golf carts.
The driver was
described as a white
man between 45 and 55 years old with brown and gray hair, blue eyes and wearing brown or
black framed glasses with thick lenses.
Cuomo's counsel Alphonso David is on the cover of The Village Voice, which
describes him
as «
black, gay and the third most powerful
man in New York.»
Black men at the age of 83 had left her purse in a rapper and can be
described as speed.
Just a simple
black man that would best
describe himself
as spiritual, health conscience (not fanatical) at peace with himself and pretty laid back.
He's guided in his search by the latest victim's drawing of a
man she told a classmate she was meeting and whom she
described as a friendly giant in a
black station wagon.
The Oscar nominee will play the
Man in Black, described as «the distillation of pure villainy into one man.&raq
Man in
Black,
described as «the distillation of pure villainy into one
man.&raq
man.»
Goggins» wonderfully - played Chris Mannix, son of a famous Southern rebel, picks away at Warren's calm nature by reminding him of the horrible conditions he faced
as a
black man; later, Warren does the same with Dern's Gen. Smithers by
describing the sexual brutality he inflicted upon Smithers» son after the war.
If you're still with us, the outlet is reporting that Benicio del Toro's character is being
described as a classic
man in
black who will wear an all
black costume and is considered dangerous.
THR adds that Milauna Jemai («NCIS»), Julito McCullum («The Wire») and Kamahl Naiqui («Gossip Girl») also have been cast in the show, which is being
described as «a contemporary exploration of what it means to be a young,
black man in a supposedly post-racial America.»
Key and Peele alum Jordan Peele has
described his directorial debut, Get Out,
as a straight horror film about «the fears of being a
black man today» — and boy, he wasn't kidding.
A film that opens with the above epigraph, attributed to St. Augustine,
as white text over
black, and then segues into a stark confessional scene, in which an unknown
man describes his childhood molestation by a Catholic priest, holds out the promise of a raw emotional journey into how the hope and promise of Christianity collide with the sins of the Church, especially the sin of pedophilia.
- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception,
as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him
as an adult
man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen -
as for Salmon Run, they imagined it
as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that
describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on
Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
Hudson started out
as an artist himself — one of his performances was called «The Greek & French Arts» (he
described it
as «an art history porno cooking lesson»)-- and was almost shamanish in his affect, with his shaved head, evolving vaguely Burning
Man facial hair, and refusal to wear the usual art - world uniform of aloof - in - all -
black.
She
describes it
as portrait of a
black man with copper skin and brown eyes.
M Lamar
describes himself
as a «Negrogothic, devil - worshipping, free
black man in the blues tradition.»
In the exhibition catalogue, Tsai
describes the artist's program of righting the absence of nonwhite faces in art - historical masterpieces
as «using the power of images to remedy the historical invisibility of
black men and women.»
In both cases,
Black youths were
described as «
men,» their physical and sexual maturity greatly exaggerated,
as a means of engendering public sympathy for the White
men who committed the acts of killing.
Wilson goes on to
describe the perception by inner - city
black women that
men are not inclined to meet their responsibilities
as fathers or husbands.