Benny (Pauline Cousty) is an independent filmmaker, trying to make what
she describes as a horror film about horror films.
Despite being
described as a horror film, it feels more like a thriller, aside from a seemingly tacked on dream sequence / hallucination that tries to satisfy those looking for his father's trademark body horror.
Not exact matches
«He has previously
described the Prime Minister
as a dead woman walking who is on death row, and compared the Prime Minister to the living dead in a second - rate
horror film.
The findings prompt the authors to
describe children's cartoons
as «rife with death and destruction,» with content akin to the «rampant
horrors» of popular
films for adults given restrictive age ratings.
That isn't a short
horror film or,
as Buzzfeed
describes, a «suicide PSA» above.
I think it would be a great idea to have more diversity of content in this site (an early review of Beloved was a pleasant surprise some weeks ago) but right now the balance is definitely in favor of sci - fi, fantasy,
horror, action, and some crime
films created for a demographic probably best
described as «geek».
This is one of the few
horror films I've seen that I would
describe as beautiful and it's no wonder coming from Herzog.
Naturally, remaking such a revered
film is bound to lead to criticism, and the director has acknowledged that in an interview with The Guardian,
describing his take
as a homage to the
horror masterpiece, rather than a commercially - driven decision.
The
film is being
described as a new creature feature
horror - comedy, which is directed by Aaron Mento.
The obvious comparison for
horror film fans is William Friedkin's The Exorcist (1973), not only because of the subject matter of demonic possession but also because of what can only be
described as its maximalist style.
Featuring Howard Shore's hair - raising debut
film score, this deeply personal take on the trials of parenthood and the trauma of divorce — which Cronenberg
described as his version of Kramer vs. Kramer — establishes the mix of body
horror and psychological terror that would soon become the director's trademark.
Best
described as Home Alone meets Michael Haneke's Funny Games, the sadistic
horror comedy [Better Watch Out] is the kind of
film that's tough to categorise but easy to enjoy.
Director Josh Boone (The Fault in Our Stars) previously
described the
film as «a full - fledged
horror movie set within the X-Men universe,» saying «There are no costumes.
While it's not exactly a
horror movie — it's probably best
described as a siege
film —
horror fans will find much to enjoy.
To celebrate this anniversary, Anchor Bay Entertainment has packaged the three best
films in the series along with a documentary on the Halloween phenomenon in a gorgeous display package featuring what they
describe as «an exclusive display replica of the Michael Myers mask, which has become THE face of
horror for the last three decades [sorry, head not included]!
At the SXSW Q&A, Austin - based director Michael Tully jokingly
described his latest effort Don't Leave Home
as «Hereditary for old people», which may be an apt comparison but it belies the true spooky power of a more delicate
horror film.
Described as an «existential
horror film,» «The Details» can't quite reach the same level of excellence
as The Coen Brothers» recent «A Serious Man,» another
film about a man being punished (or rewarded) by fate based on his actions.
The
film is being
described as an old style action driven
horror comedy in the same vein
as films like Slither and Tremors.
The musical score combined with the familiar songs topped with amazingly subtle (and some not so subtle) effects makes this best
described as an artsy
horror film meshed with a crackling psychological thriller held together by nightmarish melodrama.
Gomez - Rejon
film credits include the
horror movie «The Town That Dreaded Sundown,» which has been
described as a meta - sequel to the 1976
film of the same name.
And some may argue that Black Swan deserves inclusion in this select Best Picture group — although this 2010 dance - dance - scarevolution is probably more accurately
described as a psychological
horror film.
Perfectly
described as «
horror film that takes from Stanley Kubrick's steamy cult thriller Eyes Wide Shut and sends it to Dario Argento's hell.»
This is
described as a retro
horror that is like «The Blair Witch Project meets The Descent», and it's
filmed to look like it was made in the 70s with Super 8 cameras.
Some reviews have
described Goodnight Mommy
as «art
horror» — which I suppose it is, in the sense that this is a highly formal, intensely poised, somewhat detached piece which only comes to resemble any recognizable commercial
horror film in the last half hour, when things get a little conventionally grisly.
Some might
describe it
as tonally schizophrenic or less than the sum of its calculated parts, perhaps feeling a bit tricked by being lured into a psychological
horror film whose full - blown depravity takes a while to develop, like a Polaroid.
LMD: I've heard I Saw the Devil
described by different people
as a crime
film, or a
horror movie, or an exploitation
film.
While these
films are physically violent, and haunting, Amour is both violent and haunting in an entirely different way, the Telegraph even
described it
as a «
horror» which in many ways it truly is.
Director Guillermo del Toro has
described the script for his upcoming
film Crimson Peak, his first ghost - themed
horror film since The Devil's Backbone,
as a classic Gothic romance with a mix of kinky and scary moments, set in a haunted house in England.
Refn's new
film, The Neon Demon, will reportedly feature an all - female cast and is being
described by its director
as «a
horror film about...
The
film has been
described as containing the Marvel universe's first «
horror scenes», though this superhero
horror angle is absent from the first trailer.
Fox remains to play this one close to the vest, but according to ComingSoon, the
film is eying a Spring 2018 release date and is being
described as «a Stephen King meets John Hughes
horror movie,» similar to last summer's Netflix hit Stranger Things.
While Ginger Snaps is too uneven to be
described as a good
film on the whole, those who enjoy teen
horror of today (The Faculty, I Know What You Did Last Summer, and the aforementioned Buffy), will probably take readily to this lesser known flick in the mini-genre, mostly because it sports more quality in terms of acting, directing and writing.
Key and Peele alum Jordan Peele has
described his directorial debut, Get Out,
as a straight
horror film about «the fears of being a black man today» — and boy, he wasn't kidding.
So I'm grateful for 1959's «Eyes Without a Face,» which critic Pauline Kael
described as: «perhaps the most austerely elegant
horror film ever made.»
No plot information is available just yet, but The Neon Demon has been
described as «a
horror film about vicious beauty» set in Los Angeles.
Until Dawn is what can only be
described as an interactive
horror film, paying homage to a multitude of
horror tropes and clichés and harks back to the... [Read full story]
Screening: AMBOY at the Kitchen AMBOY, a
film originally produced by Frances Scholz and Mark von Schlegell for an exhibition at the CCA Wattis Institute for Contemporary Arts in San Francisco, is
described by the artists behind it
as a
horror - documentary hybrid.
AMBOY, a
film originally produced by Frances Scholz and Mark von Schlegell for an exhibition at the CCA Wattis Institute for Contemporary Arts in San Francisco, is
described by the artists behind it
as a
horror - documentary hybrid.