The driver was
described as a white man between 45 and 55 years old with brown and gray hair, blue eyes and wearing brown or black framed glasses with thick lenses.
Not exact matches
Nixon's
White House was notoriously paranoid — one
man once
described it to me
as a «pirate ship,» with knives out against one another and a general position of distrust of everyone and everything outside of it.
Today, in fact, the charismatic D'Aubuisson — a
man widely linked to the death squads, a
man described by former U.S. Ambassador Robert
White as «a pathological killer» — is probably the most powerful individual in El Salvador.
They
described one suspect
as a
man between the ages of 55 and 60 with short
white hair and medium to stocky build.
A young African - American
man (Daniel Kaluuya) and his
white girlfriend (Alison Williams) visit her parents (Bradley Whitford and Catherine Keener), the sort she
describes as folks who would have voted for Obama a third time.
Capsule reviews of The Landlord typically
describe it
as a bildungsroman in which an emotionally stunted
white man comes of age through his first - hand encounter with the realities of African - American life.
Thus was born the story of Kennedy's presidency
as a golden period,
described as «a magic moment in American history, when gallant
men danced with beautiful women, when great deeds were done, when artists, writers, and poets met at the
White House, and the barbarians beyond the walls held back.»
Considering the specific focus on its
white characters, and with Keith
described later
as being treated like a child despite being very much an adult, there's a compelling hint to his societal privilege, the way that American culture can baby grown
white men like Mark Zuckerberg or Jared Kushner when they're in trouble.
A film that opens with the above epigraph, attributed to St. Augustine,
as white text over black, and then segues into a stark confessional scene, in which an unknown
man describes his childhood molestation by a Catholic priest, holds out the promise of a raw emotional journey into how the hope and promise of Christianity collide with the sins of the Church, especially the sin of pedophilia.
In the narrative spirit of The Devil in the
White City, Dr. Mütter's Marvels interweaves an eye - opening portrait of nineteenth - century medicine with the riveting biography of a
man once
described as the «P. T. Barnum of the surgery room.»
In both cases, Black youths were
described as «
men,» their physical and sexual maturity greatly exaggerated,
as a means of engendering public sympathy for the
White men who committed the acts of killing.