The only real departure from PDK's approach is that government funding is
described in some neutral way, without the pejorative «at public expense» — a phrase that no one but PDK is inclined to use.
Although not the most exciting
way to
describe long loves
in our closet, the words «classic» and «
neutral» has taken a pleasant twist.
[6] Her choice of penmanship paper is significant,
in an interview with Jessica Morgan, she says «the sense of a
neutral surface that can accommodate any mark seems an ideal
way of communicating freedom,» [16] which is
described by her as «idiosyncratic» and «inscrutable».