Not exact matches
His recent projects range from character - driven films
shot in crowded antiques stores to soothing stills that capture the solitude of barren
desert landscapes.
An early
shot from ace cinematographer Robrecht Heyvaert starts with an epic
desert landscape then cuts back to reveal that widescreen vista in the lens of aviator sunglasses worn by Richard (Kevin Janssens), a handsome dude exuding smugness from every pore.
In a series of still
shots, the sun rises on the dawn of civilization in a primordial
landscape of arid, wasteland
desert.
Scott wants to stick with a plotline that is barely even there, while McCarthy likes to explore his morally ambiguous characters with a depth that most directors would find too ponderous and verbose to wrap a motion picture around, and certainly Scott exhibits little patience in the more talk - heavy moments that emerge, hastily jumping to the comfort of more fluid endeavors and exhilarating
shots of the scenic
desert landscape.
- Bob [DISAPPOINTED] An exquisitely
shot film with endless
desert landscapes and featuring a great soundtrack ranging from Ace of Base to Culture Club.
His overhead
shots of the Mexican
desert were bleached and reeking of death, while his
landscape shots (also bleached and reeking of death) had a storm on the horizon nearly every time.
The opening
shot reveals a lonely subdivision in the middle of the
desert outside of Las Vegas, where people come and go after living without many personal attachments to notice, casino employees hold jobs with odd hours, and no one questions that the neighbor is performing major
landscaping work in the middle of the night.
Time as Perspective (2012) was
shot in a
desert landscape in Texas.
Noémie Goudal's Telluris, a series of images
shot in the Californian
Desert, investigates ideas about the formation of the Earth's
landscape.
The photographer has always liked to capture variations in natural light, and natural light predominates in the photos inspired by Judd: It is the light of Marfa's
desert landscape, reflected in the metal and changing from one
shot to another.
Three large projections show a selection of black and white images from Australia's
desert landscape surrounding the town of Alice Springs; an unspecified ocean view that melts into footage of a flock of birds flying across the
desert sky, and color
shots that linger of the interior of an abandoned house in the south of France brought to life with Sawa's recurring and signature animations: a ferris wheel, flying birds, a tree with fluttering leaves and a rising moon.