Sentences with phrase «design editor robert»
Design editor Robert Cumberford chimed in, «Ugly?
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As design editor Robert Cumberford notes, «If someone else has a vehicle you don't make one.
Design editor Robert Cumberford called it an «attractive, chubby, chunky, tall hatchback [that] will find a ready market.»
Click here for more photos and full specifications on the all - new 2016 Chevrolet Camaro, and then read < a href = «design editor Robert Cumberford's analysis of the new car's styling.
To design editor Robert Cumberford's delight, the front and rear «sphincters» in the lower intake and rear diffuser don't seem to have made it into production.
Long - time AUTOMOBILE design editor Robert Cumberford summed it up perfectly when he drove the Rolls - Royce Phantom in 2013: «Rolls - Royce once advertised itself as «the best car in the world.»
Design editor Robert Cumberford recently noted that the Giulietta is too derivative of other Alfas, but that obviously doesn't bother the typical American.
The Maxima is completely restyled, and we're glad to say that the effort has been largely successful (see design editor Robert Cumberford's analysis on page 24).
Its cars are well - made, good performers, and — above all — good - looking,» wrote design editor Robert Cumberford.
Even though design editor Robert Cumberford dismisses it with «nice little car, but absolutely nothing original about it,» it still looks great and shows that Kia continues its upward march.
When we named the Nissan 300ZX our 1990 Design of the Year, design editor Robert Cumberford compared this sports coupe with the benchmark Porsche 944, saying, «At long last, and for the first time, the Japanese have achieved parity with European cars of impeccable heritage.»
Design editor Robert Cumberford found the car «quiet, smooth, and well able to stay with traffic.
In this Automobile Magazine video, a few of our editors, including European bureau chief Georg Kacher, editor - in - chief Jean Jennings, automotive design editor Robert Cumberford, and New York bureau chief Jamie Kitman, give their take on the most important takeaways from the show this year.
Design editor Robert Cumberford is more succinct: «I would happily own one.»
During our 2017 All - Stars competition, our esteemed automotive design editor Robert Cumberford succinctly summed up the nature of Korea's lone entry, the 2017 Genesis G90, noting: «The Koreans have made a very nice Detroit car that Detroit can't or won't make for itself.»
About those looks: When the Avalanche was unveiled at the 2000 Detroit auto show, design editor Robert Cumberford noted that «the stylists went crazy with their excess cladding.
«There ought to be something about a design that gives it more individuality, more character, and more desirability than the LS460 can muster,» wrote design editor Robert Cumberford.
What it beat: Ford Escort, Honda Prelude, Jaguar XK8, Toyota Camry You probably didn't know: Design editor Robert Cumberford proposed that the GM EV1 be considered but was shouted down by the other judges.
Not that anyone complained about that, including design editor Robert Cumberford.
Design editor Robert Cumberford summed up what many thought of it.
That's no bad thing, as the Maserati Alfieri concept from earlier this year drew praise from our design editor Robert Cumberford, who called it «a dramatic and beautiful contemporary GT.»
Design editor Robert Cumberford even finds the Continental's grille reminiscent of a Kia.
As for how the new 2019 Bentley Continental GT has evolved exterior wise, we'll defer to our esteemed automotive design editor Robert Cumberford.
Design editor Robert Cumberford and I mostly just stared at it speechless until we couldn't take it anymore.
Not exact matches
Crew: Camera (Technicolor, Panavision), Frank Tidy; editors, Robert A. Ferretti, Dennis Virkler, Don Brochu, Dov Hoenig; music, Gary Chang; production design, Bill Kenney; art direction, Bill Hiney, set design, Al Manzer; set decoration, Rick Gentz; costume design, Richard Bruno; special effects coordinator, Thomas L. Fisher; stunt coordinator, Conrad E. Palmisano; assistant director, Tom Mack; casting, Pamela Basker.
Crew: Camera (color), Michael Cardone; editor, Thomas Meshelski; production design, William Maynard; art director, Linette Forbes Shorr; music, Robert Folk.
The Woman on the Beach (1947) U.S.A. Production Company / Distribution: R.K.O. Producer: Jack J. Gross Screenplay: Jean Renoir, Frank Davis, J. R. Michael Hogan, from the novel None So Blind by Mitchell Wilson Photography: Harry Wild, Leo Trover Production Design: Albert d'Agostino, Walter E. Keller Sound: Jean L. Speak, Clem Portman Music: Hanns Eisler Editors: Roland Gross, Lyle Boyer Cast: Joan Bennett (Peggy Butler), Robert Ryan (Scott Burnett), Charles Bickford (Tod Butler), Nan Leslie (Eve), Walter Sande (Vernecke)
Distribution: United Artists Producers: Robert Hakim, David L. Loew Assistant Director: Robert Aldrich Screenplay: Jean Renoir, Hugo Butler, from the novel Hold Autumn in Your Hand by George Sessions Perry Photography: Lucien Andriot Production Design: Eugène Lourié Sound: Frank Webster Music: Werner Janssen Editor: Gregg Tallas Cast: Zachary Scott (Sam Tucker), Betty Field (Nora Tucker), Beulah Bondi (Grandma), J. Carrol Naish (Devers), Percy Kilbride (Harmie Jenkins), Norman Lloyd (Finlay), Charles Kemper (Tim)
Robert Wayne Cumberford (born August 4, 1935) is a former automotive designer for General Motors, author and design critic — widely known as Automotive Design Editor and outspoken columnist for Automobile magdesign critic — widely known as Automotive Design Editor and outspoken columnist for Automobile magDesign Editor and outspoken columnist for Automobile magazine.
The panel discussion, titled «Practical Makes Perfect: Design in the Age of Obama,» will be moderated by Lasky and will include panelists Per Bornstein, architect, Bornstein arkitekter and «Design S» juror; Katherine Nelson, editor, Metropolitan Home; and Robert Langhorn, visiting assistant professor, Industrial Design, Pratt Institute.
Judd, Donald, «In the Galleries: Robert Rauschenberg, Arts Magazine, January 1962,» in Complete Writings, 1959 — 1975: Gallery Reviews, Book Reviews, Articles, Letters to the Editor, Reports, Statements, Complaints (Halifax: The Press of Nova Scotia College of Art and Design 1975), 42.
Azbee Category: Print > Regular Department Title of Entry: Opening Statements Awarded to: Liane Jackson, Assistant Managing Editor; Robert Fernandez, design director
The ZERO TO THREE Journal was founded in 1980 Sally Provence, Editor 1980 — 1985 Jeree Pawl, Editor 1985 — 1992 Emily Fenichel, Editor 1992 — 2006 Editor Stefanie Powers Designer Cassandra Olson Executive Director Matthew E. Melmed ZERO TO THREE Board of Directors Robert M. Chang Catherine E. Monk Lia Dean Ann Pleshette Murphy Helen Egger Brian A. Napack Robert Emde Michael R. Olenick Walter Gilliam Jeree H. Pawl Mary Margaret Rizwan Shah Gleason Paul G. Spicer Brenda Jones Harden Eugene Stein Donna Levin Mindy Stein Alicia F. Lieberman Barbara Thompson John Love Ross Thompson Matthew E. Melmed Ginger Ward Andrew N. Meltzo Charles H. Zeanah Lisa Mennet Directors Emeriti T. Berry Brazelton Samuel J. Meisels Kyle D. Pruett Founding Members T. Berry Brazelton Selma Fraiberg Stanley I. Greenspan J. Ronald Lally Bernard Levy Reginald S. Lourie Production Manager Jennifer Moon Li Design Services K Art & Design, Inc..
The elegant Algonquin Hotel, designed by Goldwin Starrett and opened in 1902, was a gathering place for famous writers, actors, editors, critics and playwrights — including Dorothy Parker, Robert Benchley, Alexander Woollcott, Harold Ross, Tallulah Bankhead and Harpo Marx — whose regular «Round Table» meetings (or vicious circle, since the members thrived on gossip and pranks) helped make the hotel even more famous.