Sentences with phrase «design on films like»

For what it's worth, the soundstage during the diving - through - the - wreck scenes is effective, adding creaks, rumbles, bubbling water, and other noises to an enveloping aural environment, and it may have helped point the way for later, claustrophobic multi-channel sound design on films like Das Boot and Master and Commander: The Far Side of the World.

Not exact matches

On Monday, the startup unveiled a new toy robot that former animators from film studios like DreamWorks (dwa) and Pixar helped design.

The world may someday be full of pop - up images like those imagined in the film Jurassic World, where museum patrons walk through a hall where a projected dinosaur image stands on display, or like the free - standing visuals used by the character Tony Stark in designing his metal suits in the Iron Man films.

They created patterns on a film, much like the design for a computer chip.

BIOHM maintains total digestive balance, because not only was it designed to balance both the bacteria and fungi in your gut, it was also optimized to break down digestive plaque, a thick film on your gut's lining that acts like a protective shield over bad bacteria and fungi.

Our products are strategically designed to balance both the bacteria and fungi in your gut, and break down digestive plaque — a thick film on your gut's lining that acts like a protective shield over bad bacteria and fungi.

As it happens, the Ireland - based studio was also responsible for producing world - class Oscar nominees «The Secret of Kells» and «Song of the Sea,» and though Nora Twomey worked on both films, «The Breadwinner» marks her solo directing debut, employing a similarly bold graphic style in its telling («hand - drawn» via a program called TVPaint), augmented by colorful story - within - the - story interludes designed to look like stop - motion.

I've never played the Konami games on which this series is based, but they certainly must be more lovingly produced than this cheap thing (its crispy, bright, digital presentation makes the first film look like a voluptuous cradle of generous budgeting and production design).

He's also worked on concept art and character designs for films like Blodd: The Last Vampire, Hell Boy, and Sucker Punch.

On paper, the film seems like a typical paint - by - numbers haunted house affair, but, thanks to Sandberg's slick direction, great production design and an effective soundtrack, it is elevated to something more.

The driving force behind the new adaptation from Kenneth Branagh seems to be nothing more than replicating the success of Lumet's film, and to that end the 2017 Murder on the Orient Express features a stacked cast, lavish artistic design, and a comfortingly familiar plot that goes down like comfort food.

I did like Marco Beltrami's atmospheric score, and felt it really enhanced the moody design of the overall film (even if said mood dragged on and on and on...).

These tend to be moments where the film's oppressive sound design fades out, such as when the roar of a Spitfire engine goes silent as the plane glides over the sea, or when Dawson's boat putters past a retreating destroyer completely filled with evacuees who stand stock - still on deck like pigeons, gazing at the boat with thousand - yard stares.

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the other was the opportunity to finally be introduced to his feature - length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former film's shadowy companion piece.

In fact, the best thing about the film is when it captures what it's like to be on the side of a mountain, a sheer cliff face that really wasn't designed by Mother Nature to be inhabited by humans.

It may not be strictly speaking a horror film — it's not scary or particularly unsettling apart for a few exquisitely created images — but it is breathtakingly lovely, visually composed like a painting, scored and sound designed by Toru Takemitsu with a spareness that leans on silence, and suffused in sadness, regret, and loss.

Broken into eight pieces but flowing like one long consistent companion, it covers adaptation; casting; characters; costumes, hair and make - up; set design; training and stunts; filming on location in North Carolina; adding visual effects; editing; scoring; sound mixing; and the film's premiere and reception.

I would marvel at the ingeniously designed video covers for films like Dead Alive, Halloween 5: The Revenge of Michael Myers, The Blob, A Nightmare on Elm Street 4: Dream Master, Cutting Class, Chopping Mall and Fright Night amongst many, many others.

But those high tech toys were like big kid fantasies come alive, magnificently designed vehicles rolled out as lovingly detailed miniatures with a sense of awe and wonder, and the success of the spawned two feature films that upped the ante on the spectacle.

Blu - ray Highlight: «Behind the Scenes of Kevin» isn't your typical making - of featurette, but rather an intelligent discussion about the movie with interviews from the cast and crew on a number of topics like adapting Lionel Shriver's controversial novel for the big screen, casting, production design and the film's various themes.

Some more traditional California - culture designs were also on the lawn, like the 1964 Surfite build which has been a mainstay of modern «Surf - Culture» art shows since appearing in Life Magazine and the film «Bikini Beach» in the 1960s.

He's also worked on concept art and character designs for films like Blodd: The Last Vampire, Hell Boy, and Sucker Punch.

Playing on the shapes of different pastas, Nikita transforms the Italian staple food into various hairstyles — from the long and sleek spaghetti to the wild and curly macaroni, each package design includes an illustration of a woman with a clear film offering a view of the pasta inside, making it look like their own tamed manes.

While the iMac offers plenty for most people working in Web design or for people who are editing video for publication on social platforms like Facebook, more is needed for other tasks, like editing feature films and 8K digital video, VR development, scientific modeling, special effects work, and more.

People go extra mile to make their resumes «eye catching» by designing them in 3D, like a film reel, a board game and even on t - shirts!

PS - If you'd like to check out the footage we filmed while we were working on the backdrop this space, head on over to The Design Network.

So when the Edmonton - born, L.A. - based writer of the bestselling memoir Everything Is Perfect When You're a Liar — who's also authored television pilots and movie scripts and appeared in film and on TV with the likes of James Franco and Nicole Richie — moved into a new home with her husband and their three kids, Orlando was the obvious choice to head up its design.