New highlights include the Yves Saint Laurent Paris Museum; Lafayette Anticipations, a Rem Koolhaas -
designed exhibition tower opened by Galeries Lafayette; the Atelier des Lumières, a digital arts center housed in a former foundry in the 11th; and La Monnaie de Paris (the Paris Mint), which has completed a transformation into a contemporary art center overlooking the Seine River.
Not exact matches
Their
design expands on the «raw and robust» original buildings with two steel frame lanterns offering additional
exhibition space, and brings the
towers back in touch with the wider complex they once supplied.
Featuring a 24 carat gold leaf wall painting, a 13 - storey high
design on a
tower block and 5000 - word film script handwritten directly onto the gallery walls, the
exhibition draws visitors through the SLG's new and existing spaces with a variety of approaches to making art directly on the walls.
In one of the
exhibition's main galleries, they have restaged the Tribune challenge, inviting 16 contemporary architectural practices to
design and fabricate a
tower for the building's current site.
She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and
design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking
exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price
Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cul
Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic
tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cul
tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.
In 2009, the artist made his US solo debut at RARE, followed in 2010 by a one - person
exhibition at The Atrium at 101 California in San Francisco, an office
tower designed by Philip Johnson, and a solo turn at Gregory Lind Gallery also in San Francisco.
Talks will take place every 30 minutes from 11:00 a.m. to 4:00 p.m. 11:00 a.m. Kate Lewis, The Agnes Gund Chief Conservator, speaks about Rachel Whiteread's Water
Tower (1998) 11:30 a.m. Mack Cole - Edelsach,
Design and Production Manager, and Matthew Cox,
Exhibition Designer, Department of
Exhibition Design and Production, speak about Robert Rauschenberg's Autobiography (1968) 12:00 p.m. Paulina Pobocha, Assistant Curator, Department of Painting and Sculpture, speaks about Louise Bourgeois's The Quartered One (1964 — 65) 12:30 p.m. Lana Hum, Director,
Exhibition Design and Production, speaks about Lee Bontecou's Untitled (1961) 1:00 p.m. Pamela Popeson, Architecture and
Design Preparator, speaks about Lester Beall's Rural Electrification Administration (1937) 1:30 p.m. Paola Antonelli, Senior Curator, Department of Architecture and
Design, speaks about Gilbert Baker's Rainbow Flag (1978) 2:00 p.m. Peter Reed, Senior Deputy Director for Curatorial Affairs, and Jennifer Gray, Project Research Assistant, Department of Architecture and
Design, speak about Frank Lloyd Wright's Rosenwald School, Hampton Normal and Agricultural Institute, Virginia.
Installed in the Frank Lloyd Wright —
designed rotunda and the Thannhauser Gallery on
Tower Level 2, this
exhibition showcases the museum's exceptional modern holdings as organized through the perspectives of six proponents of the avant - garde who intersected with the Guggenheim Foundation in the early decades of its history and gave their personal collections, in whole or in part, to the institution.
Additions were added over the years but it received a radical facelift in 2005 with the addition of 3 glass circular
towers designed by architect Jean Nouvel and some extra
exhibition space.
Japanese architect Kengo Kuma has
designed a pavilion for hosting traditional tea ceremonies on the deck of a Vancouver
tower, coinciding with an
exhibition of his work across the street.