Sentences with phrase «designed the exhibition catalog»
Cornell exhibited at the landmark 1932 «Surréalisme» exhibition (for which he also designed the exhibition catalog cover) held at the Levy Gallery and had his first solo exhibition («Objects by Joseph Cornell: Minutiae, Glass Bells, Coups d'Oeil, Jouet Surréalistes») there in November of the same year.
https://www.britannica.com/ Not exact matches
Through dynamic spreads, you'll discover the Berlin - based studio Hort's transformative campaign for Nike; Base's responsive, flexible logo for Munich's Haus der Kunst museum; how design agency Bond worked with ArtRabbit, a website and app that catalogs contemporary art exhibitions, on a clever identity rollout; and how John Haslam, managing director of bespoke paper company G.
2016 — Invitation, Northern, Southern Gallery, Austin, TX 2014 — A Catalog, Tiny Park Gallery, Austin, TX 2013 — Two Person Exhibition with Jamie Panzer, Tiny Park Gallery, Austin, TX 2013 — Friends and Family, Gallery Black Lagoon, Austin TX 2013 — Oil & Water, Gallery Black Lagoon, Austin TX 2012 — Tenses of Landscape, University of Arkansas, Fayetteville, AR 2010 — Scape, Nicole Villeneuve Gallery, Chicago IL 2010 — Journeymaker, 1539 West Haddon, Chicago IL 2010 — Midnite Snacks ‐ Chicago, 1366 Space, Chicago IL 2009 — Big Youth, Corbett Vs. Dempsey, Chicago IL 2008 — Faculty Show, Harrington College of Design, Chicago IL 2008 — Somewhere, Elsewhere, Linda Warren Projects 2007 - 2010 — Art Chicago, Linda Warren Projects 2006 — MFA Show, G2, Chicago IL 2005 — Love 8, SUGS Gallery, Chicago IL 2005 — Nova Young Art Fair, Devening Projects, Chicago IL
Exhibition catalog designed by Nate Phelps.
Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988
117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
Catalog for an exhibition held at David Nolan Gallery, New York December 10, 2011 - January 21, 2012 Published by Corbett vs. Dempsey in conjunction with David Nolan Gallery Includes an essay by John Corbett Design by Sonnenzimmer cvsd0054 softcover, 100 pages, 9 x 7 inches ISBN: 0983725837
The exhibition is accompanied by an illustrated catalog published by The Noguchi Museum and designed by Nicholas Weltyk.
Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pExhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pexhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94
This catalog was produced on the occasion of the exhibition ARLENE SHECHET In the Meantime April 27 — May 27, 2017 Corbett vs. Dempsey 1120 North Ashland Avenue, 3rd Floor Chicago, IL 60622 Tel. 773-278-1664 www.corbettvsdempsey.com Text John Corbett Publication Editor Emily Letourneau Photography Lee Stalsworth Phoebe d'Heurle Arlene Shechet Catalog Design David Giordano First printing, edition of 1,000 Printed on 100 # Classic Crest Eggshell cover stock And 100 # GPA Silk text stock Typefaces: ITC Cheltenham Std, Nueu Haas Grotesk Text Std © 2017 Corbett vs. Dempsey All rights reserved All works © Arlene Shechet 2017 ISBN 978 -0-9974995-9-9 Printed in Illinois Ccatalog was produced on the occasion of the exhibition ARLENE SHECHET In the Meantime April 27 — May 27, 2017 Corbett vs. Dempsey 1120 North Ashland Avenue, 3rd Floor Chicago, IL 60622 Tel. 773-278-1664 www.corbettvsdempsey.com Text John Corbett Publication Editor Emily Letourneau Photography Lee Stalsworth Phoebe d'Heurle Arlene Shechet Catalog Design David Giordano First printing, edition of 1,000 Printed on 100 # Classic Crest Eggshell cover stock And 100 # GPA Silk text stock Typefaces: ITC Cheltenham Std, Nueu Haas Grotesk Text Std © 2017 Corbett vs. Dempsey All rights reserved All works © Arlene Shechet 2017 ISBN 978 -0-9974995-9-9 Printed in Illinois CCatalog Design David Giordano First printing, edition of 1,000 Printed on 100 # Classic Crest Eggshell cover stock And 100 # GPA Silk text stock Typefaces: ITC Cheltenham Std, Nueu Haas Grotesk Text Std © 2017 Corbett vs. Dempsey All rights reserved All works © Arlene Shechet 2017 ISBN 978 -0-9974995-9-9 Printed in Illinois CvsD0110
Catalog for an exhibition held at Corbett vs. Dempsey September 6 — October 19, 2013 Includes an interview between John Corbett & Rebecca Morris Design by Sonnenzimmer cvsd0070 softcover, 64 pages, 9 x 7 inches ISBN: 978 -0-9884492-9-9
Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004
Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.
I recently scanned my catalog of the 1966 catalog for Walter Murch, A Retrospective Exhibition by the Museum of Art, Rhode Island School of Design.
Catalog from the exhibition «Design to Live With,» October 7 — 22, 1950, at the Dallas Museum of Fine Arts in Dallas, Texas.
Catalog from the juried «1st Southwest Furniture Design Competition and Exhibition,» January 19 — February 16, 1958, held at the Dallas Museum of Fine Arts.
EXHIBITION CATALOG Stefan Behlau / Dennis Loesch — Good Morning, Hallo, with texts by Kito Nedo and Anka Ziefer, MMKoehn Berlin / Leipzig 2016, graphic design: Kay Bachmann, photographs: Jens Ziehe, translations: Lisa Voigt, German / English, ISBN 978 -3-944903-29-3, 20 Euro.
A catalog designed by Miami graphic designers Lemon Yellow with an essay by photography writer Vicki Goldberg accompanies this exhibition, defining women as dynamic image makers using a medium in relentless flux.
Designed by Miami - based graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Frances Trombly.
Gates's visual identity work will be used in the design for the exhibition catalog, VIP brochure and bag, and all printed materials.
Designed by Miami graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Trombly, an artist born and raised in Miami.
He has published numerous essays on modern and contemporary art, including catalog essays for exhibitions organized by the Whitney Museum of American Art, Carnegie Museum of Art, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design Museum.
The catalog that accompanies the exhibition features essays by academic writers David Carrier, Alex Gartenfeld and Dimitri Ozerkov, and is designed by Jonathan Zawada.
Designed by Augusto Mendoza, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.
Tristan Sterk will contribute exhibition design, and Jessica Westbrook and Adam Trowbridge will design and coordinate the Asteroid Belt, an online catalog available beginning April 15, 2012.
The structure of your exhibition included a built - in, X-shaped partition in the middle of the space, which seems to echo the pages of an open book or even the fold - out pages of the 2006 Whitney Biennial catalog that Purtill Family Business designed.
The exhibition is accompanied by a full - color catalog designed by the Purtill Family Business.
LAMA would like to thank the Billy Al Bengston Studio for their assistance in cataloging this work Photograph of Count Dracula at the Chessboard on display in the Frank Gehry designed exhibition, «Billy Al Bengston,» Los Angeles County Museum of Art, 1968, Photograph Courtesy of Billy Al Bengston Laboratory
Notably, Mark Murphy has curated 25 major exhibitions and designed over 54 books and catalogs for the Clayton Brothers, Martin Wittfooth, Trenton Doyle Hancock, Jack Kirby, Hanna - Barbera, Cartoon Network and Clint Eastwood and is included in the Library of Congress archive.
Chris Rehberger is a graphic designer, the director of the Berlin agency Double Standards, the co-owner of the music label Perlon, and the brother of artist Tobias Rehberger whose exhibition catalogs he sometimes designs.
PIctured here, cover of the original exhibition catalog designed by Sheila de Bretteville.
BOOKSHELF To accompany the exhibition, Pace Gallery has published a catalog written by Adrienne Edwards that features a cover designed by artist Adam Pendleton,
We anticipated that some of you wouldn't make it during the exhibition's 7 - week run and produced a catalog featuring an essay by Carolyn Case, photography by Andrew Bale, and designed by our YCP alum Mariah Hertz!
He writes about art, culture, and design for Artforum, Art on Paper, the San Francisco Bay Guardian, and other publications and exhibition catalogs.
The catalog was designed collaboratively with the artists of the exhibition: David Kennedy Cutler, Ethan Greenbaum, and Sara Greenberger Rafferty, GDLOFT, and includes an innovative 3d element produced with MakerBot.
The exhibition literature asks the viewer to look at the platforms as one might regard the pages of a book, and that does help in making sense of the exhibition, as does the smartly designed on - line exhibition catalog that can be found here.
The jumble of the LACMA exhibition design and the density of its catalog spell hard work for anyone hoping to catch all that «Beyond Geometry» attempts to communicate.
«Sun Splashed,» Nari Ward's mid-career survey organized by the Perez Art Museum, Miami (PAMM), was accompanied by a comprehensive exhibition catalog and inspired artist objects reflecting his work, including these three plate designs each produced in a limited edition of 250.
How did you want to document the exhibition in the catalog in terms of the concept, design and content?
Along with the exhibit, a four - color hardbound exhibition catalog was designed by Marquand Books with essays by Chris Bruce, Dave Hickey and Elizabeth Brown.
His writing has appeared in publications by Texte zur Kunst, Frieze, Harvard Design Magazine, Sternberg Press, and Printed Matter, as well as many artist monographs and exhibition catalogs.
The Foundation also co-published with the Fine Arts Museums of San Francisco a hardbound exhibition catalog designed by Kovacevich Design and distributed by D.A.P., with an essay by Hunter Drohojowska - Philp.
Contemporary Artists Index Indexes approximately 20,000 artists, artists groups, photographers, craftspeople, designers and design firms whose work appears in group exhibition catalogs added to the Cleveland Art Institute's Gund Library since 1991, as well as the video periodical Art Today, and View, a periodical specializing in artist interviews.
National Academy of Design, 179th Annual Invitational Exhibition, invitational group exhibition, May 6 - June 20, 2004; wiExhibition, invitational group exhibition, May 6 - June 20, 2004; wiexhibition, May 6 - June 20, 2004; with catalog
Yekyong Press, Seoul, 2015 (poetry book) Sam McKinniss, Beyond the Pale, October 2014 (exhibition catalog) Leslie Kerby, BRIC Biennial, Volume 1: Downtown Edition, September 2014 (exhibition catalog) John Goodrich, The Power of Tiny Paintings, Hyperallergic, April 2014 Xico Greenwald, Serious Schooling, The New York Sun, March 2014 Jerry Saltz, The 10 Best Art Shows of the Year, New York Magazine, December 2013 Jed Perl, Richard Diebenkorn and the Problems of Modern Painting, The New Republic, September 2013 Aubrey Levinthal, Sunday Pick: Eleanor Ray, April 2013 RELATED PROJECTS WRITING Ad Reinhardt: Blue Paintings, Brooklyn Rail, October 2017 For WLD, Steven Harvey Fine Art Projects, exhibition catalog, January 2017 Stanley Lewis, NYSS exhibition catalog, October 2016 Mernet Larsen at James Cohan, Brooklyn Rail, March 2016 John Zurier at Peter Blum, Brooklyn Rail, March 2015 Temporary Equilibrium (on Morandi, Guston), This Recording, November 2013 Elena Sisto at Lori Bookstein, This Recording, May 2013 CURATING Image Makers, co-organized with Avital Burg, NOVELLA, New York, NY, 2014 VISITING ARTIST / LECTURES / PANELS University of Tulsa, 2017 ANU School of Art & Design, Canberra, Australia, 2017 Marywood University, Scranton, PA, 2016 Amherst College, Amherst, MA, 2013 and 2016 Mount Gretna School of Art, Mount Gretna, PA, 2015
, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)