Not exact matches
I was also curious as a first - time filmmaker, what was it
like working with a cinematographer
like Seamus McGarvey or production
designer like Nathan Crowley
on your first
film?
For someone who performs so many roles
on this
film [writer, director, producer, composer, editor, production
designer, art director, costume
designer, etc.], it seems
like the screenwriting aspect gets talked about the least.
As the
film's head costume
designer, Ruth Carter, shared with NPR, the costumes,
like Wakanda itself, needed to evoke a place and people that had «never been colonized, one that looked toward the future but was based
on a real past.»
«Toxie,» as he's called by punk bands and pop
film critics everywhere, has become so famous since his introduction in 1984 that you can now buy Toxic Avenger action figures, games, Topps trading cards, and even
designer jewelry — all this in tribute to a head - crushing killer whose face looks
like it's been bashed in with a bag of nickels, impaled with a turkey fork and barbecued
on a George Foreman grill.
A few outtakes embedded herein are labelled «outtake,» a costume
designer goes
on like Petrie does about how drop dead gorgeous Bullock is and how scaling Everest would be easier than making her seem dowdy, and Caine, Bratt, et al describe their characters and their functions in the
film.
There are small pop - up windows conveying trivia about the fictional weaponry
on screen, but this mode also brings in crewmembers
like stunt coordinator Anthony Mo Marais, production
designer Sylvain Gingras, and VFX supervisor Robert Skotak to discuss their contributions to the
film.
It may seem
like a small thing, but choosing the right costume
designer makes an enormous impact
on the new
film, as Trish Summerville (2011's «The Girl With the Dragon Tattoo») crafts a stunning array of fashions to reflect the citizens» show - offy attitudes (including a dress made entirely of monarch butterflies).
JT: For a costume
designer or a production
designer, they would have to do a lot of research
on a
film like Lincoln.
To recreate the post-world war two look, it seems the costume
designers took an admittedly clichéd route, but all is forgiven when you see the residents of Guernsey who are still dressed
like the war is going
on, a point which the
film stresses plentifully.
One has been as a scene artist and production
designer working
on TV shows
like The Sopranons and Law & Order: SVU, as well as
films including The Fisher King, Donnie Brasco and Fatal Attraction.
«See Naples and Die» In the new Italian
film Gomorrah — an arresting, documentary -
like portrait of Italy's most powerful mafia element, the Camorra — mobsters wreak havoc
on Naples, leaving behind a trail of bodies in their quest to protect a 15 billion Euro shadow economy built
on drugs, sweatshop - made
designer clothes and garbage.