Not exact matches
This spring, 77 students in Iowa State University's second - year
architecture studios
designed, built and installed a 1,300 - square - foot structure at Reiman Gardens for its «Forces of Nature» kinetic art
exhibition, on display April 28 through Nov. 3.
Presented through all of MUMA's recently
designed galleries, the inaugural
exhibition sees artists explore performative, media and event cultures, and the post-industrial
architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
The Flood Gallery Fine Art Center fulfills its mission by
designing and providing art
exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art,
architecture, dance, film, and
design.
The focus is an
exhibition of twentieth and twenty - first century furniture, objets d'art and lighting along with panels, lectures and more with figures from the worlds of
design,
architecture, fashion and art.
Taught by artist Allyson Vieira and inspired by the
architecture and
design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media
design in the
exhibition Pierre Chareau: Modern
Architecture and
Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media
Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media works.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated
exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making
architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and
Design Norway Visiting Artists, CASS School of Art and
Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and
Design, London 2006 Foundation in Art and
Design, Sir John Cass School of Art and
Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works
Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and
Design, London 2004 - 2005 Foundation in Art and
Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
James Welling participated in the second Chicago
Architecture Biennial, a citywide
architecture and
design exhibition.
This
exhibition celebrates northern imagination and identity through
architecture, photography, music and
design.
Together they moved fluidly between the fields of photography, film,
architecture,
exhibition - making, and furniture and product
design.
Nira Pereg A History (art
architecture design, from the 80s to now) hi Group
exhibition Screening her Video «Sabbath» July 2nd.
Her first solo
exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her
design approach on the aesthetics, material and form of fashion and product
design,
architecture and garden art.
The
exhibition will explore the innovative work in
architecture, interior decorating and landscape
design that went into creating Long Island's great estates.
Brooke Hodge has organized several
exhibitions and has written extensively about
design,
architecture, art, and fashion.
Lemonier co-curated the
exhibition with Frédéric Migayrou, (Deputy Director, Collections of
Architecture and
Design, Musée National d'Art Moderne) and he states the importance of Tschumi in the architectural landscape: «He is one of the only practitioners who thinks of
architecture in conceptual terms.
It had
architecture and
design from Frank Lloyd Wright and Ettore Sottsass, but also a less - heralded glass house by Pierre Chareau, with a thrilling
exhibition design by Diller Scofidio + Renfro.
Rose Ocean: Living with Duchamp explores the conceptual artist's oeuvre through an inventive
exhibition design created by
architecture students
In this video, Natalie Kovacs talks about the title and the concept of the
exhibition, the convergence of
design, art and
architecture, and specific works like Atelier van Lieshout's Wombhouse and Mahieu Lehaneur's Local River.
Stretching from the 1600s to today — and gathering together the worlds of art and
architecture, fashion and theatre, music and
design — the
exhibition includes works by Inigo Jones, Mike Kelley, Alison and Peter Smithson, Moki Cherry, Ithell Colquhoun and Heidi Bucher, among many others.
Garvey Simon is pleased to present Inward / Outward: Responding to the Built Environment, a group
exhibition, curated by Joseph A. Gross, that includes a selection of works, each inspired by and in dialogue with
architecture, interiors, and
design.
From 1991 - 2001, Hodge was director of
exhibitions and publications at Harvard University's Graduate School of
Design, where she also held the positions of adjunct curator of
architecture at the Fogg Art Museum and assistant dean of arts programs at the Graduate School of
Design.
Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of
exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in
architecture and
design.
Organized by independent curator Amy Wolf, this
exhibition presents a comprehensive survey of Isamu Noguchi's most important artistic relationships with influential figures in art, dance,
architecture and
design.
Within an
exhibition architecture designed by sculptor Manfred Pernice, the show occupies both levels of the Nord gallery at Fondazione Prada in Milan.
His photographs are elements at play in a larger system including
architecture,
exhibition design, books, posters, videos, vitrines and signage that investigates the stage sets of the art world and the publicity structures on which they rely.
The theme of this year's
exhibition is the complex relationship that ties art,
design and
architecture together in an age thought to have moved beyond modernism.
These works and others will be on display as part of «125 Icons: A Celebration of Works by Pratt Alumni and Faculty 1887 - 2012,» an
exhibition of works of art,
design, and
architecture that have shaped our world as voted on by the Pratt community.
apparatus,
architecture, booth, Dallas Contemporary,
design,
exhibition, Florence Ostende, gallery, Jérôme Poggi, pool, scenography, space, traditional, Wesley Meuris, zoo cage
Curatorially, this kind of reconsideration has already been applied to recent
exhibitions like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912 and 1935 and included projects in painting, drawing, sculpture, prints, graphic
design and
architecture.
Earlier
exhibitions included Wood: The Cyclical Nature of Materials, Sites, and Ideas at the Het Nieuwe Instituut, Rotterdam (2014), which explored links between wood in
design and
architecture and the economic, politi ¬ cal, natural, and cultural cycles that surround its production, circulation, and consumption.
From solo
exhibitions that introduce audiences to new bodies of work by Zoya Cherkassky, Oren Eliav, and Gil Marco Shani, to surveys that provide fresh perspectives on the historic roots of Israeli
architecture and fashion
design, including Jerusalem in Detail and Fashion Statement: A Century of Fashion in Israel, the upcoming season extends the Museum's commitment to providing a platform for the country's breadth of creative expression.
The Bass seeks to expand the interpretation of contemporary art by incorporating disciplines of contemporary culture, such as
design, fashion and
architecture, into the
exhibition program.
The sixth floor will also feature a gallery space dedicated to
architecture and
design, which will display an opening
exhibition of works of graphic
design.
Ai (b. 1957) works in a range of media, including
architecture and
design, and this
exhibition will feature work of the last 20 years, including photography and the large - scale sculptures for which the artist is best known.
Now on view in St. Moritz is the work of Diana Widmaier Picasso as well as Yves Klein, and their Zurich gallery happens to be the last interior
exhibition architecture designed by the late architect Zaha Hadid.
In an
exhibition architecture that exaggerates the formal language of fairs for the museum context, the show will present objects from
design, the media and art that seek to exploit the emotions associated with weapons for their own aims.
New works conceived for this
exhibition consider how the formal
designs of modernist
architecture and planning, and the aggressive, deeply politicized modernization of Newark, have impacted the everyday lives of residents and their communities.
Acting as the owner's representative, he worked with the
architecture firm of Lubrano Ciavarra
Design to direct the necessary renovation of the midtown
exhibition space and offices.
Tron Meyer «Mars» Patrick Parrish OPENS: April 5 For the Norwegian artist and architect's first solo
exhibition in the United States, Patrick Parrish gallery presents a new collection of furniture, sculpture, and paintings that draws on the shared capacity of
architecture,
design, and art to both communicate and contain narratives.
an
exhibition at RIBA's
Architecture Gallery engages with conservatism though pseudo-Georgian
architecture and
design
At 46, Angelidakis has a growing reputation for
designing brilliantly inventive
exhibition installations (for Dakis Joannou's Deste Foundation and the Swiss Institute, for instance) and fulfilling imaginary
architecture commissions for patrons.
WHAT: Pratt Institute's Center for Continuing and Professional Studies will present an
exhibition of art,
design, and
architecture work by nearly 400 national and international students who have participated in its intensive, month - long Summer...
Exhibition architecture and design: david saik studio The exhibition is under the patronage of Sir Sebastian Wood, British ambassador i
Exhibition architecture and
design: david saik studio The
exhibition is under the patronage of Sir Sebastian Wood, British ambassador i
exhibition is under the patronage of Sir Sebastian Wood, British ambassador in Germany.
This
exhibition's strongest thread, however, is Isamu Noguchi, rarely shown in the UK, who personifies a dialogue between the Orient and the West, equally addressing
design, sculpture, and
architecture as well as acknowledging both tradition and modernity.
Bringing together major works from MoMA's extraordinary collection, the
exhibition features breakthrough projects in painting, drawing, sculpture, prints, book and graphic
design, film, photography, and
architecture by leading figures such as Alexandra Exter, Natalia Goncharova, El Lissitzky, Kazimir Malevich, Vladimir Mayakovsky, Lyubov Popova, Alexandr Rodchenko, Olga Rozanova, Vladimir and Georgii Stenberg, and Dziga Vertov, among others.
He has organized numerous
exhibitions on
architecture and
design for the Walker Art Center and has authored essays and served as editor for several accompanying publications, including: Strangely Familiar: Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic Design: Now in Production (
design for the Walker Art Center and has authored essays and served as editor for several accompanying publications, including: Strangely Familiar:
Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic Design: Now in Production (
Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic
Design: Now in Production (
Design: Now in Production (2011).
Underscoring McKenzie's interest in
design, theatricality, and
architecture, the
exhibition also includes a «sublet» of gallery space to McKenzie's peer, Scottish fashion designer Lipscombe, who will exhibit her fall clothing line in one of the constructed rooms within the gallery.
«How
architecture, art, and
design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the
exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern Art.
The
exhibition showcases his skill in adaptive
design and
architecture as well as his interest in creative placemaking, and draws heavily on new and longstanding collaborators, including Jim Duignan, Iker Gil, Jamie Kalven, and Laura Shaeffer among others.
As a critic and
architecture historian, Pettena has organized
exhibitions on contemporary
architecture around the world, and was involved in a number of critical publications, among them L'anarchitetto (1973) and Radicals: Architettura e
design 1960 — 1975 (1996).
This
exhibition's strongest thread, however, is Isamu Noguchi, who personifies a dialogue between the East and the West, equally addressing
design, sculpture, and
architecture as well as acknowledging both tradition and modernity.