Sentences with phrase «designs etc do»

Jeans have, however, altered in style over the years, and these styles, cuts, designs etc do come in and out of trends over the seasons.

Not exact matches

These methods are designed to do what our body can't by breaking down the anti-nutrients (gluten, lectin, phytic acid, etc).

That is not to say that a child gets a say as to whether or not they are going to bed — they don't — but rather, if a child feels unsafe going to sleep without a light on, or a parent present, etc, we acknowledge that forcing the child to comply with our (well - intentioned, well - informed) bedtime design can be counter-productive and doesn't occur as empowering to the child.

When I used to design high - end homes for clients, I would try to do polished nickel throughout a bathroom or kitchen and always ended up with a few items that would have to be in chrome (toilet handle, mirror hardware, etc) and then I would feel like the room looked disorganized, mismatched by accident.

1950s information pack Photo pack of 50s fashion Photo pack of 1950s American style diners Role play resources: face masks with hats to use for staff, staff role play badges, price cards, price lists, location signs for diner, food flashcards for props, diner signs, open and closed times and signs, money resources, buntings and borders, long banners and title pages, menus, large lettering, welcome / pay here etc signs, parking bay signs, on sale here sign, order pads, messages to write, receipts page, order sheet, stock order form, table booking page, jobs to do list to write, table number cards Other resources: word search, key word cards, folder cover, writing booklet cover, resources sack tag, writing page about the 1950s, topic summary sheet, mind map, draw food task, draw clothes from that era, acrostic poem, design a menu etc..

This pack includes: Scheme of work to show you what to do stage by stage Clay extension tasks with image examples from seed pods / natural forms Artist presentation Image examples of outcomes Examples of experimentation pieces leading up to the final outcome (Drawings, collages etc) Homework sheets (artist research) Sculpture design sheet Images of artists work for inspiration This project can be used for GCSE to A Level projects.

Do you need to provide your own design assets (photos, icons, logos etc) or will you be provided new assets?

I do everything on my own from graphic design, pr, marketing etc - but outsource editing / proofreading services - saps my creativity and drive so I'd rather pay someone to do those.

Here's another piece of advice regarding cover art: If you can do the actual design work yourself (text, spine label, back matter, bar code, etc), do so.

There is a persistent problem on the design of devices dedicated to students, researchers, etc: once and again it is forgotten that such users don't only have to read a lot, but to write a lot too

BUT, the point here is real publishers (indie or traditional) pay for editing, design, formatting etc... There are self - published authors that do an excellent job.

While I might have less creative input on design, covers, etc at a larger publisher, but I also don't have to panic about affording the print run all on my own either.

Once you have your brand outline, you will need a strategy to make it stick, and in order to do this you can focus on three specific components: Design (the visual aspect of your brand in the form of websites, blogs, taglines, etc), Engagement (where you develop a relationship with your readers through social media), and Visibility (marketing, distribution, or anything that involves publicity around a release).

Assuming the e-book is question also has a print version, those editorial services IPG mentions — editing, cover design, layout, etc — have already been done.

Another reason I chose to self publish my work, except that shockingly, I didn't have big name publishing houses and companies beating my door down for my signature to print my stories, was that I have total control over my work, from which pages get included, the cover design, the ISBN identification, previews that get shared on Amazon etc, the price of the finished product, the description and even keywords that are used to find it in online web searches.

Once the book is funded, they are very similar to the traditional publishing house with editorial, design, and production departments etc doing their thing.

I do outsource some parts of publishing (like editing), and I can see how others might need to outsource others (cover design, formatting etc), but the uploading isn't hard, and in the end, it means you retain control over your book yourself.

Publishers argue that most of the costs of publishing a book are fixed (acquisition, cover design, editing, marketing, etc), and don't go away in a digital world.

If you decide to self - publish, what skills (graphic design, ebook formatting, etc) do you possess to save money?

Mortgage brokers lying, banks not reviewing paperwork, applying policies designed for first time buyers to 3 times as many folks buying their 2nd, 3rd, 4th etc home, appraisers giving banks whatever values they wanted on appraisals, rating agencies doing likewise for CDO's, insurers issuing credit default swaps without even a fraction of the backing needed.

Anyways you could take pictures of your of your room / home design, share them online, people could visit (this would work like the hha showcase as in you can see the house, move around etc but you can't buy / order / see a list of items, only see the design and this would be done online not street pass, hha showcase can still operate under street pass) and rate cool, neat etc. you could get a badge from phineas on how many have been shared and rated.

However, players won't be satisfied with SMS - era technology for the 3D dungeons in a Megadrive game, and it doesn't make sense with our design plans either: everything has to be rotatable, floors, ceilings, etc, and that would take up far too much memory.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

> Awards of the 14th International Architecture Exhibition labiennale > Phyllis Lambert, Golden Lion for Lifetime Achievement of the 14th International Architecture Exhibition labiennale + Rem Koolhaas names Phyllis Lambert as Venice Biennale Golden Lion recipient dezeen + > Venice Architecture Biennale 2014 coverage archdaily · virtual tour > The National Pavilions archdaily · slides > Iñaki Ábalos» Spanish Pavilion at the Venice Biennale: «Interior» archdaily · slides > Towards biology by Ricardo Bofill presented at venice architecture biennale designboom · slides, etc > Venice architecture biennale 2014 designboom > Venice Biennale hosts «Made in Europe» architecture expo europa > From Houston to Doha, Dubai to La Défense, corporate modernism has taken over the world ft > Satellite events during the Venice Biennale of Architecture ft > «Scary» Venice Architecture Biennale show has» nothing to do with design» says Koolhaas dezeen

If you add to this the evidence Roger A. Pielke, Sr. offers in his rebuttal of RC propaganda, I think one can safely and sanely declare that the AGW proponents are working with a house of cards: it looks like a great integrated, well designed structure, a consensus — especially to the so - called environmentalists and to their media and political allies — but so many of its foundational data sets (ocean temps, net ice melt, etc) don't support their model; at the very least, they don't support the hysterical, «save the planet» nuttiness that is rampant today.

if a person said to me «i do nt believe in the value of professional graphic design, and i wanted to know whether they knew anything about the topic, i could ask — what programme do you use, — if you were producing something for print, what colour scheme would you use, — are pixels or vectors better for large scale printing — what bleed would you set and why would use registration or crop marks — how do you deal with over-print — would use rich - black for text etc, etc, etc

• Short Story Design: it's a cuppie + Hester Street Fair, May 25, 2012 • NY Daily News: Free & Cheap in New York: Sat, May 26, 2012 • Gothamist: Obsessed With Food Because It's Artsy, Good For Instagram, Etc, May 27, 2012 • New York Street Food: Empanadas from La Sonrisa at Madison Square Eats, May 30, 2012 • Urban Edge: Hester Street Fair 2012, More Fun Than Ever, May 30, 2012 • Cultural Boundaries: Spare Beats: Happenings Near You, May 30, 2012 • LiftLuxe: Hester St Fair Heads Uptown, May 30, 2012 • We Heart It: Bari III AT The Flea: Hester Street Fair & Green Flea • The Lo - Down: LES Bites: Hester Street Fair, Walk - Up Window, June 15, 2012 • Refinery 29: BarIII At The Flea: Dani Comes Home To Hester Street, June 15, 2012 • Markets Of NYC: Weekend Market Pick, June 23 - 24, June 23, 2012 • Zagat: New York Dining Deals And Events, July 2 - 8, July 2, 2012 • Refinery 29: 5 Things To Know This AM, July 27, 2012 • Eater NY: Food Truck Festival, Pig Roast, And More, August 4, 2012 • Time Out NY: The best flea markets and end - of - summer shopping in New York, August 7, 2012 • Markets of New York: August 4 & 5 + First Prize Pies, August 4, 2012 • Gothamist: What To Do This Weekend: Olympian Feasting, And More, August 10, 2012 • The Emerging Designer: 6 Tips On Your Brand From the Hester Street Fair, August 13, 2012 • The Huffington Post: Hester Street Fair Helps Launch Emerging Businesses, August 13, 2012 • The Lo - Down: Summer Shopping (and Eating) at Hester Street Fair, August 16, 2012 • TISL Style: Hester Street Fair, Lower East Side, New York, August 30, 2012 • The Lo - Down: Hester Street Fair Adds Sunday Fashion Week Feast, September 7, 20120 • NY Press: Top Ten Things to Do Before the Warm Weather Cools, September 6, 2012 • CitySeek: Hester Street Fair at Chinatown, September 12, 2012 • HLNtv.com: Invitation to go big: Women entrepreneurs can have it all, September 24, 2012 • Bowery Boogie: Macaron Parlour Store Opens Tomorrow On St. Mark's Place, October 20, 2012 • The Lo - Down: Hester Street Fair Closes Out Season With Halloween Party, October 26, 2012

We don't know exactly what kind of driving these cars have been doing (what ratio of city / highway, how fast, etc), but if we keep in mind that the Toyota Prius was not designed as a plug - in and that a third - party hack was required to turn it into one, that's a decent improvement.

«TCC claims 2.1 The following are examples of the types of claim which it may be appropriate to bring as TCC claims --(a) building or other construction disputes, including claims for the enforcement of the decisions of adjudicators under the Housing Grants, Construction and Regeneration Act 1996; (b) engineering disputes; (c) claims by and against engineers, architects, surveyors, accountants and other specialised advisers relating to the services they provide; (d) claims by and against local authorities relating to their statutory duties concerning the development of land or the construction of buildings; (e) claims relating to the design, supply and installation of computers, computer software and related network systems; (f) claims relating to the quality of goods sold or hired, and work done, materials supplied or services rendered; (g) claims between landlord and tenant for breach of a repairing covenant; (h) claims between neighbours, owners and occupiers of land in trespass, nuisance etc; (i) claims relating to the environment (for example, pollution cases); (j) claims arising out of fires; (k) claims involving taking of accounts where these are complicated; and (l) challenges to decisions of arbitrators in construction and engineering disputes including applications for permission to appeal and appeals.»

Imagine if they can make custom AMD SoC like they did for their consoles, or SD custom SoC with AMD GPU, I say this because in spite of its allegedly good design, foldability, slim, new category with features etc etc, it MUST pack a PUNCH processing power wise and have ALWAYS ON feature plus good battery life, I do not see standard SD835 or SD845 with Qualcomm graphics carrying any punch.

(Our School Leaver Programmes are designed for candidates with A-Levels (or equivalent e.g. Scottish Nationals, BTEC etc) who do not yet have a degree.

An effective way of doing so can be to have proper face to face sessions with writer and discuss certain points like the probable plan of designing, the basic idea, the time taken, etc to actually cultivate the person and then try and judge his competence to perform the task of preparing an ideal resume.

I am a bit reserved though because I'm not sure what finish materials would look good with others, etc and I don't want my shortcomings in design eye to negatively effect my business.

I feel as though it is important, whether or not you are decorating with a family member, friend, flatmate, etc that design decisions are collective where necessary — I found this when up - do - ing my office / bedroom space!

If you have any noticeable areas of bleed / product seep you can try to clean it up a bit — the end of a pencil (eraser) works good, as do mini flat screwdrivers, flat toothpicks etc — If I am applying thick products onto mirror / glass I typically let the design dry, then clean messy parts using a single razor blade.

I have been feeling totally overwhelmed by the process of choosing colors and getting the painting done, the kitchen designed and remodeled, etc., etc,.

And while we did fulfil their request, they asked that we not include grab bars, etc in our design as those can be added later, if needed.

We took great lengths in designing how all rooms were lit and that makes a lot of difference, we did do 2 of the three bedrooms in a dark blue along with all 3 bathrooms and with the white trim, etc they really pop!