Not exact matches
You can feel the fatherly love
in Francis» willingness to appease his daughter (who also receives credit for costumes and the surname - dropping title
design), empowered affection that would bring them both grief the following year when Sofia stepped
in for a bowed out Winona Ryder to play Michael Corleone's daughter
in The Godfather Part III, producing one of the most maligned performances
in cinema history.
Nathalie has lectured on costume
design (
in which she takes a special interest) and the early
history of
cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.
With The Grand Budapest Hotel, Anderson seems to be not so concerned with
history, but with the
history of
cinema; we can see references to Kubrick and F.W. Murnau, and the plot descends into an elaborate caper full of bizarre character studies, wondrous sequences (including a superb cat - and - mouse chase where Gustave and Zero zoom down a precarious mountain atop a toboggan
in pursuit of Willem Dafoe on skis), and meticulously -
designed, glamorous sets that are reminiscent of the traits of classical Hollywood films and murder - mysteries.
The level of control
in Biller's newest, The Love Witch, is remarkable; from the mannered performance of its lead actress to the rich interplay of colors
in its mise en scène, The Love Witch is
designed to evoke an extremely specific period
in cinema history and to subtly undermine its ideology through that very faithfulness.
From poetry to data analytics, from
cinema production to marriage and family counseling, from African
history to fashion
design, our strength lies
in our breadth and depth.