Sentences with phrase «desk at a gallery»

Through a friend of a friend, I met a gallerist who hired me to work the front desk at her gallery, and that was Phyllis Kind.

How did you go from collecting to being on the other side of the desk at a gallery?

Not exact matches

Right after my college graduation, I moved to New York for a job as the front desk girl at a gallery in mid-town Manhattan.

In October 2010, the National Portrait Gallery in Washington DC was formally presented with a 1986 photograph by Yousuf Karsh of cartoonist Charles M. Schulz sitting at his desk with a Peanuts strip in progress next to a collection of pens.

Complimentary stroller parking is available at our Information Desk / Coat Check, and additional stroller corrals are available outside the galleries.

The 1st Thursday Passport is a printed guide and map to all of the 1st Thursday attractions and are available at participating galleries and venues, MTD shuttles, The Visitors» Center and hotel concierge desks.

Please check in at the Animal Interactions desk, located next to the Ocean Voyager Built by The Home Depot gallery, at least 15 minutes prior to your experience.

Guests are to check in at the Animal Interactions desk, located next to the Ocean Voyager Gallery Built by The Home Depot, at least 15 minutes prior to their scheduled program.

With a stay at The Athaya in Ubud (Pengosekan), you'll be minutes from Gajah Mas Gallery and close to Agung Rai Museum of Art.Featured amenities include dry cleaning / laundry services, a 24 - hour front desk, and luggage storage.A roundtrip airport shuttle is provided for a surcharge (available 24 hours), and free self parking is available onsite.

A stay at The Hulo Hotel & Gallery places you in the heart of Kuala Lumpur, minutes from Berjaya Times Square and close to Petaling Street.Featured amenities include express check - in, a 24 - hour front desk, and multilingual staff.Self parking (subject to charges) is available onsite.

With a stay at The Kuala Lumpur Journal in Kuala Lumpur (Bukit Bintang), you'll be minutes from Starhill Gallery and Pavilion Kuala Lumpur.Featured amenities include dry cleaning / laundry services, a 24 - hour front desk, and luggage storage.Free self parking is available onsite.

Amenities available at The Abian Resort & Spa: Total Number of Room 11, Number of floors 1, Elegant Main Swimming Pool 1, Number of Gift Shop and Gallery 1, Reception Hours 24 Hours, Laundry Service, Library, Tour Desk Foreign Exchange, Doctor on call, Luggage Storage Room, Safety Deposit Box, Fax / E-mail service, Shuttle Bus to - from Ubud, Airport Transfer on request.

With a stay at Casa Brazil Homestay & Gallery in Karon, you'll be convenient to Dino Park Mini Golf and Big Buddha.Featured amenities include dry cleaning / laundry services, a 24 - hour front desk, and luggage storage.A roundtrip airport shuttle is provided for a surcharge (available on request), and free self parking is available onsite.

The full backlist of Hauser & Wirth Publishers is available for consultation and purchase at the gallery's front desk shop and at ARTBOOK @ Hauser & Wirth.

Audio Description: This exhibition will be audio described and discovery pens will be available at the front desk of the gallery.

Donald Robertson making art at his Ping - Pong table work desk at Eric Firestone Gallery Jennifer Landes photos

Gallery employees usually stationed at the front desk were replaced by hired actors, who performed Andrea Fraser's work May I Help You?

The Main Gallery reception desk, exhibition spaces and museum shop located at the Zoellner Arts Center are staffed by a dedicated group of volunteers.

2010 Light from Light, curated by Kim Machan, MAAP, State Library of Queensland, Brisbane and Shanghai Library, Shanghai The Milk Drop Coronet, Camera Austria, Graz Novel, dependance, Bruxelles The Pursuer, Greene Naftali Gallery, New York The Evryali Score, David Zwirner, New York The Baghdad Batteries, P.S. 1 Contemporary Art Center, Long Island City, Queens At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hessel Museum of Art, Annandale - on - Hudson, NY Negation, Subtraction, Dissolution, arranged by Front Desk Apparatus, Kantor Gallery, Los Angeles Josef Strau and Clegg & Guttman, Pro Choice, Vienna and Jerusalem The Inhabitants, Vilma Gold, London

Complete the Visitor Survey and prize draw forms at MK Gallery's Information Desk, and drop them in the box provided.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Catalogue contributions by curator Kellie Lanham and Max Maslansky with Victoria Fu 2013 Nathan Hylden: Meanwhile, (Press Release) Johann Koenig Gallery, Berlin «Tif's Desk», catalog essay, Tif's desk at Thomas Solomon GallDesk», catalog essay, Tif's desk at Thomas Solomon Galldesk at Thomas Solomon Gallery.

2013 Neal Bashor, Sara Clendening, and John Seal at Tif's Desk, Thomas Solomon Gallery, Los Angeles (cat.)

The Museum acquired more than 1,000 works, including Marianne Loir's Portrait of a Man Seated at a Desk, now on view in our European galleries.

Salle reported stopping into Sonnabend and telling Nick (who has worked at the front desk of the gallery for — count»em — forty years) that he was going to a tribute for Warren.

Also in 1995, Hans - Ulrich Obrist curated the group show Take Me (I'm Yours) at the Serpentine Gallery, with bags of secondhand clothes offered by Christian Boltanski for a pound, Gilbert & George distributing free badges, and Jef Geys inviting visitors to buy fruit at the reception desk.

For four months in the fall of 2010, I worked at a cozy desk in the STUDIO for Creative Inquiry at Carnegie Mellon as a research fellow hosted jointly by the Miller Gallery and the STUDIO.

The exhibition was labeled «A Tribute to Ron Warren,» the poker - faced gent who has put in twenty - five years of service with Boone, first at the front desk and now as a partner in the gallery.

The dark - walled, dimly - lit front gallery at Kent Fine Art housed a re-creation of Petlin's studio in Paris in 1960 — a desk and table with buckets of coated paint brushes.

, Art Guide Australia, June Pena, Anne Marie, A Terrible Beauty: Politics, Sex and the Decline of Empires, Cmagazine, issue 114, Summer Pollock, Barbara, Arthur Solway: Bringing the West to the East, Artnet, 22 May Artists to look out for at Frieze Art Fair New York 2012, Huffington Post, 5 May Little, Mandy, Ship art docks for exhibition, The Mercury, 2 May Guner, Fisen, The Arts Desk, 23 April Brown, Mark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, February

I told Freud I had spent months bored out of my skull working behind the ticket desk at his Hayward Gallery exhibition in 1988.

2010Light from Light, curated by Kim Machan, MAAP, State Library of Queensland, Brisbane and Shanghai Library, Shanghai The Milk Drop Coronet, Camera Austria, Graz Novel, Dependance, Brussels Today I Made Nothing, Elizabeth Dee Gallery, New York The Pursuer, Greene Naftali, NY The Evryali Score, David Zwirner, NY The Baghdad Batteries, P.S. 1 Contemporary Art Centre, Long Island City At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hesel Museum of Art, Annandale on Hudson, NY Negation / Sybtraction / Dissolution, arranged by Front Desk Apparatus, Kantor Gallery, LA The Day Grew Dark, a lecture by Juliette Blightman from the «no re-admittance» series featuring Josef Strau, Chantal Akerman, Axel Wieder and New Order, Künstlerhaus Stuttgart, Stuttgart Josef Strau and Clegg & Guttman: Vienna and Jerusalem, Pro Choice, Wien The Inhabitants, Vilma Gold, LondAt Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hesel Museum of Art, Annandale on Hudson, NY Negation / Sybtraction / Dissolution, arranged by Front Desk Apparatus, Kantor Gallery, LA The Day Grew Dark, a lecture by Juliette Blightman from the «no re-admittance» series featuring Josef Strau, Chantal Akerman, Axel Wieder and New Order, Künstlerhaus Stuttgart, Stuttgart Josef Strau and Clegg & Guttman: Vienna and Jerusalem, Pro Choice, Wien The Inhabitants, Vilma Gold, Londat Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hesel Museum of Art, Annandale on Hudson, NY Negation / Sybtraction / Dissolution, arranged by Front Desk Apparatus, Kantor Gallery, LA The Day Grew Dark, a lecture by Juliette Blightman from the «no re-admittance» series featuring Josef Strau, Chantal Akerman, Axel Wieder and New Order, Künstlerhaus Stuttgart, Stuttgart Josef Strau and Clegg & Guttman: Vienna and Jerusalem, Pro Choice, Wien The Inhabitants, Vilma Gold, London

The items Rowland purchased through the gallery for the exhibition include a steel desk made by inmates at Attica and wooden benches (pictured above) built at Green Haven and used in New York courtrooms.

At all other times, please visit the Visitor Services desk in the Gallery & Forum building for assistance.

One day, while Gordon was working the front desk at Gagosian, a young artist named Richard Prince walked into the gallery carrying a portfolio of «rephotographed watch ads,» which, as if to appear in the know, he had packaged in the «signature awful frames» of Gagosian Ggallery carrying a portfolio of «rephotographed watch ads,» which, as if to appear in the know, he had packaged in the «signature awful frames» of Gagosian GalleryGallery.

(The active / dormant assistant duo dynamic at gallery front desks is universal, it seems.)

The real star of the booth, however, was not the paintings on the walls, but the chairs at the gallery's desk.

It was at this point that she began working at the Ferus Gallery as an occasional assistant, staffing the front desk when founders Irving Blum or Walter Hopps weren't around.

January 6 3 in 30 Gallery Talk Photo Portraits: In the Studio, On Location and the Snapshot 11 — 11:30 a.m. Meet at the Visitor Services Desk Free, no reservations required Join Frank Saunders, Photographer and VMFA Studio School Administrative Assistant and explore three works in the special exhibition «Artists as Art: Photographic Portraits.»

This story and the maps themselves, presented as handouts at the gallery desk, are fascinating, but the sculptures are inert, dangling from the ceiling like giant modernist earrings.

«This show is three shows,» Bader explains, tying together the unconventional exhibition of 60 photographs on the wall, assorted found objects on the floor and the sparse information at the gallery desk.

On the desk for your perusal are printed materials, such as lists of the artwork on the walls, the resumes of the exhibiting artists, photocopies of any news articles about the show or the artist, and a guestbook, which you can sign and include your email if you want to know about future shows at the gallery.

I overheard someone at the gallery desk saying, «We won't be showing the video here, it will be in the exhibition in San Francisco.»

The greater epistemological challenge is the impossible question of judgment without the help of hindsight: If these works were presented at the front desk of a Chelsea gallery today, would the artist get a shot, or be shown the door?

At another desk, one sits and listens to Olivia Plender's description of the relationship between Robin Hood and the various splits in the scouting movement in the early 20th century, and how that eventually led — via digressions on EM Forster, the Kibbo Kift and the archives at the Whitechapel Gallery — to a troubling faction called the Green Shirts (not a million miles from the fascist Blackshirts), who railed against the British Credit System in the 1930s (one of their number fired an arrow at 10 Downing StreetAt another desk, one sits and listens to Olivia Plender's description of the relationship between Robin Hood and the various splits in the scouting movement in the early 20th century, and how that eventually led — via digressions on EM Forster, the Kibbo Kift and the archives at the Whitechapel Gallery — to a troubling faction called the Green Shirts (not a million miles from the fascist Blackshirts), who railed against the British Credit System in the 1930s (one of their number fired an arrow at 10 Downing Streetat the Whitechapel Gallery — to a troubling faction called the Green Shirts (not a million miles from the fascist Blackshirts), who railed against the British Credit System in the 1930s (one of their number fired an arrow at 10 Downing Streetat 10 Downing Street).

Katharine Graham at her Washington Post desk (detail) by Diana Walker / Color photograph, 1993 / National Portrait Gallery, Smithsonian Institution; Anonymous

Magazines are available in all listed galleries, art centers, and international art fairs like EXPO Chicago, and SOFA Chicago, as well as at the Randolph Street Market, the Chicago Cultural Center, at local art events and exhibition openings, and at most hotel concierge desks throughout Chicago.

While sitting at my desk, thinking of a passage in William Faulkner's «As I Lay Dying» concerning the horizontal and vertical in life, death, and art, I conjured up a mental image of the space and art in the fifth gallery...

She has exhibited widely, including recent solo exhibitions at the CCA Wattis Institute for Contemporary Arts, San Francisco (2015), Front Desk Apparatus, New York (2013), Green Tea Gallery Worldwide, (2012), and Karma International, Zurich, Switzerland (2012).

«I love the Guerrilla Girls, you've made my day,» said Jaclyn Mayer from behind her desk at the Mike Weiss Gallery.