Sentences with phrase «destroyed by monsters»

Part of the joy of watching dramas like this must be a masochistic thrill in seeing young punks suffer: Drumming hopeful Andrew (The Spectacular Now's Miles Teller, fully convincing behind the kit) is nearly destroyed by this monster, a barking man who's impossible to please.

Part of the joy of watching dramas like this must be a masochistic thrill in seeing young hopefuls suffer: drumming student Andrew (Miles Teller from «The Spectacular Now», fully convincing) is nearly destroyed by this monster, a barking man who's impossible to please.

Not exact matches

It is why you look at a directive by God to destroy the Amalekites (men, women, children, infants and animals) and you scream» God is a monster».

Barcelona lost a 3 goal lead and crashed out; Madrid was rescued by a last minute penalty at home despite a comfortable 3 goal lead away; Lazio lost a 2 goal lead and got eliminated; the «Almighty Athletico» (according to Wenger haters) nearly got eliminated at Lisbon succombing to a defeat; and another monster that would destroy Arsenal if we ever were unfortunate to meet them, Leipzig, was thrashed by Marseille yet it is Arsenal that secured a 2 - 2 draw and qualified for the next round that should be hanged.

Claire's master plan involves using a homing beacon that will draw the monsters to Chicago, where she intends for them to run amuck and be destroyed by the military, after which Energyne can harvest their DNA.

Heather, who is also known as Alessa and sometimes Sharon (Australian actress Adelaide Clemens, whose genetic structure seems to have been built by hijacked strands from Carey Mulligan and Michelle Williams — somebody cast these three in the Del Rubio Triplets biopic right now) listens dutifully to every person trying to point her away from or toward harm and then moves on toward monsters who want to destroy her.

It's up to stalwart monster - killer Richard Denning, aided by Carlos Rivas and Mara Corday, to stop the titanic stingers before they destroy all of mankind.

The goal of the game is to destroy buildings by punching them and eat people, and when one city is sufficiently destroyed, the troupe of monsters would move to the next.

Kent's point is direct and clear and it's a good one: by repressing the tragedy of her husband's death years earlier she has allowed a monster to fester and grow in their minds and in their house, and it will now take over and completely destroy her and her child if she doesn't finally confront it and fight back.

I can mostly understand wanting to tell a story about a sexually repressed woman who still lives with her mother, but director Haneke doesn't seem to care about why Walter would become such a monster, nor why Erika would purposefully destroy her top student by dumping broken glass into her coat pocket.

Pursued by an equally deranged lawman out for revenge, one of these teens is destined for tragedy and horrors that will destroy his mind, molding him into the monster we now call Leatherface.

Pursued by an equally deranged lawman out for revenge, one of these teens is destined for tragedy and horrors that will destroy his mind, molding him into the monster — Leatherface.

Then random people will hire you for certain objectives (the quests) the main story is about a small town (your town) which is terrorised by a big monster causing quakes, in your town area, destroying it, the destruction must end, that's where you come in.

As a kid giant monsters destroying stuff was like the greatest possible thing in the universe outside of raiding the sweet cupboard and being kissed by that cute girl.

Remember the game Rampage, where you would play a monster trying to destroy the buildings of a town virtually brick by brick?

Destroy all that lies before you as giant monster consumed by revenge and a lust for carnage.

for the PlayStation 3, developed by FluffyLogic in late 2010, is a monster building destroy game.

You take control of a monster designed to destroy cities for demo teams, but were hacked by an evil scientist.

The key to destroying them is by chopping their heads off but getting there is let down by repetitive gameplay and inconsistent mechanics.The same can be said for the mini monsters on the ground.

In this all - new building adventure, players will use their creativity to gather and combine a variety of unique tools and materials in order to rebuild Alefgard, a realm destroyed by the menacing ruler of the monsters, the Dragonlord.

In the Leviathan battle, the monster will create typhoons during battle and the player will have to jump through destroyed buildings one by one in order to fight.

This goal is accomplished by way of players directing a squad of oversized monsters into destroying the city in which Dr. Spotnik resides.

Players control a young wizard who must destroy waves of invading monsters by defeating them with spell cards.

It's the story of Geralt of Rivia, a legendary monster hunter traveling a war - torn land being destroyed by the Empire of Nilfgaard when a dark force known as the Wild Hunt emerges.

CHICAGO — Curated by Anthony Elms and Huey Copeland, Including works by the following artists: Matt Bakkom, Pedro Bell, Destroy All Monsters, Karl Erickson, Robby Herbst, Matthew Hanner, Alex Hubbard, Derek Jackson, Karl Heinz Jeron, Tim Kerr, Stephen Lapthisophon, Glenn Ligon, Dave Muller, Wangechi Mutu, My Barbarian, Senam Okudzeto, Joe Overstreet, Charlemagne Palestine, Adam Pendleton, Reverend Seymour Perkins, Mai - Thu Perret, Plastic Crimewave, Rob A. Pruitt, Simone Shubuck, Joshua Smith, travis, Fatimah Tuggar, and Christopher Wool.

An exhibition curated by Mike Kelley and Dan Nadel titled «Return of the Repressed: Destroy All Monsters 1973 - 1977» showing work by Mike Kelley, Jim Shaw, Cary Loren and Niagara opened at PRISM in Los Angeles on November 19, 2011 and ran through January 7, 2012.

Formed in 1973, the first edition of Destroy All Monsters was formed by University of Michigan art students Mike Kelley, Jim Shaw, Niagara (Lynn Rovner) and filmmaker Cary Loren.

have had nationally and, in some cases, internationally visible careers: the Hairy Who's Jim Nutt, Gladys Nilsson and Karl Wirsum; from Funk, the ceramicists Ken Price and Robert Arneson and the painters William T. Wiley and Peter Saul (represented here by a wacky 1966 sculpture of a man in an electric chair, one of the few 3 - D works he made); and Mike Kelley and Jim Shaw of Destroy All Monsters.

Before the public opening, the basement complex, with its characteristically Kelley - like crawl spaces, was used for the first time by Jim Shaw and Cary Loren, Kelley's long - time friends and collaborators, notably in the infamous band Destroy All Monsters.

For this show, we're using the architecture by hanging large Destroy All Monsters banners.

Most recently, as part of the Pacific Standard Time initiative, Kelley and PictureBox publisher Dan Nadel curated the exhibit, Return of the Repressed: Destroy All Monsters 1973 - 1977, at PRISM Gallery in West Hollywood, Calif., which showcased work by Kelley, Shaw, Loren and Niagara.

In the process, Pankraz is killed by powerful monsters, the Golden Orb is destroyed, and the Hero and Harry are sold into slavery.