Sentences with phrase «detail out of the script»

The accomplished writer is Simon Beaufoy, who most recently adapted «127 Hours» and «Slumdog Millionaire» into scripts, and even he chose to leave that tiny detail out of the script.

Not exact matches

As the corruption trial of his former close aide and confidant Joe Percoco played out in New York City, Gov. Andrew Cuomo stuck to a largely similar script when asked about the details of the testimony.

I'll wager that whatever realism may have been present in Matthews's book has been mostly stripped out by Justin Haythe's script, which focuses less on the gritty details of espionage and more on the various crimes visited upon the body and soul of Dominika Egorova (Lawrence), the film's protagonist.

The kind of run - of - the - mill biopic that seems like a telefim, with a conventional script that lays every detail out in the open (in case you have any cognitive problem) and a series of irrelevant flashbacks that don't really help us understand the character as well as they should.

This entire project has my full attention: Pet Sematary is my favorite Stephen King novel, and while the 1989 film was a pretty solid adaptation (King wrote the script himself), there are a lot of details that were left out of the film that could work perfectly in a new take on the material.

Realized with an eye to detail both in the script and on the set, carried out by a cast who understand the nuances found between the showier moments of their characters and the story, and brilliantly conceived and captured by Haynes, long - form television — and hell, most movies — doesn't get much better than this.

It's a common but misguided trap in a struggling script where the narration often seems to describe the juicy details that should be what's actually acted out as opposed to some of the other filler scenes that feel unnecessary.

Michael Green's script is smart enough to play the whole thing straight, only calling out the outdated details from the period novel and leaving the rest of the crime story intact.

The first third is dedicated to a built - in, manic «making - of» featurette that essays, in deadly, deadening detail, how Verhoeven posted four pages of a script online, then invited anybody with a laptop and a Starbucks to submit the next five pages, and the next, and so on and so forth, thus pushing Verhoeven out of his comfort zone and inspiring him to new heights as a filmmaker.

Hare's script never skimps on ideas and details, yet finds a way to make a thrilling courtroom drama out of an argument about history.

Alvarez co-wrote the script with Rodo Sayagues, laying out the architecture of the house in a manner that feels organically lived in, while they establish the characters with little detail.

Because heist movies are more fun when viewers know little about the procedural infiltration of footwork soldiers (i.e. the Bang brothers), the script focuses on other details to bring out the excellent idiosyncrasy of early Quentin Tarantino heist films.

The problem I struggled with so much in a traditional model, as described above, is that no matter how good and detailed my storyboard was, no matter how thorough my facilitator guide scripted out the course, it was not until the testing - the ability to get in there and «see it action» - that I got the type of feedback I really needed.