Sentences with phrase «detailed painting shows»
The highly detailed painting shows the humble interior of a restaurant noted for its hot dogs.
http://www.allanstoneprojects.com/ Not exact matches
Scruton shows in detail how the secular liberal agenda of sexual liberation flatly contradicts such a code, and paints a pretty bleak picture of the future of marriage in the West when he likens it to Wittgenstein's notion of repairing a spider web with your bare hands.
Upon arrival and check - in at the downtown luxury hotel — whose expansive lobby is decked out in holiday cheer — you'll receive a Joffrey Nutcracker gift bag filled with keepsakes: a commemorative program detailing the new version of the show (now in its second season), with behind - the - scenes peeks at set designs, dance rehearsals, costumes and more; a hand painted, wooden nutcracker doll; and, perhaps coolest of all, a real pointe shoe that was worn and signed by one of the dancers in the show.
Alisa Burke shows how just a few painted details can take noodle beads from plain to fancy.
HOW IT»S CONSTRUCTED Overall: MDF DETAILS YOU»LL APPRECIATE Oil - base painted finish Sold individually; shown (left) with 2 cubes and 1 shelf.
This close up picture also shows some of the detail of the finish with the single coat of milk paint.
There is a high level of detail to every aspect of the operation and the experience, from the hand painted signs and the technology behind the projections and holograms, to the large scale coordinated shows that happen like clockwork.
A good intervention lesson to use an approach of looking at close up details of paintings to show a better understanding of techniques and approaches.
The «zero - lift» aluminum and composite body panels wear their correct S7 Silbermetallic paint, which has been carefully preserved and shows an impressive, uniform shine thanks to a recent detailing.
A gorgeous rust free and highly detailed example with show quality paint in Granada Gold with expertly done bucket seat interior to match and contrasting black vinyl top.
The vehicle key painted in Carmine Red and key pouch in black leather with embroidered «turbo» logo and Garnet Red decorative stitching show that we always pay close attention to detail.
«The red paint and red leather interior and leather - wrapped dash and console show no signs of wear, as I have it detailed every 5 washes.»
Based on Mazda's new compact crossover, the CX - 5 Dempsey (unveiled today at the SEMA Show in Las Vegas) gets matte black and «Anatomy Gray» (groan) paint with red detailing and comes outfitted with a Bicycle S - Works Tarmac road bike and a Thule Atlantis rooftop cargo box.
Geneva Motor Show 2013 and AML showed an example of V12 Vantage featuring an exquisite Satin Carbon Black exterior paint finish, full carbon - fibre detailing and yellow contrast stitching.
Engine Compartment: The Original engine and engine compartment are clean, painted, and detailed to «Show Condition».
The art images are superbly photographed and the very subtle paintings are shown with great clarity and beautiful detail.
Detail of Robert Rauschenberg's Untitled (1973) showing a stroke of white paint above collaged painted bags
Shown is detail from a painting by American painter Mathes Brown.
This show, entitled Case Studies, features new paintings by Bas, who is primarily known for his expressionistic and highly detailed figurative paintings, but also for his works in sculpture, film, photography and installation.
The show also includes the works of American painters John Singer Sargent and Frederick Edwin Church, and of course Scottish painters Francis Cadell (1883 - 1937) and Sir David Wilkie (1785 - 1841), whose masterpiece, Pitlessie Fair (1804), could keep the viewer occupied for hours enjoying the detailed painting of the activity that represents the cross-section of rural society in Wilkie's home of Fifeshire.
Shown, Detail «Untitled (Double Portrait of Artist with Frustula Sculpture),» n.d. (black and white photo with original paint marks).
That although the paintings appeared quite simplified and abstract, upon closer examination (as your close - ups show) his paintings were in fact detailed and carefully built.
Composite of three details showing Robert Rauschenberg's thumbprints on the verso of White Painting [three panel](1951)
Detail of Species of Spaces, showing a quilt square, die cut stamps, rejected paintings, an artist's t - shirt, clay pots, a homemade ouija board, a collage, and artist's own dust patterns above.
Composite of four details showing Robert Rauschenberg's signatures and inscriptions on the tacking of White Painting [three panel](1951)
Both editions contain 340 pages and 216 illustrations showing details from Abstract Painting [CR: 648 - 2], 1987, accompanied by 155 texts taken from the Frankfurter Allgemeine Zeitung of March 20 and 21, 2003 (the beginning of the Iraq War).
Quaytman doesn't see her conceptual paintings as singular compositions but as parts of an overall scheme detailing the arc of her career — a «book in which each successive show is a chapter.»
In other paintings we are shown hospital interiors featuring institutional corridors that Bartlett portrays in precise detail (note the handrails and wall - phones) even as she transforms them into vibrant, near - allegorical visions.»
His early paintings (eg, Sheep in Landscape, 1869) show a quietude of mood, a strong interest in the effect of light and observation of detail, and warm, rich colour.
Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!
A flower is painted with every detail shown, but is set in a vase rendered with one masterly brushstroke.
Composite showing a detail of a clipping embedded in the surface of Robert Rauschenberg's Untitled [black painting with portal form](1952 — 53) alongside the original New York Times article
Composite of two details showing newspaper clippings in Robert Rauschenberg's Untitled [black painting with portal form](1952 — 53)
It is, in fact, a painting that any professional painter must dread to face, showing us as it does how «the skin of a defeated artist is scored, peeled away, and his body openly violated to reveal the anatomy of pictorial creation, rather than the details of human suffering.»
Painted on a large scale, these works present lively compositions of fall leaves and pine branches with less emphasis on exact detail and more interest in showing the artist's process and study of form.
Thanks for sharing your paintings with us.I love the way you showed every step & detail in your videos.Its really inspiring.
Touchstone artists» show UNITY opens in Gallery A; METALLICS: Paintings and Prints by Mary D. Ott opens in Gallery B; and Memoryscapes — Blurry Lines III by Steve Alderton opens in Gallery C. For more details, click here.
The show's centrepiece, In the Studio (December 2017)-- ur Hockney in that it is at once comprehensive and detailed — is a mural - length compendium of all the shaped paintings in the show as scanned on to three walls of his studio to halo the artist with a triumphant: «I've cracked it!»
For her current solo show, «Into The Wind,» Kowch also made a series of small paintings that are intimate in scale but rich in detail and narrative implications.
The Zwirner show includes a wide array of subjects that recapitulate Courbet's scope: still - lifes, seascapes, landscapes, portraits, group scenes, and — most startling — a large and lovingly detailed photograph of a man's buttocks and scrotum, the gay man's version of «The Origin of the World,» Courbet's notorious and exquisitely brushed painting of a woman's groin.
His very large format canvases from the late 1960s show a new approach to painting and the artist working with simplification of form and magnification of detail.
One painting, owned by the Tate, is shown alongside close - up photographs of details seen under ultraviolet light, revealing the complex layerings and reworkings the artist subjected his work to.
In order to keep the eye moving across the canvas and to create depth, I like to vary the resolution of the upper layers, sometimes keeping an area loose with the under painting showing through and sometimes bringing out more detail.»
The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and Georpaintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and GeorPaintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.
Susanna Starr Green Gorge (detail shown on right) 2001 synthetic sponge and acrylic paint 44 by 27 by 34 in.
Detailed areas show a history of separate painted or drawn surfaces that have been cut and unified.
The paintings in Beauchene's show seem virtually identical at first — an impression that is aided by their tight linear installation on a single wall — but one quickly begins to notice all manner of difference in their facture and details.
He was no «action painter,» but meticulously prepared for his major paintings in suites of detailed drawings, many of which are in the show.
A detailed look at how photography penetrates every aspect of Artschwager's work, including his photo - realistic paintings, the faux wood grain of his formica sculpture, early slide shows of blps in situ and amateur snapshots from his studio archive.
The illustrations show details from Abstract Painting [CR: 648 - 2] from 1987.