Sentences with phrase «develop an exhibition around»

Yet as I began to develop an exhibition around the interconnections between visual art and fashion, I discovered that there currently exists relatively little scholarship on the subject.

Not exact matches

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Embodying has been developed in partnership with the Artadia Exhibitions Exchange program in an effort to present works by the recipients of Artadia Awards at arts venues around the United States.

A scholarly publication and public programming will also be developed around the exhibition.

Over a number of years he developed a deep understanding of Judd's working practices, and travelled with Judd on research trips and to install exhibitions around the world.

-- The sound artist and painter developed a new body of work as part of his Artist Lab residency and exhibition in fall 2012, focused around the alternate guitar tuning scale E-D-G-B-D-G unique to the Central Andes.

The Exhibition Road Commission brings together leading international artists with scientists, researchers and creative thinkers around Exhibition Road to develop new, site - specific installations and interdisciplinary events across all the venues every two years.

A Group Exhibition Featuring Members of the DiverseWorks Artist Board The DiverseWorks Artist Board provides integral programmatic input and helps to develop policies around the artistic direction of the organization.

The exhibition revolves around four themes — Melancholia, Identity Games, Political Autobiographies, Raw Material - that develop evenly through the spaces of Punta della Dogana with 145 works.

Our curatorial team develops traveling exhibitions that are available to rent for display at museums around the world.

As part of an interdisciplinary initiative at the College to explore the rich traditions of large - scale artworks and to develop new scholarship around the mural format, Nadia Haji Omar, a Sri Lankan multimedia artist living and working in Rhode Island, will transform the exhibition space with mirrored surfaces and her signature alpha - numeric abstraction.

Open Sesame was the first in a series of publication research resource documents in which Tate and Uclan in collaboration have sought to develop their work around the impact of past, current and possible future exhibitions, displays, competitions and collecting strategies initiated by Tate in relation to artists of African, Asian and Caribbean descent.

To advance Hancock's commitment to supporting young adults of color, we have established the Young Curators Council, a paid curatorial mentorship program that will help develop programming that will revolve around this exhibition.

She also co-curated the exhibition Fatal Love: South Asian American Contemporary Art Now, as well as coordinated two editions of Corona Plaza: Center of Everywhere, which commissioned eight artists to develop public art works that engage local residents on issues of neighborhood history and identity as well as tensions around its various transformations.

«In just two years, the Broad MSU has already brought some of the most exciting young artists from around the world to MSU and the East Lansing community, and I look forward to building on this work and to developing a robust exhibitions program.»

IAS staff collaborates with faculty to develop resources for teaching and curriculum around all IAS exhibitions and projects.

In looking at self - organised exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.

Centered around a new video work, the exhibition developed the artist's ongoing inquiry into posthuman desire.

As part of a series of innovative, youth - led programmes around the theme of «Art Inspiring Change» and our Summer exhibition «Every Day is a New Day» we would like to work to develop the skills of local artists and experiment with different ways of including artists, our communities and families in the co-creation of our learning programme.

Working for the Des Moines Art Center, Ingram developed an in - depth understanding of contemporary art within the context of architecture.Ingram has been exhibiting for more than 18 years and has been included in exhibitions around the United States as well as Spain and Canada.

It was a storage space, but I developed it into a good exhibition space and, had it been around here or in a better location, it probably would have become the main gallery, but then it seems that that location was just impossible.

This exhibition at James Cohan Gallery seeks to develop these earlier ideas around what I termed «vernacular» or «everyday» abstraction: that is artistic practices that actively privilege and operate in the grey area between an essentially non-representational image / object and the use of quotidian materials and processes.

The objects on the tables are a combination of prototypes, potential signage and models, and they have been developed around Gillick's ongoing engagement with writing on social utopias; in particular he has been working on a series of texts, exhibitions and lectures with the overall title Construcción de Uno for a number of years.

«Lynda Benglis: Water Sources» is the first exhibition centered around the outdoor water fountains that the artist has been developing since the early 1980s.

Ms. Dennison organized over 35 exhibitions of Modern and contemporary art for major institutions around the world, many based on the museum's renowned permanent collection, which she was instrumental in developing during her tenure.

The exhibition, which is conceptually grouped around these three thematic bodies of work, also includes additional artworks that the artist has developed around the idea of rehearsal and re-enactment in relation to progress in art and everyday life.

The artists of the exhibition were asked to create a book that describes activities developing on or around a table or a desk.

She made use of our Entangled: Threads & Making Schools Resource to develop ideas around key themes in the exhibition.

It collaborates with museums, foundations, curators and scholars from around the world to develop greater understanding and broader interest in the work of its artists; this includes exhibition catalogues and commissioned essays.

On Wednesday 12th December, the penultimate week of the exhibition, the gallery holds a talk with Chris Fite - Wassilak, Damien Roach and Megan Rooney, centred around the developed of the exhibition «LtA... a subtitle» and it's relationship to their practices.

A nonprofit institution founded in 1909, the AFA is dedicated to enriching the public's experience and understanding of the visual arts through organizing and touring art exhibitions for presentation in museums around the world, publishing exhibition catalogues featuring important scholarly research, and developing educational programs.

The group exhibition «Tomorrow in the Battle Think on Me» is built in a collage of ideas, artworks and emotions, echoing the novel of the same name by Spanish writer Javier Marías, is not developed around the novel's plot, but is concerned rather with its construction, most notably in the recurring appearance of the lines, taken from Shakespeare's «Richard III», deformed and reassembled to become a ritornello.

The exhibition is conceptually grouped around these three thematic bodies of work and includes additional artworks that the artist has developed around the idea of rehearsal and re-enactment in relation to progress in art and everyday life.

David Adjaye: Form, Heft, Material is the first exhibition of a major architect at Garage and inaugurates a new chapter in the Institution's longstanding interest in developing discourse around contemporary architecture and its role in society today.

While renovations are being made - collaborating with designers, contractors, and construction crews - we will continue to host exhibitions via our website, release new content on AMN (www.americanmedium.tv), and develop programming for the next five years with artists and curators from around the world.

«Ways of Working: The Incidental Object,» part of the project One Torino: A New Annual Exhibition Project Around Torino and Piemonte, developed and produced by Artissima, at Fondazione Merz, Torino, Italy, November 7, 2013 — January 12, 2014

Nancy Ireson (Courtauld Institute of Art) plans to develop a research project which aims to bring attention to Frampton through a small exhibition or display at the Henry Moore Institute, based around photographs held in its archive.

This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

The judging jury particularly praised the research agency for its ability to develop «highly innovative methods for sourcing and visualising evidence relating to human rights abuses around the world, used in courts of law as well as exhibitions of art and architecture,» explains Tate.

The beauty and the dream, the living and the unconscious, the familiar and the disturbing... these are the variations and points of departure around which the exhibition Bizarre is developed.

From the moment we pitched our ideas to the carefully considered presentation and hanging of the work we were developing discourses around our own work which we had the opportunity to voice and discuss in the talk which accompanied the exhibition, Disruptions: On Photography and Capitalism.

Inspired by these contexts, the exhibition reflects the manner in which the International Style of art and architecture, developed in the 20th century, succeeded and failed in its ideal of fostering utopian conditions around the globe during the era of postcolonial liberation.

Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.

Motonaga's work was included in an exhibition of Gutai art that traveled around the U.S. in 1958, and after signing with the Martha Jackson Gallery in 1960, he began developing closer ties with the country.

In addition, this complex, contradictory, propositive exhibition, committed to human life on the planet during its late anthropocene phase, is an innovative initiative that is configured without the straitjacket of a traditional curatorship, but develops with free dialogue between the participating artists and academics of the UNAM, mainly around the analysis of detritus as matter in transformation.

The Peer to Peer programme is intended to create opportunities to develop critical thinking and creative practice, to encourage discussion and debate around BALTIC exhibitions and key concepts within contemporary art, as well as offer professional development opportunities to artists.

For GENERATION, Maclean has developed themes first touched on in her recent exhibition I HEART SCOTLAND (2013), which looked at popular markers of Scottish identity and the political debate around independence.

In conjunction with the exhibition, every morning between April 13 — May 1, 2015, Helen Mirra walked around Aspen focused on developing the half - smile, as described by Thich Nhat Hanh.

Wimberly has curated exhibitions and developed programs with galleries and institutions around the world including The Third Line (Dubai); Koki Arts (Tokyo); Contemporary Art Museum, Raleigh, NC; and the Museum of the African Diaspora, San Francisco, CA.

The Studio's primary focus on distinctive offerings developed around four key themes: urban experience, artist and process, art and the environment, and crossing cultural boundaries deepens the organization's craft niche, and strengthens ties to our exhibitions of work by national and international artists for a complete educational experience.