Sentences with phrase «develop audiences for arts»

Over the past five years, asquared has worked closely with digital technology to develop audiences for arts and cultural clients.

Not exact matches

We endeavour to tell engaging stories, provide unadulterated entertainment and food for thought, nurture a passion for the art, develop excellence in the craft and take the joy of theatre to ever widening audiences.

Many performing arts presenters, even those with international reputations, seek creative methods for developing well - informed, committed audiences for the performing arts and engaging their own communities.

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We want to see projects that use digital technology to enhance audience reach and / or develop new business models for the arts sector.

For more than 25 years, Cheryl Haines has developed site - specific exhibitions and public programs that have exposed new audiences to contemporary art and advanced discourse on art about place.

We endeavour to tell engaging stories, provide unadulterated entertainment and food for thought, nurture a passion for the art, develop excellence in the craft and take the joy of theatre to ever widening audiences.

- Aonuma thanks the audience for the award - Aonuma: The team did not want to simply adapt the old formula of Zelda games, and they carefully balanced old and new elements - Fujibayashi: The dev team had several challenges while developing; worked hard to satisfy gamers; is happy to see Germany loving it - Takizawa: Artstyle has changed often throughout the series» history; the art team's experience has been applied to the game, that's why the whole team is very happy about the award - Dohta: The team created lots of fun elements for the players, and the whole technical team is very happy to see Germany loving the game - Aonuma: «We are honored to accept the price in the name of over 300 developers who worked hard and passionately on the game for years - Everybody: «Vielen Dank!»

«The Sword Art Online universe continues to grow in popularity among audiences in the Americas and its evolution has provided us with a great canvas from which to develop new and exiting experiences for Sword Art Online and RPG fans to enjoy.»

While the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

Wile the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

The museum staff develops and implements educational programs, under the umbrella of The Phillip and Lynn Straus Center for Education in the Arts, that serve diverse audiences and establish the Neuberger Museum of Art as a regional center for curriculum - based art educatiArt as a regional center for curriculum - based art educatiart education.

She played a key role in developing curatorial strategies for the current rejuvenation of the High Museum of Art to expand audiences and access to the collections.

«Evans 360º supports the Virginia Museum of Fine Arts ongoing initiative to develop a visitor - centric experience that meets the needs and expectations of diverse and growing audience, while also placing the museum at the forefront of museum education in the 21st century,» said Michael Taylor, Chief Curator and Deputy Director for Art & Education at VMFA.

The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

The Curriculum Resource Guide was designed to aid and support the Foundation's staff of Artist - Teachers as well as other art educators in developing year - long studio art curricula for youth audiences.

The variety of forms and techniques of the works on show highlights TDIC's holistic method of developing the Abu Dhabi arts scne, in both instigating aesthetic discourses, while building a platform for audience engagement.

For this reason, much of the work she has done has consisted in developing ideas and projects with artists to facilitate meetings points — whether these are in the form and space of exhibitions, events or printed matter — for audiences to experience art in unconventional waFor this reason, much of the work she has done has consisted in developing ideas and projects with artists to facilitate meetings points — whether these are in the form and space of exhibitions, events or printed matter — for audiences to experience art in unconventional wafor audiences to experience art in unconventional ways.

Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the Arts but, as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even alternative spaces.»

In looking at self - organised exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.

He is a recipient of the Alberta College of Art and Design Board of Governors Award of Excellence (1992) and the Order of Canada (2007), which was for awarded to him for his numerous contributions as a champion of Canadian artists, notably as a curator who has developed many popular and critical exhibitions that have attracted new audiences to Canadian art galleriArt and Design Board of Governors Award of Excellence (1992) and the Order of Canada (2007), which was for awarded to him for his numerous contributions as a champion of Canadian artists, notably as a curator who has developed many popular and critical exhibitions that have attracted new audiences to Canadian art galleriart galleries.

At the High, Shapiro oversaw unprecedented growth of the Museum's collection, developed numerous partnerships with national and international art institutions and increased the reach and impact of the Museum's education programming and accessibility for diverse audiences.

As DC's premiere non-profit visual arts organization supporting emerging artists & experimental artistic practice in the contemporary visual arts, Transformer is continually working to develop new opportunities to advance artists» careers and build audiences for emergent artistic expression.

Since its inception, one of the primary aims of the DESTE Foundation has been to develop a wider audience for contemporary art in Greece and to enhance opportunities for emerging Greek artists by promoting their artistic developments.

Established by Russian billionaire Leonid Mikhelson, the foundation aims to develop and present Russian art for the international audience and to support home grown talents and young artists.

Norte Maar has been consistently proving, and the Cage Transmitted series has only confirmed that they have branched out from Bushwick and became a strong voice on the New York art scene, and thus fulfilling the Bushwick ideal — developing a successful home base for arts on an alternative basis outside of the old structures; in a small scale reaching a large audience and importance in New York.

This programme has facilitated creative workshops, engagements with project artists, exhibitions, community events for school groups, young people and adult participants, and research and practice sharing activities for stakeholders, all developed to connect audiences with local and national art, artists and heritage.

The best part of participating in art fairs is building new relationships and developing new audiences for the gallery artists, so it is critical to be engaged with everyone you meet in order to maximize these opportunities.

Mizuik brings over a decade of experience creating opportunities for visual artists to develop new work and build their careers, establishing industry relationships in technology and media to support innovations in artistic practice and exploring new ways to engage audiences in visual arts.

In 2013, her passion for art and print media led her to develop her first publication, FreshPaintMagazine, through which she expanded the audience and distribution and connected artists with curators and opportunities.

BALTIC's reputation and recognition for responding to artists» creative ambitions with the highest levels of technical presentation attracts the most exciting practitioners to BALTIC 39, ensuring that this gallery not only develops a loyal public audience but also quickly gains the attention of the wider visual arts sector.

Lawndale Art Center develops local contemporary artists and the audience for their aArt Center develops local contemporary artists and the audience for their artart.

Artes Mundi is Latin for «Arts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woArts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woarts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world.

ECVAN is part of the national Contemporary Visual Arts Network (CVAN) and delivers collaborative projects that explore new ways of working together to support artists, develop arts infrastructure and reach new audiences for art in new wArts Network (CVAN) and delivers collaborative projects that explore new ways of working together to support artists, develop arts infrastructure and reach new audiences for art in new warts infrastructure and reach new audiences for art in new ways.

The Producer, Public Programs is responsible for developing a range of innovative interpretive education and public programs and events that will cultivate the interests of new and existing audiences who visit the Casula Powerhouse Arts Centre.

From 1997 - 2017, as Curator - in - Residence at Maryland Institute College of Art, he continued to develop new models for connecting art, artists, and audiences by creating the Exhibition Development Seminar, Curatorial Studies Concentration and the MFA in Curatorial PractiArt, he continued to develop new models for connecting art, artists, and audiences by creating the Exhibition Development Seminar, Curatorial Studies Concentration and the MFA in Curatorial Practiart, artists, and audiences by creating the Exhibition Development Seminar, Curatorial Studies Concentration and the MFA in Curatorial Practice.

The 2012 edition of the Havana Biennial will be developed in international circumstances where debates regarding the scenarios of contemporary art have been substantially modified and have acquired new meanings for artists as well as for the institutions and the different audiences.

We endeavour to tell engaging stories, provide unadulterated entertainment and food for thought, nurture a passion for the art, develop excellence in the craft and take the joy of theatre to ever widening audiences.

We endeavour to tell engaging stories, provide unadulterated entertainment and food for thought, nurture a passion for the art, develop excellence in the craft and take the joy of theatre to ever widening audiences.