Sentences with phrase «develop cultural projects»

Aida continues to curate and develop cultural projects with local and international institutions through her company DESTA (Developing and Educating Society Through Art) in Addis Ababa.

She continues to educate, curate and develop cultural projects with local and international institutions through her company DESTA (Developing and Educating Society Through Art) For Africa Creative Consulting PLC (DFA) in Addis Ababa, Ethiopia.

She emphasized that she continues to curate and develop cultural projects with domestic and global institutions through her company DESTA (Developing and Educating Society Through Art), a creative consulting venture based in Addis Ababa.

During that time, he started to investigate ways to develop cultural projects that aimed to provide wider access to the production and presentation of art to new audiences, leading to the formation of Anysquared Projects.

Not exact matches

In an ambitious project to assess the correctness of Talcott Parsons» theory of evolutionary universals, Gary Buck accumulated masses of data for 115 contemporary nation - states from every part of the world.7 He developed elaborate indices (as of 1960 wherever possible) of the ten variables Parsons discussed: (1) communication, (2) kinship organization, (3) religion, (4) technology, (5) stratification, (6) cultural legitimation, (7) bureaucratic organization, (8) money and market complex, (9) generalized universalistic norms, and (10) democratic association.8 Information was taken from such sources as the United Nations Statistical Yearbook, the Yearbook of Labor Statistics, and UNESCO's World Survey of Education.

The approved projects also include funds to develop an Art & Innovation Studio at the Strand Cultural Center, as well as capital improvements at the theatre.

In 1996, SHRP and the Human Rights Information and Documentation Systems International (HURIDOCS)- a global network of organizations concerned with information handling and documentation of human rights violations, began a three - year project to develop a «violations approach» to monitoring economic, social, and cultural rights (ESCR) as enumerated in the International Covenant on Economic, Social, and Cultural Rights (cultural rights (ESCR) as enumerated in the International Covenant on Economic, Social, and Cultural Rights (Cultural Rights (ICESCR).

The Lasker Foundation's first ever award to a Chinese scientist working on the mainland has reignited a 30 - year controversy over whether one person should be recognized for developing a powerful antimalarial drug that was the product of a massive government project during China's Cultural Revolution.

About Blog FORM Dance Projects is a unique, innovative cultural service provider that aims to foster and develop contemporary dance culture in Western Sydney.

At the film's recent press day, Costner talked about the appeal of playing Coach White, Niki Caro's directing style, the bond that developed between all the actors during filming, the pivotal role a coach can play in a young person's life, the Jim White - type coaches who influenced Costner's life in a positive way, what he learned about Latino culture growing up in Visalia, why he waits for projects to come along that he can really respond to irrespective of genre, the biggest cultural gap he experienced on this film, and how sports movies allow us to address other issues within the wider society.

One of the best ways to develop cultural literacy and help our students understand these goals is through social justice processes and projects, activities that develop a mindset of concern for our society's inequity in wealth, education, and privilege.

Two other examples: a middle - school project that culminated in a half - hour variety show explored how comedians use spoken words, body language, and cultural references to draw laughs; and young entrepreneurs developed ideas for business start - ups to pitch to experts.

She also is founder of the technology consulting firm, The Jemison Group, Inc. that integrates the critical impact of socio - cultural issues when designing and implementing technologies, such as their projects on using satellite technology for health care delivery in West Africa and solar dish Stirling engines for electricity generation in developing countries.

Marianne works as an educational specialist for Project CREATE and PASSAGES, Alaska Native Education Program grants to develop cultural indicators for the AK Cultural Standards for Educators for teacher evacultural indicators for the AK Cultural Standards for Educators for teacher evaCultural Standards for Educators for teacher evaluation.

As staff to SERRC's Project CREATE and PASSAGES, Martha developed cultural indicators for the Alaska Cultural Stcultural indicators for the Alaska Cultural StCultural Standards.

«The McKee Project promotes cultural change to improve the quality of life of dogs and cats in developing nations and strives to control companion animal population by supporting communities in starting sustainable spay and neuter programs.»

Saudi Arabia and Oman will lead the GCC's multi-billion dollar investments in cultural tourism, with a series of projects to develop new world - class cultural attractions.

The Ulysses Link Track is one of a number of exciting cultural tourism projects developed in the World Heritage - listed Wet Tropics.

Speed Up online game is one of the most successful projects of NOA Games company which is designed to expand healthy recreational culture and it is developed and implemented in Persian web space and has attracted cultural institutions and people interested in computer games in the country.

Donna Graves is a historian and cultural planner with over 20 years experience developing public history projects that document and interpret unrecognized histories.

Part of the team developing the cultural district in Abu Dhabi, Kim was project director of the preliminary concept designs for the Louvre Abu Dhabi, the Abu Dhabi Performing Arts Center, and the Maritime Museum — working with architects Jean Nouvel, Zaha Hadid, and Tadao Ando respectively.

The group, which has branded itself Lost & Found, aims to develop opportunities for people aged 15 - 24 years to create exciting and challenging cultural projects and events with and for their peers, including visual art, music and film.

This fall, they are developing a new project — «P.O.L.E. (People, Objects, Language, Exchange)» — that continues their investigations of the choreography of relationships and the movement of cultural transmission via the vernacular of pole dancing.

As president of the AKOS Cultural NGO Tonoyan collaborates with organizations internationally to develop cultural exchange opportunities, and locally to develop socially engaged projects in the peripheries of Cultural NGO Tonoyan collaborates with organizations internationally to develop cultural exchange opportunities, and locally to develop socially engaged projects in the peripheries of cultural exchange opportunities, and locally to develop socially engaged projects in the peripheries of Armenia.

The project connects 18th Street Arts Center and our surrounding Pico Neighborhood with other Los Angeles institutions and community histories to develop a living and breathing archive that thrives off of collaborations with various individuals who come from multiple social, cultural, geographical, and artistic perspectives.

The Community Partnership Gallery at the Queens Museum provides opportunities for our cultural and other nonprofit organizational partners to develop and mount short - term exhibitions based on their programs and our collaborative projects.

For Tuesday Evenings, Cuevas's presentation is centered on research - based projects formally developed through the use of socio - cultural strategies, including actions such as marking a crossing point in the Chihuahuan desert at the US - Mexico border, or multidisciplinary processes such as the simultaneous collaboration with the SFMOMA and public libraries around the subject of public knowledge.

What to make of the detailed 1998 proposal for The Long March Project, which enacted a curatorial experiment by founder Lu Jie and artist Qiu Zhijie involving thousands of participants, exhibitions and performances staged along the Red Army's route to collectively «reinterpret historical consciousness and develop new creative approaches to political, social, economic and cultural realities».

Sponsored by the Los Angeles County Arts Commission, the main idea of «Project Willowbrook» was to develop a creative profile of the community of 35,000 people that can now help guide subsequent efforts to meet Willowbrook's cultural needs as the county invests hundreds of millions of dollars in the new Martin Luther King Jr..

Edgar Orlaineta is a Mexican artist who has developed several functions in his environment, not only as an artist but also as a cultural and contemporary art promoter, for example, during 1996 to 1998 he ran a project space called Art Deposit where a lot of artists from his generation had a chance to exhibit their work for the first time.

Even though the EU has been mainly developed to facilitate financial and commercial transactions in Europe without any visible interest of including artistic and cultural questions into this important project, the artists have taken advantage of the fading frontiers, and established themselves where they see new possibilities.

The idea for the project originated from reflecting on Erwin Panofsky's book Perspective as Symbolic Form (1927), which shows how every cultural age develops its own way of representing space.

After museum and cultural consulting work for clients such as the International Museum of Cartoon Art, Walt Disney Company, Elvis Presley Estate and Site Santa Fe in New Mexico, Dr. Barrie became the president of the The Malrite Company (1998 - 2005), where he worked with CEO Milton Maltz to develop new and creative concepts for museum projects.

In developing his artistic projects, Biggers traveled extensively to learn about the African cultural experience.

James works across the UK, developing and facilitating socially engaged arts projects with a range of partners, using making as a tool for exploring the relationship between oneself and one's natural and cultural environment.

The LUMA Foundation and LUMA Arles, the executive entity founded in 2014 in support of the project in Arles, are currently developing an experimental cultural center in the Parc des Ateliers in the city of Arles, France, with a core group of artistic consultants (Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno, Beatrix Ruf) and the architects Frank Gehry and Annabelle Selldorf and landscape architect Bas Smets.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and coDeveloping exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and codeveloping institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.

In August and September 2016, selected workshop participants from each city worked with these local partners to develop project proposals for the Google Cultural Institute Residency in Paris in late 2016.

As Artistic Director of the Moroccan organisation Feddan, she develops its large - scale permanent residency and exhibition project Trankat Street (opening in 2013, Tétouan part of Marseille 2013, European Cultural Capital).

Reflecting on mainstream media, commerce, and its cultural impact; Contraband is a project dealing with the influence «developed» countries have on the rest of the world.

In her «Letter from the Editor,» Mutumba shares the necessity of developing an unbiased empathy through experiencing a diversity of cultural projects — which, she says, can lead to a greater understanding of the issues troubling the world today.

Other projects are being developed with a cross section of organisations, including the Council of National Cultural Institutions, The Ark, Dublin Institute of Technology and the Department of Education and Science.

This project is supported by Étant Donnés Contemporary Art, a program of FACE Foundation, developed in partnership with the Cultural Services of the French Embassy in the United States, with lead funding from the Florence Gould Foundation, the Helen Frankenthaler Foundation, the French Ministry of Culture, and Institut Français - Paris.

Los del Patio Also located in the historic neighborhood of San Felipe, Casco Viejo, Los del Patio is a cultural center created to support and develop both self - initiated projects and those by other artists or groups.

The aim of the programme is to provide curators with an opportunity to carry out research and to develop international curatorial projects while building contacts with art practitioners and cultural organisations in Finland.

Faced with this challenge, the Museum invites companies and entities to become an active part of this cultural and social project, offering diverse avenues to collaborate which range from overall support in developing the Museum's mission, to specific sponsorships for exhibitions and activities in our annual programming.

For his project «A work in situ», at REDCAT, John Knight revisits this relationship between two cohabiting institutions (Roy and Edna Disney CalArts Theater and Walt Disney Concert Hall), in today's highly developed «cultural corridor» of downtown Los Angeles, considering the relationship between space, architecture, contemporary arts and real estate.Since the late «60s, John Knight has pioneered the practices of site - specificity and institutional critique, always interested in interrogating the underlying geopolitical and economic systems implicit in everyday convention.

The Group exhibition «Accompaniment» is a curatorial project exploring accompaniment as an evolving theory of practice, developed in response to our cultural and political milieu.

Created in 1996, the Fundação Bienal do Mercosul is a private, non-profit organization in Brazil with a mission is to develop cultural and educational projects in the field of visual arts, encouraging dialogues between contemporary artists and communities.