Sentences with phrase «develop focus exhibitions»

She will help develop focus exhibitions and plan installations in the permanent collection galleries, including a project to reinstall the Modern Art Galleries this summer.

Not exact matches

The exhibition will focus on the amazing relationship developed through a «Sister City» Program between Ishikari Japan, and Campbell River, Canada.
The event is a two - day online tourism conference and travel technology exhibition aimed at developing online tourism with a focus on e-marketing, travel distribution and sales, social networking, and new media.
The Holiday Inn Beijing Focus Square is ideally located in the most commercial quarter of the newly developed Wangjing area, surrounded by an upscale shopping mall and dining outlets, with walking distance to many multinational companies.Only 25 minutes drive from the Airport and the newly opened Airport Exhibition Centre.Guests can enjoy our 26 meter indoor swimming pool, fully equipped fitness center, modern business center, executive floor and wide selection of Western and Chinese restaurants.Make Holiday Inn Beijing Focus Square your first choice in your next visit to the capital.
Our programme focuses on solo exhibitions to give artists the opportunity of developing projects and presenting new approaches to a medium that is too often seen as preparatory to other forms of art.
Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).
The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
Focused solo exhibitions of work by Edward and Nancy Kienholz, Senga Nengudi, and Hélio Oiticica respectively bring to light significant periods of each artist's work, providing renewed understandings of their practices and underscoring the museum's commitment to developing new scholarship in post-war and contemporary art.
-- The sound artist and painter developed a new body of work as part of his Artist Lab residency and exhibition in fall 2012, focused around the alternate guitar tuning scale E-D-G-B-D-G unique to the Central Andes.
The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.
By focusing on Cézanne's portraits, the exhibition offers an unrivalled opportunity to develop a greater understanding of his originality as an artist as well as gaining an intriguing glimpse into the personal world in which he inhabited.
Herzberg was the Museum of Contemporary Hispanic Art curator for «The Decade Show» in 1990, a seminal exhibition focused on identity politics in art which developed over the previous decade.
Agsten and The Main's team are developing a program that is focused on an artist residency rather than a permanent collection and includes a robust slate of exhibitions and programs.
The exhibition focuses on Bell «s large freestanding glass sculptures, a type of work that he first showed in 1969 and continued to develop and exhibit until the late nineteen - nineties.
The [Working Title] series is focused on developing work that can go beyond the run of the exhibition, and it is important that the catalogue exist in a similar way.
Since the 1990s, his work has been characterised by its focus on language and its articulation in space through perception, as well as a precise, conceptual clarity that is often developed out of the context or history of the exhibition site.
We are thrilled to provide our audiences with insight into Turner's masterful technique and process by reuniting the Frick's ports, which themselves have never before been the focus of an exhibition, with a third harbor scene from the Tate on a similar scale, along with other port scenes — both imagined and set in the present — in oil and watercolor that reveal how the artist developed this subject over time.»
For the exhibition Provincetown Prints: Then and Now, Art Teacher Ginny Ogden and students from her Printmaking II class attended a workshop at PAAM, which focused on the history of the white - line wood block — also known as the Provincetown Print, which was developed in Provincetown more than 100 years ago.
For the Louis Vuitton Project the Huddle developed a project that responded to the Ernesto Neto exhibition, with a focus on how visitors negotiate their way through the gallery.
Absorbing modernity 1914 - 2014 is the exhibition focused on the theme proposed by Koolhaas at the Biennale and developed by all national pavilions curators
According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.
Following the Alberses» move to New Haven in 1950, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).
Her work over the past three years has focused on developing sustained conversations, exhibitions, and elaborations on the work of individual artists.
Isabelle DervauxThis focused exhibition — one painting and twelve drawings — fits into the program of exhibitions of modern and contemporary drawings that the Morgan has developed in the last ten years or so, which is devoted to the work of twentieth century artists for whom drawing was an important medium and who have made a particular contribution to its history.
The artist developed seven major series throughout his career, four of which respectively titled From Point, From Line, From Winds and With Winds form the major focus of Pace London's exhibition.
Such a joint approach of production and theory transforms About Practice into a series of exhibitions focused on the notion of concept, its role and position in the artwork as an intrinsic consequence of constant activity that develops its own theory as it unfolds.
The organization created an ambitious Exhibitions Program, developing projects with international artists that focus on site - specific, immersive and socially engaged work.
The exhibition thus offers a lens on various collecting approaches, with some collectors focusing on the work of particular artists or on specific art historical movements or themes, and others developing their own criteria, whether deliberately or unconsciously.
Alberto Giacometti Tate Modern London 10 May — 10 September 2017 This exhibition will focus on the influences that shaped Giacometti and the experimental way in which he developed his practice.
Wim Waelput draws on his experience of organizing Dekyndt's recent solo exhibition at KIOSK in Ghent in the Spring of 2010; he particularly focuses on Carousel, a new site - specific installation developed for KIOSK, as a resource for understanding the dimension of time in her practice as a whole.
Over the last decade, as Director of Exhibitions at GSAPP, he has developed a body of research and archival exhibitions that focus on under - examined practices of the postExhibitions at GSAPP, he has developed a body of research and archival exhibitions that focus on under - examined practices of the postexhibitions that focus on under - examined practices of the postwar period.
LaFleur has developed and organized art exhibitions both nationally and internationally with a curatorial focus on Afrofuturism.
About the Exhibition The exhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of dExhibition The exhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of dexhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of directions.
In 2009 she was appointed Senior Curator at the newly opened M - Museum Leuven, where she developed the institution's contemporary art programme focusing on solo exhibitions by both emerging and established artists.
Curated by the world's leading scholars, the exhibition focuses on his primary achievements — the innovative techniques and artistry he developed to achieve original and spectacular effects in glass.
As the analysis of contemporary criticism given elsewhere in this In Focus demonstrates, critics who saw the exhibition in which Meryon was first shown — held in late 1961 at the Sidney Janis Gallery, New York — were expecting at that point a «change» in artistic orientation and considered Kline's return to his black and white palette to be the product of a failure to develop his artwork.1
Public Matter features rotating outdoor exhibitions of large - scale paintings by the most recognized and celebrated names in contemporary art, with a particular focus on those artists who have developed their skills and visual art in public spaces.
The solo exhibition titled «Initiation to Fantastic Realism» focused on a illustrating and developing personal experiences through his travels and adventures as a graffiti artist.
Our program focuses on the presentation of solo exhibitions and collaborative research projects with an emphasis on creating a cohesive, in - depth, new body of work and ever - changing methodology in order to develop projects which might not be exhibited otherwise.
A peculiarity of this exhibition is its focus on Kusama's work as a fashion designer; the retrospective showcases dresses and costumes she designed for her performances in the 1960's and the 1970's, as well as recent works developed in collaboration with the Japanese designer Issey Miyake and the French fashion house Louis Vuitton.
Amgueddfa Cymru — National Museum Wales has recently focused on developing their holdings of modern and contemporary art, both in terms of acquisitions and exhibitions.
This exhibition at the Henry Moore Institute focuses on the dynamic first decade of his career, tracking how Dye's work in photography and film developed out of his interest in sculpture.
Ms. Cotter and Ms. Fadda will join members of the Abu Dhabi Project team to develop future exhibition programming for the Guggenheim Abu Dhabi and to advise on the creation of its art collection focused on international postwar art.
This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.
Prior to this, she was Director of Bury St Edmunds Art Gallery for 12 years, where she developed an ambitious programme with a particular focus on the fusion of concept with material and process through outreach projects, public commissions and national touring exhibitions.
Fifty years since Tate first showed the work of Alberto Giacometti his work returns to London This exhibition will focus on the influences that shaped Giacometti and the experimental way in which he developed
Since the 1990s, his work could be characterised by its focus on language and perception, as well as its precise, conceptual clarity that is often developed out of the context of the exhibition site or its history.
Titled «Lines of Sight», this exhibition focuses on the decades between 1948 and 1978 when Herrera developed her style of slick, hard - edged abstraction.
Focused on fine art which finds its background, heritage and influences deeply rooted in urban subcultures like street art, avantgarde fashion, design, music, architecture and graffiti, Circleculture gallery has developed a large number of innovative exhibition concepts in cooperation with international curators.
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