Sentences with phrase «develop original exhibitions»

Diana Jocelyn Greenwold has been promoted to Associate Curator of American Art, where she will oversee the American art holdings in the PMA collection, including new acquisitions, and develop original exhibitions.

Similarly, Andrew Eschelbacher has been promoted to Susan Donnell and Harry W. Konkel Associate Curator of European Art, where he will oversee the European art holdings in the PMA collection, including new acquisitions, and develop original exhibitions.

Not exact matches

After several years developing game prototypes, freelancing and working as a game designer at NYC's This is Pop, he was awarded a commission to produce an original game for the NYU Game Center's No Quarter exhibition.

Developed in close consultation with the artists, the exhibition features original works by Rachel Harrison, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, and Adrian Piper created specifically for the show and shown here for the first time.

This solo presentation, curated by Chapter — to develop a suite of new work for a large scale, ambitious and original exhibition — will be the artist's first major commission at an international biennale.

A clear signal of the lingering trouble was the original June announcement, since reversed, that a chief curator was no longer required to develop MOCA's excellent permanent collection and lead its adventurous exhibition program.

Curated by the world's leading scholars, the exhibition focuses on his primary achievements — the innovative techniques and artistry he developed to achieve original and spectacular effects in glass.

An original composition by jazz pianist Jason Moran was developed in conjunction with the exhibition Gee's Bend: The Architecture of the Quilt.

Drawing from his large scale installation «Pseudo Development Ancestors» (2010), which was shown again in OFCA's exhibition program Re-PLAY # 1 (2013), Dono developed a special edition of 3 originals titled Wayang Re-PLAY «Donosaurus».

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Bern?

This exhibition provides a major insight into the evolution of Zorio's practice, dramatically reinforcing the original impact of the artist's work, as well as presenting an overview of how his ground - breaking visual language has developed throughout his career.

While the exhibition takes its name from a Navajo goddess, the subtext of the exhibition develops from the evolutionary concept of the exaptive trait, a biological characteristic which, through natural selection, becomes useful in ways beyond its original purpose.