Sentences with phrase «develop the exhibition after»

The Zabludowicz Collection is proud to announce the artist list for Sound Spill, a group exhibition curated by Thom O'Nions and Richard Sides, a curator and an artist who have been awarded a curatorial research grant to develop the exhibition after a research period in New York City.
Zabludowicz Collection invites you to the preview of Sound Spill, a group exhibition curated by Thom O'Nions and Richard Sides, a curator and an artist who have been awarded a curatorial research grant to develop the exhibition after a research period in New York City.

Not exact matches

After the exhibition closed, Japanese landscape architect Makoto Hagiwara and superintendent John McLaren reached a gentleman's agreement, allowing Mr. Hagiwara to develop a permanent Japanese garden on the site.
After several years developing game prototypes, freelancing and working as a game designer at NYC's This is Pop, he was awarded a commission to produce an original game for the NYU Game Center's No Quarter exhibition.
In terms of interesting facts: I collect video game art books, have developed a gaming art book resource for use at public expos and events, recently created and curated a game photography exhibition at PAX AUS 17, and one of my triplets (my daughter) is named after a video game character.
Kohn Gallery is pleased to announce Simmons & Burke's third solo exhibition with the gallery, Dutch Masters, consisting of 8 monumental collages that were developed after being given full access to the entire digital archive of paintings in the Rijksmuseum (Netherlands).
In the Art in the Age of Altamira exhibition catalog, Jill Cook wrote that, after his cave visits, «Miró's preference for working off the easel on larger format works painted against a wall or on the ground, as well as his use of ochre pigments and earth tones developed
The city's first major exhibition of Frankenthaler's work in more than five decades, the exhibition explores her return to gestural improvisation after years spent developing her «soak - stain» technique (soaking her raw canvas with turpentine - thinned paint).
Sachs continues to work on developing the Space Program, noting after the exhibition in 2008, «The Space Program continues in full force... Such is the nature of improvised construction technique.».
After working at the British Museum and the Barbican Art Gallery, she joined the Zabludowicz Collection as Curator, developing a programme of exhibitions, and initiating the Invites programme for unrepresented artists.
He has been developing the narrative of the Frenglish Empire since 2006, with exhibitions Last Night, After the Lights Went Out, We Fell, In the Court of the Crimson King and La Guerre de Machettes Danseuses (The War of the Dancing Machetes) Crocodile Company Part 1 at Taylor De Cordoba in Los Angeles, and The Wolf and Hawk War 1782 - 1790 for Morgan Lehman Gallery (New York) at Pulse, Miami.
After completing A BA in Art History from the University of Vermont (2007) and an MA in Contemporary Art from the Sotheby's Institute of Art, London, (2012), Sanfilippo joined the not - for - profit alternative exhibition space Locust Projects in Miami to develop the organization's fundraising portfolio, public profile, infrastructure, and programs.
This exhibition, developed as a project by the artist, includes works ranging from well - known photographs, such as After Walker Evans: 1 - 22, 1981, to recent sculptures, such as Crystal Skull: 1 - 12, 2010.
The idea was fully developed by the experimental French artist Marcel Duchamp (1887 - 1968), who coined the term «readymades» shortly after the famous Armory Show (Spring 1913), to describe his signature style of «found object», as exemplified by his work entitled Fountain (1917), a standard porcelain urinal inscribed «R. Mutt 1917», which Duchamp submitted to the New York Society of Independent Artists exhibition (1917).
Motonaga's work was included in an exhibition of Gutai art that traveled around the U.S. in 1958, and after signing with the Martha Jackson Gallery in 1960, he began developing closer ties with the country.
An interdisciplinary Experiment 1933 — 1957», taking place at Hamburger Bahnhof — Museum für Gegenwart — Berlin, the museum and the Dahlem Humanities Center of Freie Universität Berlin are developing a collaboration for a period of three years, with the aiming of arranging several seminars, performances, symposia, as well as non-digital and digital publications before, during and after the exhibition.
As part of the residency, he travelled from Sharjah to Beirut, Istanbul and Tehran, meeting with artists and researchers in order to develop an exhibition that explores the conditions before and after the 1976 peace agreement and the intertwined histories of the different regions involved.
After seeing Barnett Newman's first solo exhibition at the Betty Parsons Gallery in 1950, Davis developed an appreciation for the artist's «little stripe blips on colored fields.»
I didn't visit John Bunker's recent exhibition with a view to writing a review, but first impressions from seeing evidence of his developing assuredness in assembling and composing collage material have lingered long after the encounter.
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