Sentences with phrase «developed an exhibition design»

The groups and gallery staff worked together last year in a series of mindfulness sessions in the gallery's art stores and have developed an exhibition designed to encourage people to slow down, connect with art and themselves to enhance their wellbeing.

Adjaye's firm developed the exhibition design specifically for the Russion museum, where more than 20 international projects are showcased.

Not exact matches

There I spent a number of years working in Exhibit Design developing interactive educational activities for permanent and traveling exhibitions before I moved on to Imagine Childhood.

As a world leader in trade shows across a number of different sectors - including art, children's publishing, cosmetics, construction and design - BolognaFiere has developed a cutting - edge portfolio of international exhibitions in key Russian, North America and Asia markets including China with 8 exhibitions already established.

During my professional life I developed games, participated in exhibitions of visual arts, created visual identity and virtual scenarios, I was responsible for designing animation and editing for major TV stations in Brazil, in addition to teaching various subjects in the communication area in universities from São Paulo.

Having developed a dynamic relationship with curators and collectors, gallery exhibitions are complemented with artistic projects and collaborations with visionary design studios, arts and culture festivals, pioneering charities, national institutions and global retail brands.

«Over the course of two semesters, my students took inspiration from Duchamp's long career of exhibition design to develop the installation of Rose Ocean,» Oatman said.

This exhibition presents a central theme of Mode's work, illustrating a process of developing abstract paintings aimed at solving problems of design and color interactions within sequences.

Designed to have a meaningful impact on the career of one emerging artist, the Griffin Art Prize provides the time, space and materials from supporting fine art brands Winsor & Newton, Liquitex and Conté à Paris to develop work for a one - person exhibition.

Also showing at Friedman Benda, the Chilean design studio unveils the fruits of its four - year research project, developed in collaboration with the gallery as its first solo exhibition.

Barbra Riley has been developing curriculum and teaching classes in photography, design and watercolor painting at Texas A&M University - Corpus Christi for over 3 decades as well as curating exhibitions for the Islander and Weil Gallery, conducting workshops in historical photographic processes, bookbinding and watercolor painting and leading classes and workshops abroad.

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

For his exhibition in Bern, Gerwald Rockenschaub designed three new, large room installations, which were developed using a meticulously calculated virtual Kunsthalle.

During his tenure he developed numerous exhibitions and published nearly three hundred exhibition catalogues, of which he personally designed two hundred.

The project of the museum's home was developed by British architect James Stirling who leaved the iron - and - brick facades and structure of the historical building, designed by Jesse Hartley and Philip Hardwick in 1846, substantially untouched while he created new flexible spaces suitable for different types of artwork and exhibition layouts inside.

At Storefront, her most recent projects include a new publication series, exhibitions such as «No Shame: Storefront for Sale» and «POP: Protocols, Obsessions, Positions,» the launching of the Storefront International Series, the launching of the World Wide Storefront, commissioning major design projects such as the Speechbuster, and developing projects like the Competition of Competitions.

This distinctive, seminar - style program is uniquely designed to support artists in developing their studio and exhibition practice by giving them access to needed resources and tools, as well as rigorous critique of their work.

This exhibition was developed by the Arts University Bournemouth in conjunction with the Robin and Lucienne Day Foundation is part of the nationwide programme of Lucienne Day centenary celebrations co-ordinated by the Foundation, the design education charity established by Paula Day in 2012.

He is a recipient of the Alberta College of Art and Design Board of Governors Award of Excellence (1992) and the Order of Canada (2007), which was for awarded to him for his numerous contributions as a champion of Canadian artists, notably as a curator who has developed many popular and critical exhibitions that have attracted new audiences to Canadian art galleries.

In the past few years, she has been developing her PhD as part of the Tate's «Art School Educated» research team, and she is a lecturer on the MRes Art: Exhibition Studies at Central Saint Martins College of Art and Design.

The exhibition is being co-curated by a group of volunteers, The Waste Land Research Group, who formed in 2015 and have been working in collaboration with Turner Contemporary to develop all aspects of the exhibition, from choosing artworks, and designing the exhibition to deciding on content for the public programme.

For the seminal Walter Phillips Gallery exhibition Vocation / Vacation staged in 1981, OCAD alumnus Garry Neill Kennedy developed a site specific work for which the Gallery attendant desk was altered to comply with the «Statement of Design Guidelines» prepared by The Banff Centre Aesthetic Committee.

The series of exhibits is collaboration between Sabina Ott's Oak Park - based Terrain Exhibitions and the Chicago Artists Coalition's HATCH Project, which is designed to showcase developing Chicago artists and curators.

The Intensive is designed to immerse a peer group of participants in a rigorous schedule of seminars, conversations, and presentations that support the process of developing an idea for an exhibition into a full proposal.

A Partnership for Youth exhibition, the works in Bench Mark will be developed by teens during a free workshop as they learn how to collaborate to design and produce a bench.

A peculiarity of this exhibition is its focus on Kusama's work as a fashion designer; the retrospective showcases dresses and costumes she designed for her performances in the 1960's and the 1970's, as well as recent works developed in collaboration with the Japanese designer Issey Miyake and the French fashion house Louis Vuitton.

These include two walls from a mobile wall system developed for the Art Institute of Chicago, present in the previous venue; a wall from a work of mine from 1991, which itself was a reconstruction of a wall built by Peter Nadin and Christopher D'Arcangelo in the 1970s; wall fragments where exhibition design elements from previous exhibitions in the space at MoMA are visible; vinyl - clad walls built with MoMA's wall system, two of which are clad with vinyl graphics that continue from the lobby; and a cinder block wall which reconstructs a wall system used by the Whitechapel Gallery in the 1950s, a system which will be used in the next iteration of the show at the Whitechapel next year.

The space we are building will require major renovations, intensive landscape design and, as always, a well considered curatorial practice to develop a stellar line up of exhibitions and events.

Mannequin design, production and staging for the exhibition were developed by the Museum with Denis Marleau and Stéphanie Jasmin of the Montreal theatre company UBU.

For its first solo gallery exhibition, the Chilean design studio unveils the fruits of its four - year research project, developed in collaboration with Friedman Benda.

The office develops identity programs, books, publications, packaging, exhibition design, signage systems, websites, and media applications for clients in cultural industries.

The exhibition is the culmination of a three year project designed to develop a pioneering approach to curating.

During our collaboration with Kvadrat on the exhibition «Pipilotti Rist: Pixel Forest,» we were truly impressed by the exceptional precision and care that Kvadrat put into developing the project; Kvadrat approaches art and design with the same high ambition, responding to innovation with unique openness.

Painting, sculpture, music, craft, dance, poetry and design were all developed at Black Mountain, and the exhibition seeks to recreate the mood of the sylvan campus, where music played all the time.

Focused on fine art which finds its background, heritage and influences deeply rooted in urban subcultures like street art, avantgarde fashion, design, music, architecture and graffiti, Circleculture gallery has developed a large number of innovative exhibition concepts in cooperation with international curators.

During his three - and - a-half year tenure at the High Museum, Mr. Labaco helped to develop and strengthen the museum's collection of 20th - and 21st - century design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (Design Collection for the High (2010).

In developing this exhibition, I reviewed historical photos of Calder's studio and presentations he designed and compared them with exhibition design from the past 40 years...

Exhibitions director, Donald Smith says, «The intention for CHELSEA space is to create a research development centre for invited art and design professionals, providing a gallery space, library research facilities, and a platform to develop personal projects that may otherwise remain unrealised.

Upon completing an expansion of SFMOMA's facilities, the Fisher Collection will be presented in a dedicated new wing and will also be interwoven with works from SFMOMA's modern and contemporary holdings, enhancing SFMOMA's capacity to develop exhibitions and public programs in all areas of its collections — painting and sculpture, photography, architecture and design, and media arts.

Using a family of logotypes that are used by corporations to create transparent products such as clear varnish, the graphic design studio Metahaven developed its own visual identity in the run up the exhibition.

The Curatorial Intensive is designed to immerse participants in a rigorous schedule of seminars, presentations, site visits, and one - on - one meetings that support the process of developing an idea for an exhibition into a full proposal.

The Curators manage the visual arts exhibition program and develop exhibition project management plans including: exhibition design, installation, timelines and scheduling.

A graduate of the University of Toronto and the Ontario College of Art and Design, she was previously the Curatorial and Programming Assistant at The Power Plant, where she helped develop and coordinate exhibitions and public programming initiatives.

Wintemberg has used the skills he began developing at his alma mater, Pratt Institute, to design and assist in the development of many dozens of exhibitions spanning the Museum's diverse art and science collections to create unique visitor experiences.

Moza Almatrooshi's current role being an exhibition coordinator in 1971 — Design Space in Sharjah, as well as developing her own artistic practice through the Sheikha Salama Emerging Artist Fellowship.

Evidence of this comes in the form of the launch of Para / Site's new home in Quarry Bay / North Point with the inaugural exhibition A Hundred Years of Shame — Songs of Resistance and Scenarios for Chinese Nations; Mobile M + Moving Images show, presented at Midtown Pop up in Causeway Bay; the newly developing Wong Chuk Hang art gallery district and of course Chai Wan Mei Art & Design Festival

Developed in consultation with Okwui Enwezor, this exhibition explores the production and intellectual potential of a new «generation of African designers, architects and artists who transcend the boundaries between design, art, photography, architecture and urbanism.»