Sentences with phrase «developed approaches to painting»

All the painters I have mentioned (Whitten, Heilmann, Murray, Nozkowski, and Reed) developed approaches to painting that share something with LeWitt's definition of Conceptual Art.

Whitten developed an approach to painting that was closer conceptually to photography and photocopying.

We developed our approach to painting in the»70s, a time when attempts at innovative painting were under attack from all sides.

Not exact matches

«When the car manufacturer approached us to develop a new technique for analyzing the glittery flakes in car paint, we felt OCT could provide a solution,» said Shen.

Coming of age as an artist in 1950s New York, Katz developed his unique approach to contemporary representational painting during the height of Abstract Expressionism.

Continuing to focus on packaging while employing a painterly approach, Smith would further develop the shaped canvasses until they became fully three dimensional, thus further undermining the distinction between painting and sculpture.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

Fonseca developed his unique approach to painting through an unorthodox style, one that impresses the importance of the relationship between mentor and student.

Early in his career Sultan developed an intricate additive and subtractive approach to painting.

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

These pieces might seem like nothing new - sculptors have been working in 3D forever - but because they developed from his work in painting, they reflect a new approach to sculpture.

It was there, in a merging of her film and painting backgrounds, that she developed her approach to video stills.

One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature grid - based approach to creating monumental modular paintings — often built out of graph - paper - gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock - like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.

Golub (Chicago, 1922 — New York, 2004), since his formative years in Chicago, developed a personal approach to figurative painting, detaching himself from the dominant styles of New York School's Action Painting and Abstract Exprespainting, detaching himself from the dominant styles of New York School's Action Painting and Abstract ExpresPainting and Abstract Expressionism.

As the course develops we consider how these can be applied to more contemporary and personal approaches to painting.

Clayton Colvin Clayton Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces - the immediate and intimate nature of drawing infusing his paintings and ceramics with an hypnotic mix of familiarity and mystery.

Braque was his first god, followed by Miró, but gradually he became involved in an effort to tell a story with his paintings, so he changed to a more introverted approach, meanwhile developing an admiration for Gauguin, Van Gogh and de Staël.

Jenkins developed many tools and approaches to paint application and, in 1958, he acquired an ivory knife and began to use it to guide the flow of paint.

Altfest's work calls to mind the precise naturalism of early Lucian Freud, and finds affinities in others who painted from life such as Georgia O'Keeffe and Stanley Spencer, but she has developed her own distinct approach to figurative and representational painting since graduating with an MFA from Yale University School of Art in 1997.

Considered one of the most important painters of the 20th century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

He was well on his way to developing his unique approach to trompe l'oeil painting.

It seemed that if one wanted to get away from such things as the American scene or social realism and perhaps cubism, this offered a possibility of a way out, and the hope that given a subject matter that was different, perhaps some new approach to painting... might also develop.»

Her multifaceted approach to exploring these ideas, through performance, sculpture, film, painting, and installation, is indicative of her unique vision and innovative aesthetic that she has been developing since the 1980s.

He developed his signature approach to painting in the decade leading up to his New York debut and introduced there a fully formed vision in a single flourish.

While painting using the model, students will develop strong explorations into the unique abilities of watercolor, applying several principles, which include: anatomy, the use of light over form, color sensitivities, movement through space and form over time, construction and deconstruction, abstraction and approaches to composition.

With a career spanning five decades, Kirkeby has developed a unique approach to painting, gradually refining a personal palette and vocabulary of images derived primarily from observations of the natural world.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

Driven by the same instinctive approach, the painter Franz Kline developed a much different Action Painting technique, utilizing large house - painting brushes and cheap house paint to make wide, confident marks across the surfaces of hiPainting technique, utilizing large house - painting brushes and cheap house paint to make wide, confident marks across the surfaces of hipainting brushes and cheap house paint to make wide, confident marks across the surfaces of his works.

Considered one of the most important artists of the twentieth century, Still was among the first generation of abstract expressionist artists who developed a new and powerful approach to painting in the years immediately following World War II.

Still was among the first generation of Abstract Expressionists who developed a new powerful approach to painting immediately following WWII.

Rudolf Stingel First recognized in the late 1980s for his monochromatic works, Rudolf Stingel has developed a singular approach to painting that aims to examine and reinvigorate the very essence of two - dimensional visual expression in a post-modern environ.

While Francis and Bluhm approached their work with brush in hand, Jenkins developed a pouring technique that utilized gravity to produce vibrant washes of paint.

This Berlin - based artist is part of a young generation that has developed fresh approaches to painting and has distinctive solutions in the geometric - abstract tradition.

Caravaggio's practice of painting from life and his use of chiaroscuro (strongly contrasted lighting effects) were quickly emulated, but artists did not simply replicate his style; taking Caravaggio's works as their starting point, they responded to different aspects of his art and developed their own individual approaches.

Patrick Hall is, of course, best know as a painter, and several works on paper in the exhibition, such as Children in the Forest and A Child in the Forest, both 2007, and Approaching the Yellow Mountain and Yellow Mountain, derive from his 2007 painting In the Vicinity of the Yellow Mountain, developed from a dream about a journey to a mysterious mountain.

Dave McDermott's work embodies his distinctive approach to painting, consistently seeking to enlarge the medium's inherent boundaries and resisting easy categorization, while developing a recognizable visual vocabulary within its own pluralistic nature.

Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard - edged style now known as Precisionism.

Harry Bertschmann was born in Basel, Switzerland, where his approach to painting was developed at the famous Basel School of Design in the late 1940s.

Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues.

In Black Is a Color, Elvan Zabunyan develops a rich approach to explore the practice and contribution of black American artists to contemporary art history in its various forms of representation, including sculpture, painting, photography, video and performance.

Birk creates monumental series developed over the course of many years, often working across media to support his ideas through a multi-disciplinary approach — painting, drawing, printmaking, writing, film, video, and sculpture.

Alex Katz developed his unique approach to painting in 1950s New York during the height of Abstract Expressionism.

While studying painting at Central Saint Martins and at the Chelsea School of Art in London, he developed his unique approach; in works evoking the tradition of romantic landscape painting, Doig drew attention to the act of applying paint to the canvas by combining abstracted elements with ordinary subject matter.

Dave McDermott's new works continue his distinctive approach to painting, consistently seeking to enlarge the medium's inherent boundaries and resisting easy categorization, while developing a recognizable visual vocabulary within their own pluralistic nature.

- Longtime artist with extensive knowledge in painting, illustration, digital art, and photography - Dedicated and professional approach to art creation - Strong communication skills, both written, oral, and interpersonal, to coordinate with other artists - Experienced with all industry standard creative software - Organized and developed administrative abilities