Sentences with phrase «developed painting styles»

Ross Bleckner, Eric Fischl, and David Salle each came into their own during the 1970s when they graduated from the California Institute of Arts and developed painting styles that would characterize their work for decades to come.

He's developed a painting style that fascinatingly uses his own comprehension of humanity and various personas to unearth deep - seated truths about the people that populate the paintings.

Originally from Chambéry, Savoy — art graduate Laine has developed a painting style that is diverse and enjoys the use of different mediums such as collage, wood, cardboard and canvas.

After passing the age of 70, Yu Youhan, who always advocates to break free from narrowness in art - making, further develops his painting style.

Educated at Oberlin College and Pratt Institute (where she has been teaching for some time) Carter has developed a painting style that consists of abstract designs and effects superimposed on top of each other in ways that emphasize chance.

Not exact matches

Labour is developing a new strategy to paint David Cameron as an old - style, traditional Tory, according to confidential documents obtained by the Observer, as the parties prepare to do battle during the coming conference season.

Malevich developed as young artist already from a late - Impressionism painting style to a radical abstract Constructivism art.

A good resource to develop painting skills for GCSE and A-level - looking at the style of Viera Da Silva copy her work out using the same techniques.

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Chrysler, in conjunction with Hurst Performance Corporation, developed the A-12 Chrysler 300 Hurst package with a specially designed fiberglass power bulge hood with two depressed rotary hood latches, a winged aerodynamic styled trunk spoiler, sweeping quarter extensions and a striking paint scheme of Spinnaker White with gold metallic accents and special striping.

The technical features are matched by a new, even more extensive choice of colours developed by the Ferrari Styling Centre, including two - tone finishes, three - layer paint technology and modern re-interpretations of classic colour schemes which increase the exclusive personalisation possibilities even further.

Bandai Namco, Aardman Studios and DigixArt have announced that they have teamed up to develop 11 - 11: Memories Retold, a story - driven narrative adventure set during World War I with a unique painted style that plans to deliver an entertaining experience unlike anything before.

Developed by Climax Studios in collaboration with Ubisoft Montreal, Assassin's Creed Chronicles brings the thrill of being a Master Assassin to 2.5 D. Brought to life by fusing the essence of Chinese 16th - century traditional brush strokes with more contemporary impressionistic styles, Shao Jun's adventure will immerse players in a living painting as they traverse undetected across China's historical landmarks.

Heaven, is a platform game developed with an Eastern ink painting style.

One of the few of Fontana's works to be uniquely titled, Concetto Spaziale, La Fine Di Dio exhibits impasto - style painting using materials and methods developed by the artist himself.

De Kooning developed a distinctive, hallmark style, later termed action painting.

During this time, he began to develop his iconic style of technically flawless paintings, consisting of a complicated grid system of intersecting bands and lines.

We discuss the brand new paintings in his recently opened exhibition, Grass and Trees, Alex's interest in «fancy painting,» and how one develops style and technique in their work.

She painted still lifes and portraits until the early 1950s, when she developed an abstract biomorphic style influenced by Abstract Expressionism.

With no training, she developed her unique style, often labeled as «outsider» or «folk» art, of painting simple figures and covering them with a rhythmic pattern of dripping paint.

In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.

These works gained him international recognition as one of the first painters to develop a new style of postwar abstraction, and he was eventually associated — despite his rejection of labels — with such movements as tachisme, art informel, and action painting.

It also shows a small selection of Riley's seminal abstract paintings, illuminating the ways in which the artist developed her radical style.

Steeped in Hofmann's modernist theories, Kahn nonetheless developed a style of landscape painting that owes as much to the impressionists as it does to abstract expressionism.

Like any master, the 88 - year - old artist developed a signature style with paint - collapsed space; flattened, abridged subjects; bright, antic colors — that is immediately identifiable as a Katz and yet also manages to exist in some reality outside of time or trends.

Often zigging when the established art world zagged, Wiley began creating large, unctuous paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style, which waned in popularity as Minimalist and Conceptual art became fashionable.

Thomas Chimes: Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette and compositional structures of such modernist forefathers as Marsden Hartley and Henri Matisse and emboldened by the stenographic proto - abstractions of such New York School predecessors as Jackson Pollock and Mark Rothko, Chimes systematically put forth a series of paintings that pressed such experimentations with the limits of figuration into the realm of the theological, the philosophical and the historical.

In the following eight years, O'Keeffe studied art and art education, taught art, traveled, and worked on developing her unique style — a blend of symbolism, abstraction, and photography with subjects including cityscapes, landscapes, figure studies, and flower paintings.

Fonseca developed his unique approach to painting through an unorthodox style, one that impresses the importance of the relationship between mentor and student.

After his discharge from the army, Kelly spent seven formative years as a young artist living in Paris, where he was influenced by the city's museums and architecture and began to develop his signature style, exemplified by his purely abstract paintings comprising differently colored panels.

He developed his own painting style in the 1950s by producing iconic, cool and effective images of life in the wealthy leisure class and of natural idylls.

Tàpies moved on to create symbolic paintings that were influenced by Surrealist painters like Miro and Klee, and by the 1950s he had developed his signature style, which consisted of built - up surfaces that were scratched, pitted, gouged, and carved with letters, numbers, and signs.

Learning about different art styles, seeing what painters have created, and trying different approaches is all part of the journey of developing your own painting style.

Painted four months after his arrival in Arles, Wheat Field displays some of the key lessons that Van Gogh learned in Paris — the bright palette of the Impressionists and the individual touch of the Neo-Impressionists — which by then had developed further into his highly personal, signature style with its distinctive brushwork and singing colour.

Citing Jackson Pollock, Willem de Kooning, and Mark Rothko as formative influences on her practice, she soon developed her revolutionary style of painting to create a prolific body of work.

His motocross paintings fit the realistic painting style based on photojournalism that he developed in the 1960s to great critical acclaim.

In Paris in the early 1950s, Copley developed a unique, ribald figurative style that bucked prevailing trends toward abstraction, taking inspiration from Surrealist painting, American, cartoon and silent - movie imagery.

Under the influences of Pop Art and abstract painting he developed his own distinctive Hyperrealist style.

As we know about Helen's paintings, which are all developed by stains, these the ukiyo - e style woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are created.

By the late 1860's, Monet started to develop his own and distinctive style of painting.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

In the early 1980s Connelly, based in New York City, exhibited widely and developed a highly inventive style of expressionist painting.

Over the course of his career, Secundino Hernández developed his style — a mix of action painting that elicits former artistic works from El Greco to Giacometti, with a cartoony element, combining abstraction, minimalism and expressionism.

Since the 1950s, artist Maria Lassnig has incorporated painting techniques from various art - historical periods into her practice — realism, surrealism, and expressionism alike — in an effort to develop a distinct style of painting that blends figuration with abstraction.

Golub (Chicago, 1922 — New York, 2004), since his formative years in Chicago, developed a personal approach to figurative painting, detaching himself from the dominant styles of New York School's Action Painting and Abstract Exprespainting, detaching himself from the dominant styles of New York School's Action Painting and Abstract ExpresPainting and Abstract Expressionism.

However, they continued to paint in a brushy, loose manner, developing what was later named the Bay Area Figurative style.

There, she developed a highly personal painterly style - synthesizing an Abstract Expressionist tendency with the traditions of high European painting.