Sentences with phrase «developed the exhibition concept»

Today OFCA International is developing exhibition concepts, lectures, writing and research in fine art such as the exhibition formats «Prima Visione» and «RE-PLAY», which have shown the works of Heri Dono, Entang Wiharso, Anusapati, Handiwirman Saputra and Filippo Sciascia and Sally Smart among others over the course of 2013 - 2018.

In developing the exhibition concept, the exhibition is able to draw on exhibits that have rarely been seen in this quality and density.

Not exact matches

During the past fourteen years, Mr. Singh has held a variety of positions in project management in which he developed and implemented concepts for trade fairs and exhibitions.

The exhibition concept was developed by Ivo Ringe, Joe Barnes and Po Kim, the Korean - American artist and co-founder of the Sylvia Wald and Po Kim Art Gallery.

In developing the concept for this exhibition we were interested in the experience of observation and perception.

In her current exhibition at the Surf Lodge in Montauk — developed as part of her artist - in - residence stint there and on view through June 28, 2015 — the artist takes her ideas in new directions, playing with concepts of space, depth and reflection.

This now makes it possible to put on a wide - ranging exhibition of individual works by one of the most important artists of the present day, following a curatorial concept that he himself developed.

These questions will also be developed in the exhibition space through a screening program in two parts: «Obscure States» will portray the city as a character with works by Basim Magdy and Cao Fei; and «Concepts of States» will zoom into different conceptualizations of citizenship with works from Filipa César, Zbynek Baladrán and Keren Cytter.

Condon participated in Wave Hill's Winter Workspace Program in February and March 2017 and developed the concept for Growth Cycle: The Pavilion of Spring and Summer, an installation specifically made for this exhibition.

With the aim to experiment with new formats for exhibition concepts, insitu takes a risk and will develop group exhibitions as fictional characters.

In this video we attend the opening reception of the exhibition, and gallerist Javier Peres talks about how he and James Franco developed the idea for the exhibition and the basic concept of the show.

The title of the exhibition, Better than de Kooning, refers to the same - named work created in 2008 by the American artist Peter Saul who, with his concept of painting - appropriation, which is nourished both by Surrealism and Abstract Expressionism as well as by underground comics and political caricature, developed an innovative politpop painting style.

In this video, Susan Philipsz explains significances of the concept of the exhibition and talks in detail about the developing process of this project.

The End of the Night is a double exhibition project curated by Martha Kirszenbaum and developed in Los Angeles and Paris, which concept is ingrained...

Developed and implemented the concept for the exhibition to travel to The Art Gallery of Ontario (AGO), Toronto, Canada.

Such a joint approach of production and theory transforms About Practice into a series of exhibitions focused on the notion of concept, its role and position in the artwork as an intrinsic consequence of constant activity that develops its own theory as it unfolds.

However, we place special emphasis on the areas of the Canadian avant - garde of the 1960s and 1970s, the international network developed at the time and its role in the art of today; emerging artists; Vancouver's post-war art history; practices and projects that challenge the status quo including exhibition concepts initiated by artists.

I am developing the concept for a future exhibition entitled Gazing Back, in which I hope to feature Muslim women's portraits of self - representation.

Masum Momaya is developing the concept for a future exhibition entitled Gazing Back, in which she hopes to feature Muslim women's portraits of self - representation.

Throughout the exhibition of Feng Chen Solo Show at Capsule Shanghai, the artist has developed the concept of a new...

Throughout the exhibition of Feng Chen Solo Show at Capsule Shanghai, the artist has developed the concept of a new interactive performance piece, titled «The Darker Side of Light».

He developed a strong interest in the concept of invisible energy and shifted from object - based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the exhibition explores.

As curator of the landmark 1993 exhibition, Coming to Power: 25 Years of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the younger generation of female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.

Jess Fletcher (assistant curator) talks about the concept of the exhibition and the developing process of the Beasts series.

Prior to this, she was Director of Bury St Edmunds Art Gallery for 12 years, where she developed an ambitious programme with a particular focus on the fusion of concept with material and process through outreach projects, public commissions and national touring exhibitions.

Focused on fine art which finds its background, heritage and influences deeply rooted in urban subcultures like street art, avantgarde fashion, design, music, architecture and graffiti, Circleculture gallery has developed a large number of innovative exhibition concepts in cooperation with international curators.

Our gallery program has developed to include both curated and juried exhibitions that focus on contemporary art concepts, solo exhibition opportunities for regional artists, as well as community based exhibitions that offer a platform for our students, instructors and partners.

The Peer to Peer programme is intended to create opportunities to develop critical thinking and creative practice, to encourage discussion and debate around BALTIC exhibitions and key concepts within contemporary art, as well as offer professional development opportunities to artists.

According to Art History Professor Reva Wolf, who has written extensively on Andy Warhol and art and popular culture, the concept for the exhibition was developed by students in the 2009 Andy Warhol Photographic Legacy Program and Museum Studies courses led by both Wolf and Brian Wallace, curator of The Dorsky Museum.

The concept of the exhibition is connected to the theoretical, political and social principles developed by the dada movement conceived by Francis Picabia and Tristan Tzara — among others — as a reaction to World War I and Francisco de Goya's Disasters of War, which reflect the cruelty of the Spanish war of Independence.

While the exhibition takes its name from a Navajo goddess, the subtext of the exhibition develops from the evolutionary concept of the exaptive trait, a biological characteristic which, through natural selection, becomes useful in ways beyond its original purpose.

Learn about every stage of the curatorial process, from developing the initial concept of an exhibition, to requesting works on...

Frequently, Still seems to work backward and forward in time, returning to earlier concepts and themes, and developing them into the future; as Hopkins notes in his introduction to exhibition catalogue, a strong component of Still's stylistic evolution «consist of looking back to earlier works for sustenance, especially when he feels he is reaching into an area beyond his knowledge of himself.»