Sentences with phrase «developed the exhibition space»

Not exact matches

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

The new exhibition project will be developed exclusively for this project space.

TIMA is also developing a nearby larger scale Free Will North Church Project Space which provides additional studio workspace and exhibition opportunities.

Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.

Designed to have a meaningful impact on the career of one emerging artist, the Griffin Art Prize provides the time, space and materials from supporting fine art brands Winsor & Newton, Liquitex and Conté à Paris to develop work for a one - person exhibition.

Both artists will receive # 20,000 to develop new moving image works for exhibition at Jerwood Space next spring.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) was dedicated to New York City in the 1970s, the space of Lower Manhattan that was transformed by recession into a stage for the development of new artistic practices.

The exhibition takes its name from a physical conditioning program developed to adapt the body to an exercise regimen emphasizing endurance, flexibility, and performance through the seriation of time and the partitioning of bodily space.

The Department of Exhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitioExhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitionexhibition process.

Among its alumni are Jessica Silverman, who has developed an international reputation for her San Francisco - based gallery, which shows artists from California and elsewhere in the world; Dina Pugh, who oversees Facebook's Artist - in - Residence program; and Chris Fitzpatrick, the director of Kunstverein Munich, an influential exhibition space in Munich.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) dedicated itself to New York City in the 1970s, the space of Lower Manhattan that was transformed by a recession into a stage for the development of new artistic practices.

Occupying the entire gallery space, as well as the building's façade and surrounding garden, the exhibition highlights the extraordinary expansion of an artistic movement that developed on the streets of New York in the early 1970's to rapidly become a worldwide phenomenon.

Lisa Norris Gallery presents Lydia Mammes» «Developing Room» a new solo exhibition at her Fulham space running from 24 September to 24 October.

Drawing on her experience as an architect and her fascination with this strange and unfamiliar landscape Tooney Phillips has developed a body of work for her solo exhibition that explores our very perception of space.

In her current exhibition at the Surf Lodge in Montauk — developed as part of her artist - in - residence stint there and on view through June 28, 2015 — the artist takes her ideas in new directions, playing with concepts of space, depth and reflection.

AH: Because we're operating in an academic context, we really want to underline the fact that this is an exhibition space and a research institute, so we developed a program to answer three different questions.

The foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year - round exhibitions, performances, screenings, and educational programmes in the city of Sharjah and in arts spaces across the Emirate, many of which are housed in historic buildings.

In affectionate homage to this iconic red ziggurat and marking it's anniversary, MK - born artist Emily Shepherd has developed and curated November's Project Space exhibition, The Point Souvenir Shop.

The Museum encourages all people to develop and increase their understanding and appreciation for modern and contemporary artwork via a variety of exhibitions offered in its two gallery spaces, as well as educational programs, artist talks, lectures, and symposia.

These questions will also be developed in the exhibition space through a screening program in two parts: «Obscure States» will portray the city as a character with works by Basim Magdy and Cao Fei; and «Concepts of States» will zoom into different conceptualizations of citizenship with works from Filipa César, Zbynek Baladrán and Keren Cytter.

The exhibition revolves around four themes — Melancholia, Identity Games, Political Autobiographies, Raw Material - that develop evenly through the spaces of Punta della Dogana with 145 works.

These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.

In 2009, Tramway's architectural «footprint» was again developed, this time to include new headquarters for Scottish Ballet, in a development of the remaining derelict parts of the building, creating both a physical and artistic partnership, as well as opening up a new street - facing exhibition space in the venue, Tramway 5.

The residency supports Chicago - based artists in a variety of ways — from providing a vibrant home and community for an art practice, to developing an ambitious solo exhibition, to navigating being an educator and artist, to creating space for experimentation.The rotating spaces in our studio block supports artists of varying practices and backgrounds.

Installed with the assistance of Björn Roth, the artist's son and collaborator, Gartenskulptur shares its exhibition space with the workshop where its progress is monitored and developed.

As part of an interdisciplinary initiative at the College to explore the rich traditions of large - scale artworks and to develop new scholarship around the mural format, Nadia Haji Omar, a Sri Lankan multimedia artist living and working in Rhode Island, will transform the exhibition space with mirrored surfaces and her signature alpha - numeric abstraction.

Palazzo Grassi and Punta della Dogana aim to share with the public the knowledge and love for contemporary art through the extraordinary Pinault Collection and to strengthen the priviledged relationship the institution has developed with artists, especially thanks to works specifically conceived for its exhibition spaces.

A solo exhibition he had at Third Streaming in 2013 featured work he developed for the Sunroom Project Space, and a 2017 solo show at the Visual Art Center of New Jersey is linked conceptually to work he did here.

The exhibition takes in key motifs in her art as they have developed since the early 1950s, her engagement with the body and her expansive conception of space.

Thanks to the risk taking and the freedom they had in this new space, they invite emerging artists to develop projects and new forms of exhibitions.

The sounds of site - specific works develop and branch out in the circular path through the exhibition, become connected with photographs and films, and give rise to a powerful nexus of sound and space, past and present.

We also have an active program of loaning smaller, banner exhibitions developed for our Maryland Community Space gallery to area schools, libraries, visitor centers and other interested institutions.

Artists are encouraged to use the space — which is open to the public — in a dynamic capacity, collaborating with other artists, using the gallery as a studio, developing on - going programs and events, creating installations, or modifying their exhibition layout over the course of their 3 - month residency.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

Since the 1990s, his work has been characterised by its focus on language and its articulation in space through perception, as well as a precise, conceptual clarity that is often developed out of the context or history of the exhibition site.

For the third exhibition in Blain Southern's Lodger series, the British sculptor Brian Griffiths has drawn on stage - and screen - writing techniques to develop a «character» who will inhabit the gallery's basement space.

WhiteBox is a non-profit art space that serves as a platform for contemporary artists to develop and showcase new site - specific work, and is a laboratory for unique commissions, exhibitions, special events, salon series, and arts education programs.

Its new owners have developed this incredible space (comprising over 16,000 m2 over two floors) to create London's newest and most flexible conference and exhibition facility.

It achieves this by inviting emerging and established artists to respond to its exhibition space with interventions, performances, and long - running public program series, that allow them to develop projects and engage with audiences.

Waters's video is part of the group show «Seep», that just ended at PEER, an exhibition of four recent London MA graduates (including Kristeps Ancans, Josh Berry and Caroline Streck) who, along with three BA graduates (who are in turn developing a forthcoming project with the non-profit space Auto Italia) recently completed a year - long studio residency with Acme Studios.

I participated in some group exhibitions of Dutch art but I wasn't able to develop the «art and technology» ideas I dreamed up — with the exception of a complicated construction, based on controlled electromagnetic power, in which a large stone floats in space (Floating Stone, 1999).

In the first year four artists Ed Atkins, Emma Hart, Naheed Raza and Corin Sworn were awarded a # 4,000 bursary to develop pre-production proposals for significant new works and were supported to take part in a group exhibition at JVA at Jerwood Space from March — April 2012.

Sachs continues to work on developing the Space Program, noting after the exhibition in 2008, «The Space Program continues in full force... Such is the nature of improvised construction technique.».

The project of the museum's home was developed by British architect James Stirling who leaved the iron - and - brick facades and structure of the historical building, designed by Jesse Hartley and Philip Hardwick in 1846, substantially untouched while he created new flexible spaces suitable for different types of artwork and exhibition layouts inside.

Developed on site during his residency at Gasworks, the exhibition transforms the gallery into a ritual space in which to reimagine the relationships between humans and machines.

For this reason, much of the work she has done has consisted in developing ideas and projects with artists to facilitate meetings points — whether these are in the form and space of exhibitions, events or printed matter — for audiences to experience art in unconventional ways.

Soon, our small office space turned into project space, and we started developing a program, and then we moved to a bigger space with more exhibition programmes and a residency program.

The artist has developed solo exhibitions at Rossi & Rossi (London), SOTA Gallery (Singapore), NUS Museum (Singapore), Kunstverein Milano (Milan), Motive Gallery (Amsterdam), Hermes Third Floor (Singapore), Vitamin Creative Space (Guangzhou), Art In General (New York), Project Arts Centre (Dublin), Ellen de Bruijne Projects (Amsterdam), The Substation (Singapore), Kuenstlerhaus Bethanien (Berlin), Sparwasser HQ (Berlin).

The Rio based artist Otavio Schipper has developed a new work for die raum that responds to the claustrophobic dimensions of the exhibition space.

In 1967 he began to work outside traditional exhibition spaces, with the first instances of that «creative collaboration» he developed over the following decades by bringing together artists from different disciplines and diverse sectors of society.