Sentences with phrase «developed works for exhibition»

Seven students were selected to develop work for this exhibition from a field of fifty students who responded to the project.

Not exact matches

There I spent a number of years working in Exhibit Design developing interactive educational activities for permanent and traveling exhibitions before I moved on to Imagine Childhood.

Watch an animation about our work developed for the Sanger Institute stand at the 2013 Royal Society Summer Science Exhibition

Watch an animation about our work that was developed for the Sanger Institute stand at the 2013 Royal Society Summer Science Exhibition.

At Envision, Suzanne developed project - based social studies curriculum for the network, contributed to the development of its advisory program and the 10th grade portfolio defense, and led teams of teachers to plan interdisciplinary projects that culminated in powerful exhibitions of student work.

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

Because Ai is unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

Because Ai is currently unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

Reed Travel Exhibitions director World Travel Market Simon Press said: «Having developed such a strong working relationship with Rotana, I am delighted that they are sponsoring the registration process for the fifth year in a row.»

After several years developing game prototypes, freelancing and working as a game designer at NYC's This is Pop, he was awarded a commission to produce an original game for the NYU Game Center's No Quarter exhibition.

Once you've developed a following, Twitter can be a really useful tool for spreading the word about crowdfunding projects, new works, exhibitions, sales, etc..

Squirl uses spray paint, paint pens and multi layered stencils to develop large scale live works, and pieces for exhibition and sale.

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom HuntFor ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Huntfor developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

Developed in close consultation with the artists, the exhibition features original works by Rachel Harrison, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, and Adrian Piper created specifically for the show and shown here for the first time.

Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.

The overall winner will be awarded a six month working residency in the Studio Building, London W11 to develop a solo exhibition for Griffin Gallery, opening in September 2016.

In addition, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions.

Designed to have a meaningful impact on the career of one emerging artist, the Griffin Art Prize provides the time, space and materials from supporting fine art brands Winsor & Newton, Liquitex and Conté à Paris to develop work for a one - person exhibition.

Both artists will receive # 20,000 to develop new moving image works for exhibition at Jerwood Space next spring.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

BOUCHARDON: ROYAL ARTIST OF THE ENLIGHTENMENT Developed in partnership with the Louvre in Paris, this exhibition explores the work of Edmé Bouchardon (1698 - 1762), a sculptor and draftsman best known for his depictions of Louis XV and an instrumental, if overlooked, figure in the shift from Rococo to Neo-Classicism.

Jess continued this curatorial work as Exhibitions Curator for Cornish College of the Arts, where she fostered new programs for the gallery program and further developed her interests in interdisciplinary experimentation.

This has included developing a major multi-site exhibition programme, called We Face Forward, of art from West Africa, for the Cultural Olympiad; an exploration of the visual legacies of slavery with Trade and Empire, presented to coincide with the bi-centenary of the abolition of British slavery; and consistent attention to artists from South Asia, including a celebrated 65 - hour drawing and performance installation in 2013 by Indian artist Nikhil Chopra, the presentation of Subodh Gupta's work in the grounds of the Whitworth and video and textile work by Aisha Khalid.

Drawing on her experience as an architect and her fascination with this strange and unfamiliar landscape Tooney Phillips has developed a body of work for her solo exhibition that explores our very perception of space.

The image, derived from both existing and imaginary forms, develops from specific reference sources - an Alvar Aalto bent plywood chair and a variety of virtual 3D game nude models - for the works in this exhibition.

The exhibition shows a number of works that were developed for the John Fare Estate.

Bridget Carberry was crucial to developing the framework for this online exhibition catalogue, and Emily Robbins and Ana Fox - Hodess played a key role in documenting the works on view.

Palazzo Grassi and Punta della Dogana aim to share with the public the knowledge and love for contemporary art through the extraordinary Pinault Collection and to strengthen the priviledged relationship the institution has developed with artists, especially thanks to works specifically conceived for its exhibition spaces.

His solo exhibition will premier a new body of works which consists of large scale single drawings for which Fernando Bryce developed a collage approach.

In the Art in the Age of Altamira exhibition catalog, Jill Cook wrote that, after his cave visits, «Miró's preference for working off the easel on larger format works painted against a wall or on the ground, as well as his use of ochre pigments and earth tones developed.»

A solo exhibition he had at Third Streaming in 2013 featured work he developed for the Sunroom Project Space, and a 2017 solo show at the Visual Art Center of New Jersey is linked conceptually to work he did here.

Perhaps we have developed a niche for this at Pallant House Gallery — following on from exhibitions of artists such as Edward Burra, Robin Ironside, John Tunnard, and the recent «British Artists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso and Moore.

Also on display: «A series of drawings runs through the entire exhibition as a parallel narrative: monsters, which the children's book illustrator Johan Olander, who lives in New York, developed for the work of Philippe Parreno — interpretations of an oeuvre — mutate to funny, threatening, shocking and amusing ogres.

With Athanor, his project for the German Pavilion, the artist developed techniques and motifs that would become central to his work, and which today, 30 years later constitute the thematic core of the exhibition: alchemic experimentation and political anxiety.

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

[69] The largest solo exhibition Hockney has had, with 397 works of art in more than 18,000 square feet, was curated by Gregory Evans and included the only public showing of The Great Wall, developed during research for Secret Knowledge, and works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and digital works.

Jointly organized by the Wattis and SFMOMA, this exhibition is part of SFMOMA's New Work series, which provides a platform for artists to develop or premiere a body of work or present existing work in a new contWork series, which provides a platform for artists to develop or premiere a body of work or present existing work in a new contwork or present existing work in a new contwork in a new context.

The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

Richard Parrish draws from his experience as an architect to develop his landscape - based works in kiln - formed glass for Aerial Perspectives, a traveling exhibition previously mounted at The Rockwell Museum in Corning, New York; the Bullseye Resource Center New York in Mamaroneck; and the Bullseye Resource Center Bay Area in Emeryville, California.

For this retrospective exhibition, which includes selected works from the last twenty years, Christian Philipp Müller is developing a new project centred on the museum in St. Alban - Tal with all its historic layerings and sediments.»

So, I'm much less interested in walking into an artist's studio and choosing what works I want for a particular exhibition, and much more engaged by developing a dialogue that delves into that artist's history and the trajectory of their work.

Metzger is working closely with the Serpentine Gallery to examine his own archives and those kept by institutions, identifying milestone works from his career and developing new works specifically for this exhibition.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

The exhibition will also display the three - dimensional storyboards McCall developed for his most recent solid light work, Face to Face, which debuted at Sean Kelly in 2013.

WhiteBox is a non-profit art space that serves as a platform for contemporary artists to develop and showcase new site - specific work, and is a laboratory for unique commissions, exhibitions, special events, salon series, and arts education programs.

The Bob Rauschenberg Gallery, FSW and Los Angeles artist Dave Muller have commissioned THAT»S PAINTING Productions to paint over the 250 + ft. mural painted for «Dave Muller: Everything Sounds Good Right Now» in wall - colors that were developed by our Gallery namesake Bob Rauschenberg as the backdrop for numerous exhibitions of his own work.

Hynek Martinec's second solo exhibition at Parafin develops his work's ongoing engagement with art history and his search for visual connections between diverse historical moments.

Tracing the Century: Drawing as a Catalyst for Change This exhibition explores the place of drawing in avant garde art from Cezanne to Julie Mehretu, featuring more than a hundred works of art and arguing that drawing is central to the way modernism and post-modernism change and develop.

In the first year four artists Ed Atkins, Emma Hart, Naheed Raza and Corin Sworn were awarded a # 4,000 bursary to develop pre-production proposals for significant new works and were supported to take part in a group exhibition at JVA at Jerwood Space from March — April 2012.

For the first in Blain Southern's new series of exhibitions, collectively titled Lodger, its curator Tom Morton has invited the young, London - based artist Alex Dordoy to develop a new body of work exploring a central characteristic of twenty - first century visual culture: the restlessness of the image, and the instability of the surfaces on which it manifests.