Sentences with phrase «developing abstract works»

After she graduated in 2000, she decided to dedicate herself mainly to developing abstract works.

Not exact matches

We could then suppose that when Whitehead developed the idea of the consequent nature in the narrow sense, he created the «primordial nature» as a contrasting term This hypothesis would make sense of the present text of PR without supposing that Whitehead began working on the Gifford Lectures only with a noninteractive God little different from the abstract principle of concretion of SMW» (PS 15: 200).
If we accept the idea that all art is abstract, then the only question that remains is how the artist can develop a system of visual transmutation that will endow his works with richness of meaning.
Seeking additional insight into similar mechanisms at work in other centers of the brain, Donato and his team discovered that the signal to develop one area known to be involved in more abstract functions, including memory and navigation, originated from deep within the brain, in a specific population of neurons that kicks off the maturation of an entire neural network.
But the purported proof, which Mochizuki first posted on his webpage in August 2012, builds on more than a decade of previous work in which Mochizuki worked in virtual isolation and developed a novel and extremely abstract branch of mathematics.
Understanding can be developed first through work at the concrete level with place value disks, then at the pictorial level by drawing place value disks on a place value chart, and finally through the abstract work of long division.
No longer will teams merely talk about equity in the abstract, as this book offers concrete examples and vignettes to develop a shared understanding of the required work as well as tools for reflection and discussion to minimize disparities among teachers.
For this purpose we developed an activity booklet that helps students to work interactively with a computer animation which deals with abstract concepts and processes in molecular biology, facilitating differentiation and inclusion.
As his work has developed over four decades he has created an enormous variety of series of abstract paintings in an articulate, elegant and personal language.
Eamon Ore - Giron originally worked in figuration before developing his signature abstract style.
Reacting to the range of works on view, which included a selection from the artist's Concorde series (1997), still lifes, portraits, and abstract works created using dye or developing fluid on light sensitive paper, Morton noted «what makes Tillmans's best work sing: the ability, through looking a little, and loving a little, to turn events in our visual lives into vivid, everyday poetry, with all the pleasure and knotty exegesis that implies.
Egan mounted annual solo exhibitions of Tworkov's work between 1945 and 1954, and it was during this time frame that Tworkov developed his mature abstract expressionist voice, thereby establishing himself as one of the few true first - generation abstract - expressionists.
September 9 - 28, 2008 In 2007 Sydney Ball revisited the direct pictorial architecture of his Canto paintings to develop Structures 2, a series of radiant abstract colour works.
This exhibition presents a central theme of Mode's work, illustrating a process of developing abstract paintings aimed at solving problems of design and color interactions within sequences.
Throughout this process a distinct distillation of choices developed for each artist that is wide - ranging but particular: both figurative and abstract, sculptures and some works on paper have been selected in addition to paintings, and historical as well as contemporary works, are juxtaposed.
'» At a time when abstraction remained on the fringes of the art world, the group aimed to «foster public appreciation of [abstract] painting and sculpture,» and grant «each artist an opportunity for developing his own work by becoming familiar with the efforts of others.»
For his inaugural feature with The Loft at Liz's, Pearsall had developed a series of consisting of both abstracted and figural works comprised of Trader Joe's shopping bags (Pearsall's Imploding Grocery Bag series).
This overview of his life and work will be from a uniquely Lancaster perspective and explore the deeply inherent connection of his love of the land in the county and how he developed that into his own abstract language that he used for the balance of his career.
He was producing some on his most abstract works and with them, he challenged the boundaries of landscape painting and developed sophisticated and subtle color relationships that remain captivating decades later.
Newman is generally classified as an abstract expressionist on account of his working in New York City in the 1950s, associating with other artists of the group and developing an abstract style which owed little or nothing to European art.
In his richly hued, minimalist works, Kim seeks to push the edges of what we understand as abstract painting by using the medium to develop an idea that typically gets worked out over the course of an ongoing series.
Similarly, Korean painters independently developed an abstract practice similar to the abstract expressionism that took hold in Post-war U.S., but reflecting a more Confucian approach to the sort of meaninglessness such work is thought to convey, following the Korean war.
James Collins is known for minimalist op art and abstract works that are created through various processes he has developed with custom tools.
Widely believed to be the first American abstract painter, he was very close to Georgia O'Keeffe, who credited Dove's work with being crucial to her developing style of merging the geometric with the organic, of using intensely colorful and dynamic forms.
Works by four pioneering artists who, though active in different places and periods, developed similar visual languages, are brought together for the first time to shed new light on 20th - century abstract art.
The postwar years saw Capogrossi paint his first abstract works, and by the end of 1949 he had developed a distinct post-Cubist vocabulary of his own, formalizing a language of signs that involved the arrangement of comblike matrices in compositions that were at once logical and free, aligning him closely with the Art Informel movement.
In her sixth solo exhibition at Galerie Lelong, Ursula von Rydingsvard will present three new monumental works that exemplify the artist as a sculptor in full command of her craft, further developing the vocabulary that she has so thoroughly honed: abstract, architectural forms composed of accretions of wood.
Transparency looks to be the artists most developed work to date, literally focusing and diving deeper into his abstract work.
Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her work.
For years Angelina has developed a method of abstract work that alludes to stain and pour painting traditions of Frankenthaler and Louis, among other influences, while contemplating urban and interior structures that make up today's world.
With a visual dialogue established initially by working illegally with spray paint, making large - scale murals and site - specific work without permission, the artist has developed a process of painting that crosses abstracted, ambient fields of colour and gesture with traditional typography, vivid corrupted language and appropriated slogans.
In 2008, Vavrek started experimenting with using sculptural geometric forms as the basis for imagery painted in glaze, which is something he developed further when he started his abstract sectional wall works in 2012.
In addition to her curatorial and gallery business, Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her work.
Each Composition (Cards) develops through an improvisational process of incremental stacking that slowly evolves into a unique set of strategic rules that guides the completion of the work into an abstract graphic composition.
Originally a photo realist, George's work has developed to embrace the abstract in nature.
Over the years, she has developed a resolutely graphic style of abstract painting that typically includes an amazing variety of bold patterns and bright colors in a single work.
The seventy — eight works in this retrospective will follow Winters's development from that time through the more fully abstract approach that has occupied him since the»90s, with dense weaves of swirling, crisscrossing lines and scattered blips, and will include more recent drawings that reclaim shapes reminiscent of his earliest phase within the more complex spatial context he's since developed — what he's called a «vitalized geometry.»
James will demonstrate ways to develop a rich surface and to emphasize the abstract quality in representational paintings, and he will work with you one - on - one as you explore the creative options he presents.
While his early works were predominantly abstract, involving intricate patterns and colors, he has since developed a signature figurative style that bridges the gap between the sacred and the profane, and by extension, between high art and popular culture.
Many times I find a symbol or tempo to drive the work and develop it into an abstracted graphic score, like that of John Cage and other avant - garde musicians, who instead of using symbols with definitive understandings, enhanced the visualized sensation of musicality.
Since the 1960s he has been an international figure in the world of art, an inventive and uncompromising abstract painter who has continued to take the most extreme risks in his work, and to develop new ways of expressing his sense of wonder and delight in the world around us, and in the further reaches of the human imagination.
Since the late nineties he has been creating a greater number of camera-less, abstract images that develop from his direct work with and on photographic paper, some of which acquire a sculptural, object - like character.
Cochrane took a special interest in the abstract painting being developed by Jean - Paul Riopelle and Nicholas de Stael in France, in the work of Jean Dubuffet and the Cobra painters including Asger Jorn, as well as some of the young Americans then active in Paris, such as Sam Francis and Ellsworth Kelly.
«Haptic Tactics» aims to develop new ways of thinking about and engaging with contemporary abstract work made by queer artists.
Bradford's work is informed by his personal background as a third - generation merchant in Los Angeles and by the traditions of abstract painting developed worldwide in the twentieth century.
Terry Winters Signal to No ise examines the painter's evolving relationship with abstract imagery, the central driving force of his work, as it has developed over the past ten years.
My current work references early 20th century abstract art and design to develop a visual language in response to the fast shifting streetscapes and architectural spaces of contemporary London and its ever present half - built skyscrapers.
Over the course of his career Terry Winters has expanded the concerns of abstract art, beginning with botanically inspired images (cells, spores, seeds) and going on to explore biological processes, scientific and mathematical fields, and issues raised by the interaction of information technologies and the human mind, while maintaining a strong modernist sensibility that reveals itself in the symbolic languages of figures and lines he develops in his work Winters (born 1949) received a BFA from Pratt University, New York, in 1971.
Their genesis traceable to Bell's obsession with the finishes he developed and eventually released from his minimal glass works, the two - dimensional CS paintings are composed from abstract forms that appear as a shimmering vortex of light, creating the illusion of three - dimensional, highly sculptural space.
Haptic Tactics is an exhibition that seeks to develop new ways of thinking about and engaging with contemporary abstract work made by queer artists.
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