Sentences with phrase «developing artistic language»

Artists were also seeking new ways of making a line, using color, and developing an artistic language that was uniquely their own.

Reflecting the multifaceted strands of Basquiat's developing artistic language, Made in Japan I is truly cosmopolitan in its outlook.

Zimbabwe remains at the core of my practice: it's where I spent my formative years and where I developed my artistic language.

Not exact matches

You can help them to develop a range of new skills from language expansion, artistic ability, spatial awareness and imagination with the... MORE following top picks for the best gifts for 5 - year - olds.

The arts classes are used not only to develop children's artistic skills but also to promote learning in core early childhood domains like language, literacy, and math.

Free arts training in all disciplines and participation in multi-media presentations that draw meaning and power from the lives and language of our people can fire their imagination, stimulate innovativeness, crystallize the will to overcome difficulties, develop their artistic skills of expression to pursue their dream for a better, healthy, just and peaceful world.

Considering the broad field and variety of elements creative writing includes, we can conclude a student needs a developed language, vast lexicon, artistic sense, rich imagination, creativity, and plenty of other personal characteristics to produce high - quality work.

Though she did not go as far as Tolkin in developing a «new» language, Collins chose words from real cultures, and with a splash of artistic license, created her magical and mythical world.

Using a disciplined, thoroughgoing, empirical studio process, Otero has established a compositional method that brings together and pulls apart disparate artistic influences to develop his own unique visual language.

Fernández will engage in weekly performative lectures on the various subjects that build this archive, expanding her artistic investigations of these stories from objects to oral histories and thereby developing an emerging sphere of its expression through language and performance.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

In this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narratives.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

Influenced by the Abstract Expressionists, Scully aimed to bring poetry into abstraction, developing his own unique artistic language, illuminated by the spiritual.

Although TPG members were committed to a shared set of philosophical concepts and ideals, each artist developed his or her own artistic language and sought a unique path «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design.»

Although TPG members were committed to philosophical concepts and ideals, each artist developed his or her own artistic language and sought «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design.»

From the beginning, his concern had been to develop a visual language that was less complicated and more impartial and rational than the emotionally charged works of Abstract Expressionism, and he did so by prioritizing the artistic process, leaving the endpoint almost an afterthought.

From Brazil's rich and complex artistic landscape, we selected artists who are proposing a new artistic language in order to develop important and urgent subject matter.

As children, the brothers developed a distinct way of playing and communicating through artistic language, but it was with the invasion of hip - hop, and the explosion of Brazilian culture during the 1980s that OSGEMEOS began to use art as a way of sharing their dynamic and magical universe with the public.

Each painting showcases Mitchell's mature artistic style that, over a prolific period of three decades, had fully developed into a unique personal language of colour, line and form.

The exhibition unfolds chronologically, showcasing the experimentation of each artist as, departing from the work of Lucio Fontana, these new generations developed a personal language at a critical moment of their artistic practice between the 60s and 70s.

Andreas Angelidakis has developed an artistic voice that switches between the languages of architecture, curating, writing and internet.

Nicholas Sagan develops artistic processes that borrow the visual and theoretical languages found in the sciences to construct new interpretations of old data.

Altmann rather explores geometric patterns inherent to stylistic modes of pre-modern artistic production revealing the idea that a reductive language was developed and used long before our times and days and was integral part of culture.

Besides an aesthetic artistic language which has its roots in certain reductive styles developed over last century, his work offers a far - reaching construct of possibilities to participate in the process of perception.

He soon developed a distinct artistic language based on his ability to transform found materials — including the discarded furniture on the streets of Los Angeles — into elaborate assemblage and complex tableaux with an angry and inventive wit.

Mining a visual aesthetic reminiscent of German Expressionist film, with Three Sisters Bock develops his own language and artistic vocabulary to create an emotional and highly idiosyncratic world in which connections are made between language, the built environment, and the individuals who inhabit it.

The selected young artists are proposing new artistic languages in order to develop urgent subject matter.

Later he established Taller Torres García, a progressive educational art community that could be considered in the tradition of Bauhaus, its fundamental aim was to develop a distinctive Latin American artistic language based on constructivist theories.

During the 1960s, Jones developed a stylized visual language for painting the human figure which marked a departure from 19th century artistic precepts.

CIMA's installation focuses on the artist's rarely seen works from the 1930s — the decade when Morandi reached full artistic maturity and developed his distinctive pictorial language.

His first works were linked to the geometrical abstract, but he soon developed his own artistic language.

Since the 1990s, Judith Hopf (born 1969 in Karlsruhe, DE) has been developing an independent artistic language that has consistently managed to stake out new ground over the years, be it in the form of sculpture, film, drawing, performance or even stage design.

These influences, paired with Chile's distinct history of propaganda art and muralism dating from the 40s, give rise to the myriad of strongly developed personal visual languages and artistic self - expression seen on the streets of Santiago, Valparaiso and other cities in Chile.

The non-visual learner (a term Papalia prefers to more institutional, diagnostic language like «legally blind») began developing an anti-policy approach to accessibility that both informs his artistic work and has influenced institutions including the Harvard Art Museums and Tate Liverpool.

The exhibition focuses on the artist's rarely seen works from the 1930s — the decade when Morandi reached full artistic maturity and developed his distinctive pictorial language.

Creed has developed an artistic voice that is surprisingly expansive and emotional, calling to mind the English Romantic poets of the late 18th and early 19th centuries, who sought to capture the beauty in what William Wordsworth described as «the real language of men».