Sentences with phrase «developing curatorial practices»

At that time, many artists in the United States also were focusing on developing curatorial practices.

Prior to developing his curatorial practice, Dexter Wimberly was a marketing, communications, and strategic planning expert for a various art institutions.

The Curatorial Intensive is a weeklong professional development program which brings together emerging curators for the opportunity to exchange ideas, develop their curatorial practice, and learn from their colleagues.

The Curatorial Intensive is a ten - day professional development program which brings together emerging curators from around the world for the opportunity to exchange ideas, develop their curatorial practice, and learn from their colleagues.

This program, focusing on regional networks, brings together emerging curators from across the American South and around the world for the opportunity to exchange ideas, develop their curatorial practice, and explore Prospect.3: Notes for Now, the international biennial curated by Franklin Sirmans.

The Curatorial Intensive is a weeklong professional development program that brings together emerging curators for the opportunity to exchange ideas, develop their curatorial practice, and learn from their colleagues.

Prior to developing his curatorial practice, Wimberly was the founder and CEO of the pioneering Marketing and Public Relations agency, August Bishop; Director of Communications for The Museum for African Art, NY, and most recently, Director of Strategic Planning at Independent Curators International, NY.

Not exact matches

She is also a founder, along with Helena Reckitt and Lara Perry, of fCU (Feminist Curators United), a network of curators and scholars dedicated to developing feminist curatorial practice through the sharing of ideas and resources, with programs encompassing public events, publications, and mentorships.

The new series of discussions with curators at the New York at fair held in March is envisioned as a «unique opportunity to facilitate dialogue among international thought leaders in the curatorial profession» and further develop the Armory Show's «role as an incubator for new ideas and practices among the world's top curators.»

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

The Curator - in - Residence program provides an opportunity for emerging local and national curatorial talent to develop and expand the scope of their practice.

The Visitor Talks — Dialogues... further develops issues raised in the Fall 2013 — Spring 2014 series of The Visitor Talks: Pre-Ambulation and Retrospection, reflecting upon overarching issues pertaining to the conundrum of research within contemporary art, curatorial practice, and their attendant discourses.

working at the intersection of art, digital practice and technology, the duo develop projects that are embedded in curatorial thinking and creative entrepreneurship.

The second - year practicum runs over two semesters and develops a focused engagement with the conceptual and methodological foundations of students» thesis work, as well as the role of mediation and public programming in curatorial practice.

It builds links between emerging curators in the UK and Greece, so that best practice can be shared and new ideas developed, with the aim of championing curatorial excellence.

Consequently, LAGE EGAL is a continually developing experimental ground for curatorial practice and critical exchange.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contriPractice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contripractice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

Alongside collaborators Helena Reckitt, Maura Reilly and Lara Perry, Laura runs Feminist Curators United (FCU), a network of 40 + curators and scholars dedicated to developing feminist curatorial practice through a range of programmes.

(334 Broome Street, New York, NY 10002) with We are the (Epi) center..., a two - month project that proposes new directions for an institution of curatorial practice through short - term exhibitions, public events, performances, seminars, pop - up displays, and other programs developed in collaboration with artists and students from the graduate program at CCS Bard.

Since 1983 he has developed an interdisciplinary art practice and exhibited internationally, and his curatorial projects have included innovative collaborations with visual artists, designers, and contemporary dance.

We strongly believe that Nicolas will develop an intriguing exhibition considering his esteemed curatorial and theoretical practice, his in - depth academic studies as well has his long term collaborations with artists and active engagement with new generations.

«The Rose developed the curatorial program,» says Sophia Belsheim, Art + Practice's director of operations.

The Curator in Residence program provides an opportunity for emerging curatorial talent to develop and expand the scope of their practice through a one - year residency.

This public symposium is a day - long conversation on contemporary curatorial practices in India and abroad, produced in cojunction with the Mumbai Curatorial Intensive, developed and implemented by ICI in collaboration with the Mohile Parikh Center (MPCcuratorial practices in India and abroad, produced in cojunction with the Mumbai Curatorial Intensive, developed and implemented by ICI in collaboration with the Mohile Parikh Center (MPCCuratorial Intensive, developed and implemented by ICI in collaboration with the Mohile Parikh Center (MPC), Mumbai.

In addition to formal and aesthetic criteria, when I develop curatorial concepts I am particularly interested in current issues that are relevant to art - historical discourses and artistic practice, and are also generated from within them.

Ellen Blumenstein's curatorial practice is international in scope and often involves collaborating with visual artists and other curators to develop monographic and thematic exhibitions that explore the possibilities and limitations of contemporary art.

Upcoming: «I will be developing two separate large - scale initiatives supporting curatorial and artistic practices.

The Group exhibition «Accompaniment» is a curatorial project exploring accompaniment as an evolving theory of practice, developed in response to our cultural and political milieu.

Huma Kabakci: Developing links between the practices and approaches of different artists in challenging, site - specific contexts is very significant to my curatorial practice.

BS When I relocated to Lagos in 2002, I couldn't find a space that would allow me to develop this expanded notion of curatorial practice.

Accompaniment is a curatorial project exploring «accompaniment» as an evolving theory of practice, developed in response to our cultural and political milieu.

The space we are building will require major renovations, intensive landscape design and, as always, a well considered curatorial practice to develop a stellar line up of exhibitions and events.

We strongly believe that Nicolas will develop an intriguing exhibition considering his esteemed curatorial and theoretical practice, his in - depth academic studies as well has

Developed by Independent Curators International (ICI) in collaboration with the Bag Factory Artists» Studios, the Curatorial Intensive: Contemporary Curatorial Practice will examine the pragmatics of organizing exhibitions, while addressing the specificities of curating in the African context.

Rebecca received an MA in Curating from Goldsmiths College, London in 2005 and while maintaining her own curatorial practice, has worked as a researcher and writer developing an expertise in Modernism, Post Modernism and Contemporary Art practice.

In addition to working for cultural institutions, he also maintains an active independent curatorial practice and is currently developing a public art project titled Mexico 68 that looks into the residual infrastructure of the infamous 1968 Olympics that took place in Mexico City with the support of the Graham Foundation.

For the duration of their stay at RUPERT, Kate Brown and Maurin Dietrich will work to further develop their shared curatorial aims: a critical investigation of the symbolic function of narrative in contemporary art practices, particularly female narratives and theories of interiority, and the feminine voice in storytelling.

The «curatorial / editorial / convening / creative practice», developed by Mangion and Cauchi, deals with the dialectics of online / offline and the ways in which the two are converging in the contemporary art field.

Koitela is interested in developing pervasive curatorial, institutional and discursive practices for merged artistic practice, research and politics.

Developed by ICI in collaboration with MACBA - Museo de Arte Contemporáneo de Buenos Aires, the Curatorial Intensive: On Curating: Between Theory and Practice...

From 1997 - 2017, as Curator - in - Residence at Maryland Institute College of Art, he continued to develop new models for connecting art, artists, and audiences by creating the Exhibition Development Seminar, Curatorial Studies Concentration and the MFA in Curatorial Practice.

It has since developed into a curatorial project that seeks to make connections through diverse modes of art making by finding common threads in work borne of a challenging and rigorous practice.