Sentences with phrase «developing exhibitions on»

She will continue to collaborate with John Rohrbach, senior curator of photographs, in managing the Amon Carter's photography collection and interpreting and developing exhibitions on photography.

At City Academy in Norwich, the year seven pupils were taken off their timetable for a week and asked to develop an exhibition on environmental problems and solutions to present to the local community.

Not exact matches

There I spent a number of years working in Exhibit Design developing interactive educational activities for permanent and traveling exhibitions before I moved on to Imagine Childhood.

While my HF for Newark has proposed that we introduce a new tax break for museums that develop exhibitions and take those exhibitions on tour.

In this interview from Print magazine's Imprint blog, Kim Munson talks about an iOS and Android app she developed called Comix Classics: Underground Comics based on Underground Classics: The Transformation of Comics into Comix, a book and exhibition on the history of underground comic - book art.

LOS ANGELES, April 24, 2017 — The Japanese American National Museum has developed a series of lesson plans for teachers to complement its Instructions to All Persons: Reflections on Executive Order 9066 exhibition and enhance student learning of the 75th anniversary of President Franklin Roosevelt's signing of the order that led to the tragic and unlawful incarceration of 120,000 individuals of Japanese ancestry during World War II.

Further in the exhibition you'll be greeted by racing cars once driven by legends like Sir Stirling Moss and Michael Schumacher, along with the technology developed by Ferrari that went on to revolutionise motor racing.

In the same period, IP licensing and cross-media publishing have developed rapidly, especially in children's books, so we decided to set up a professional exhibition to capitalise on these developments.

For more than 25 years, Cheryl Haines has developed site - specific exhibitions and public programs that have exposed new audiences to contemporary art and advanced discourse on art about place.

The exhibition will focus on the amazing relationship developed through a «Sister City» Program between Ishikari Japan, and Campbell River, Canada.

The event is a two - day online tourism conference and travel technology exhibition aimed at developing online tourism with a focus on e-marketing, travel distribution and sales, social networking, and new media.

After the exhibition closed, Japanese landscape architect Makoto Hagiwara and superintendent John McLaren reached a gentleman's agreement, allowing Mr. Hagiwara to develop a permanent Japanese garden on the site.

Situated in the heart of Fuzhou's newly developed commercial district, the hotel is conveniently located beside China's largest exhibition center, the Cross-Straits International Conference and Exhibition Centre, on the banks of the Minjiexhibition center, the Cross-Straits International Conference and Exhibition Centre, on the banks of the MinjiExhibition Centre, on the banks of the Minjiang River.

This exhibition, a survey of Truitt's sculpture, painting, and works on paper from 1961 to 2002, traces the career of an artist who developed her work quietly and independently in the former carriage and row houses of this city.

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

Developed from research into flora, slime and fertility and her recent fieldwork on the Isle of Eigg, Ihrman's Cooper Gallery exhibition questions the ability to thrive that all life carries; an ability that is governed by and dependent upon not only environmental conditions, but more importantly how culture portrays and understands nature and thus itself.

Our programme focuses on solo exhibitions to give artists the opportunity of developing projects and presenting new approaches to a medium that is too often seen as preparatory to other forms of art.

Over a number of years he developed a deep understanding of Judd's working practices, and travelled with Judd on research trips and to install exhibitions around the world.

Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30 oil paintings for a summer exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.

With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

Swiss Institute is pleased to present the first institutional solo exhibition in the United States of New York - based artist Andrea Crespo, centered on a new video, virocrypsis (2015), which develops the artist's ongoing inquiry into posthuman desire.

By speculating on worlds and life elsewhere, Maheke's new exhibition at Chisenhale Gallery becomes a public site to re-articulate and reinvent forms of relationality and representation, as much as a device for developing a new lexicon for thinking about identities outside of identity politics.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

The exhibition, developed on site over a 5 week «open studio» residency, sits somewhere between an exhibition of new works and a curated re-presentation of archive material, utilising objects and images from the building's recent and distant past.

In this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narratives.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

Designed to have a meaningful impact on the career of one emerging artist, the Griffin Art Prize provides the time, space and materials from supporting fine art brands Winsor & Newton, Liquitex and Conté à Paris to develop work for a one - person exhibition.

[vimeo 30687871] Artist Liz Cohen discussing her work in the show, Trabantimino, which she developed over eight years, at the AutoBody exhibition walkthrough on 1 October 2011.

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

The Department of Exhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitioExhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitionexhibition process.

For her first solo institutional exhibition, «Tenderheaded,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

The paintings of the two artists were arranged on the walls so that the viewer could see the work of one painter with that of the other close by, moving chronologically through time so that, in walking through the exhibition, the viewer could see how each artist developed over time, both on his own, as well as in relation to the other.

The installation and confrontation of these new groups of works were developed and realized jointly by Aaron Curry and Richard Hawkins on the occasion of this exhibition.

Occupying the entire gallery space, as well as the building's façade and surrounding garden, the exhibition highlights the extraordinary expansion of an artistic movement that developed on the streets of New York in the early 1970's to rapidly become a worldwide phenomenon.

The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.

Gallery 2 has developed a reputation for significant historical exhibitions, presenting first - time, one - person shows, and shedding light on lesser known aspects of prominent artists» practices.

Drawing on her experience as an architect and her fascination with this strange and unfamiliar landscape Tooney Phillips has developed a body of work for her solo exhibition that explores our very perception of space.

In her current exhibition at the Surf Lodge in Montauk — developed as part of her artist - in - residence stint there and on view through June 28, 2015 — the artist takes her ideas in new directions, playing with concepts of space, depth and reflection.

Skills will be developed during a series of open workshops on weekends and through a special children's exhibition map, which is part of the city - wide program Family Trip: Take the Whole Family to a Museum!

By focusing on Cézanne's portraits, the exhibition offers an unrivalled opportunity to develop a greater understanding of his originality as an artist as well as gaining an intriguing glimpse into the personal world in which he inhabited.

This now makes it possible to put on a wide - ranging exhibition of individual works by one of the most important artists of the present day, following a curatorial concept that he himself developed.

To expand offerings for our community, donations to the Education Fund support costs to develop intergenerational activities and art - making projects based on exhibitions currently on view.

The exhibition presents selected works developed from a practice centered on repeated engagements with and between the languages of drawing and sculpture.

Bridget Carberry was crucial to developing the framework for this online exhibition catalogue, and Emily Robbins and Ana Fox - Hodess played a key role in documenting the works on view.

Herzberg was the Museum of Contemporary Hispanic Art curator for «The Decade Show» in 1990, a seminal exhibition focused on identity politics in art which developed over the previous decade.

Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.