Sentences with phrase «developing nature of her paintings»

For Homer, an avid gardener, the slowly developing nature of her paintings echoes the slowly unfolding processes of nature itself.

Not exact matches

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

It was there that Thomas Cole and William Stillman, founding members of the Hudson River School Painters (1825 - 1875), developed the idea of landscape painting as an exercise in seeking truth, a truth found through close contact with nature and a disciplined observation of it.»

Within the rational environment of an offline digital workspace she has foregrounded the expressive nature of carbon - based toner and developed a distinctive process and body of work that bridges drawing, printmaking, painting and photography.

Clayton Colvin Clayton Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces - the immediate and intimate nature of drawing infusing his paintings and ceramics with an hypnotic mix of familiarity and mystery.

The contemporary Tonalist paintings, in conjunction with the sculpture and Tromp l'oeil paintings, develop the exhibition's exploration of «the beauty of nature and the beastly side of humanity,» according to Grenning.

Pan explores these elements of nature in her paintings, developing a visual, saturated language that feeds off of nature impulsive energy.

In contrast, the nature of the Victorian public's engagement with the painting is effortlessly conveyed here, through a series of stereographs that develop the narrative of Landseer's painting into three further scenes.

Mr. Daphnis, a florist by early training and a renowned cultivator of hybrid tree peonies, drew on his sensitivity to color and his keen understanding of nature's geometry to develop a precise, hard - edged painting style that harked back to Mondrian and looked forward to minimalism.

Rooted in a fascination with fifteenth century Venetian and early Flemish painting, and inflected by the formal restraint and reduced palette of Minimalism, Simpson has developed a distinctive, darkly comedic artistic vocabulary with which to create works that move beyond their subject matter to question the nature of painting itself.

As Campus abandoned photography in favor of the newly developing field of digital imaging, he turned inward again, making paintings with rudimentary software that recall the primordial, nature - based abstractions of Arthur Dove, but also allude to the interior of his body.

As industrialization began to spread, Moran's paintings of nature provided an accessible and direct experience and reflected a developing nostalgia among urban residents for the serenity of rural places.

The nationalism of the new United Provinces had been a factor in the popularity of Dutch 17th - century landscape painting and in the 19th century, as other nations attempted to develop distinctive national schools of painting, the attempt to express the special nature of the landscape of the homeland became a general tendency.

Searching for a visual language to capture the immediacy of everyday life and the quotidian nature of his subject matter, Andrews developed his «rough collage» technique, combining scraps of paper and cloth with oil paint on canvas.

The denser, more caustic, and ostensibly unlikable nature of her new paintings suggests that Fishman, like most sentient beings, may have developed a darker view of the world over the past few years.