Today OFCA International is
developing exhibition concepts, lectures, writing and research in fine art such as the exhibition formats «Prima Visione» and «RE-PLAY», which have shown the works of Heri Dono, Entang Wiharso, Anusapati, Handiwirman Saputra and Filippo Sciascia and Sally Smart among others over the course of 2013 - 2018.
In
developing the exhibition concept, the exhibition is able to draw on exhibits that have rarely been seen in this quality and density.
Not exact matches
During the past fourteen years, Mr. Singh has held a variety of positions in project management in which he
developed and implemented
concepts for trade fairs and
exhibitions.
The
exhibition concept was
developed by Ivo Ringe, Joe Barnes and Po Kim, the Korean - American artist and co-founder of the Sylvia Wald and Po Kim Art Gallery.
In
developing the
concept for this
exhibition we were interested in the experience of observation and perception.
In her current
exhibition at the Surf Lodge in Montauk —
developed as part of her artist - in - residence stint there and on view through June 28, 2015 — the artist takes her ideas in new directions, playing with
concepts of space, depth and reflection.
This now makes it possible to put on a wide - ranging
exhibition of individual works by one of the most important artists of the present day, following a curatorial
concept that he himself
developed.
These questions will also be
developed in the
exhibition space through a screening program in two parts: «Obscure States» will portray the city as a character with works by Basim Magdy and Cao Fei; and «
Concepts of States» will zoom into different conceptualizations of citizenship with works from Filipa César, Zbynek Baladrán and Keren Cytter.
Condon participated in Wave Hill's Winter Workspace Program in February and March 2017 and
developed the
concept for Growth Cycle: The Pavilion of Spring and Summer, an installation specifically made for this
exhibition.
With the aim to experiment with new formats for
exhibition concepts, insitu takes a risk and will
develop group
exhibitions as fictional characters.
In this video we attend the opening reception of the
exhibition, and gallerist Javier Peres talks about how he and James Franco
developed the idea for the
exhibition and the basic
concept of the show.
The title of the
exhibition, Better than de Kooning, refers to the same - named work created in 2008 by the American artist Peter Saul who, with his
concept of painting - appropriation, which is nourished both by Surrealism and Abstract Expressionism as well as by underground comics and political caricature,
developed an innovative politpop painting style.
In this video, Susan Philipsz explains significances of the
concept of the
exhibition and talks in detail about the
developing process of this project.
The End of the Night is a double
exhibition project curated by Martha Kirszenbaum and
developed in Los Angeles and Paris, which
concept is ingrained...
Developed and implemented the
concept for the
exhibition to travel to The Art Gallery of Ontario (AGO), Toronto, Canada.
Such a joint approach of production and theory transforms About Practice into a series of
exhibitions focused on the notion of
concept, its role and position in the artwork as an intrinsic consequence of constant activity that
develops its own theory as it unfolds.
However, we place special emphasis on the areas of the Canadian avant - garde of the 1960s and 1970s, the international network
developed at the time and its role in the art of today; emerging artists; Vancouver's post-war art history; practices and projects that challenge the status quo including
exhibition concepts initiated by artists.
I am
developing the
concept for a future
exhibition entitled Gazing Back, in which I hope to feature Muslim women's portraits of self - representation.
Masum Momaya is
developing the
concept for a future
exhibition entitled Gazing Back, in which she hopes to feature Muslim women's portraits of self - representation.
Throughout the
exhibition of Feng Chen Solo Show at Capsule Shanghai, the artist has
developed the
concept of a new...
Throughout the
exhibition of Feng Chen Solo Show at Capsule Shanghai, the artist has
developed the
concept of a new interactive performance piece, titled «The Darker Side of Light».
He
developed a strong interest in the
concept of invisible energy and shifted from object - based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the
exhibition explores.
As curator of the landmark 1993
exhibition, Coming to Power: 25 Years of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the younger generation of female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to
develop this
concept.
Jess Fletcher (assistant curator) talks about the
concept of the
exhibition and the
developing process of the Beasts series.
Prior to this, she was Director of Bury St Edmunds Art Gallery for 12 years, where she
developed an ambitious programme with a particular focus on the fusion of
concept with material and process through outreach projects, public commissions and national touring
exhibitions.
Focused on fine art which finds its background, heritage and influences deeply rooted in urban subcultures like street art, avantgarde fashion, design, music, architecture and graffiti, Circleculture gallery has
developed a large number of innovative
exhibition concepts in cooperation with international curators.
Our gallery program has
developed to include both curated and juried
exhibitions that focus on contemporary art
concepts, solo
exhibition opportunities for regional artists, as well as community based
exhibitions that offer a platform for our students, instructors and partners.
The Peer to Peer programme is intended to create opportunities to
develop critical thinking and creative practice, to encourage discussion and debate around BALTIC
exhibitions and key
concepts within contemporary art, as well as offer professional development opportunities to artists.
According to Art History Professor Reva Wolf, who has written extensively on Andy Warhol and art and popular culture, the
concept for the
exhibition was
developed by students in the 2009 Andy Warhol Photographic Legacy Program and Museum Studies courses led by both Wolf and Brian Wallace, curator of The Dorsky Museum.
The
concept of the
exhibition is connected to the theoretical, political and social principles
developed by the dada movement conceived by Francis Picabia and Tristan Tzara — among others — as a reaction to World War I and Francisco de Goya's Disasters of War, which reflect the cruelty of the Spanish war of Independence.
While the
exhibition takes its name from a Navajo goddess, the subtext of the
exhibition develops from the evolutionary
concept of the exaptive trait, a biological characteristic which, through natural selection, becomes useful in ways beyond its original purpose.
Learn about every stage of the curatorial process, from
developing the initial
concept of an
exhibition, to requesting works on...
Frequently, Still seems to work backward and forward in time, returning to earlier
concepts and themes, and
developing them into the future; as Hopkins notes in his introduction to
exhibition catalogue, a strong component of Still's stylistic evolution «consist of looking back to earlier works for sustenance, especially when he feels he is reaching into an area beyond his knowledge of himself.»