Sentences with phrase «development as a painter»

Katz was first exposed to the notion of plein air painting at Skowhegan, which would prove pivotal in his development as a painter and remains a staple of his practices today.

Presenting artworks from each decade of Seliger's career, the retrospective offers a unique opportunity to trace his development as a painter.

But when it comes to viewing David Park's body of work, this book shines with superb color plates dispersed throughout, showing Park's development as a painter from his early days, his non-figurative period, his return to figurative painting, and his final figurative work in gouache.

Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time.

Although formally educated in art and graphic design, he attribute his development as a painter through experimentation and the actual process of painting more than any formal academic studies.

makes an important contribution to the field, with interdisciplinary scholarship and a specific focus on Morisot's pioneering developments as a painter first, woman second.

It also features photographs, letters, and memorabilia that shed light on the artist's process, with an emphasis on the meaning of the place and its impact on her development as a painter.

Heilmann's installation had a biographical slant: though Francis Bacon's Figure with Two Owls, Study for Velazquez (1961) has little in common with Heilmann's own idiosyncratic compositions, it showed how his structuring of space held early sway on her development as a painter.

At Skowhegan Katz was first exposed to plein - air painting, which would prove pivotal in his development as a painter and remains a staple of his practice today.

Equally important to his development as a painter are the many experiments with architecture and performance Kirkeby carried out during his student days and into the 1970s.

Hoyland's formation and subsequent development as a painter has to be placed, initially, in relation to the «Situation» group.

The retrospective covered De Kooning's development as a painter from the earliest years until his latest works from the 1980s.

Berthe Morisot, Woman Impressionist makes an important contribution to the field, with never - before - published letters, interdisciplinary scholarship, and a specific focus on Morisot's pioneering developments as a painter first, woman second.

The Painter at Schirn Kunsthalle Frankfurt focussed primarily on the artist's development as a painter, while in the show Jeff Koons.

He is best known for abstract, white - on - white paintings.His development as a painter was not so much a linear process as a concentration on one theme: the pictorial complexity created through a reduced, extremely restricted visual vocabulary.

I don't know how deeply you want to discuss this, but I wonder how it impacted your development as a painter?

Not exact matches

To answer your question though, for me it's all about individual growth and development as well as the personnel on the court and Painter's willingness to adjust to new personnel.

«Robert Bresson began as a painter and, while he would rarely practice the art, it was a guiding force in the development of his unique film style.»

A graphic designer and painter before he moved to game development, he started in the industry as a pixel artist and sprite animator.

As part of his blog series In Process, Paul Behnke posts about the development of the recent painting And the Vital Vigor Stood it's Ground (2013) by painter Matthew Neil Gehring.

Jonathan Beer interviews painter Jochen Plogsties about his work and development as an artist.

Though the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.

This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.

Conceived as an adjunct to painting in the earliest years of its development in the first decades of the 19th century, when many painters discovered how useful photographs could be in composing their canvases, photography quickly assumed an artistic presence and legitimacy of its own (albeit one that often still took its cues from traditional painterly modes of representation).

Hirst has not responded to the charges of copying, but a spokesperson for him issued a statement: «The Veil Paintings are a development of a series Damien made in 1993 — 1995 called «Visual Candy» and are inspired by Pointillist techniques and Impressionist and post-Impressionist painters such as Bonnard and Seurat.

In this context, Opera will discuss his own work and the concerns that have fed his development over the past five years, as well as the work of other contemporaries and painters that intuitively have investigated surface since the mid 20th century, such as Morris Louis.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

Here Robertson, the curator of two previous Hoyland shows, questions the artist about the new work and his development as an abstract painter...

A French - American painter, sculptor, chess player and writer whose work has been associated with Dadaism and many other avant - garde movements, Marcel Duchamp is commonly considered as one of the artists who helped define the revolutionary developments in plastic arts in the begining of the twentieth century.

Spanning more than 50 years of his career, Jamie Wyeth, on view through July 5 at the San Antonio Museum of Art opens with his childhood drawings, traces his development as a portrait painter, examines his stint in The Factory with Warhol in New York, contemplates the rural scenes that pay homage to his family's legacy and details his emergence as a great animal and bird painter.

Here Robertson, the curator of two previous Hoyland shows, questions the artist about the new work and his development as an abstract painter since the 1950s.

Frankenthaler's innovative «soak - stain'technique was influential in the development of the later Colour Field painters such as Morris Louis.

His remarkable show is small — less than ten works of art — but it throws unusual light on current developments in painting in both a formal sense, as a continuation of New York School visual insights, and in a social sense, as a young black painter.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

First U.S. Exhibition to Explore Impressionism's Little - Known German Chapter with More Than 100 Paintings, Drawings, and Prints Max Liebermann, celebrated as «the German Manet,» was the leader of a generation of German painters who were inspired by the stylistic developments in France.

Castelli had included Rauschenberg in Today's Self - Styled School of New York (commonly known as the «Ninth Street Show»), a seminal exhibition in the development of Abstract Expressionism that he organized with painter Jack Tworkov (1900 — 1982) in 1951.

[4] In 2006, at the time of solo exhibitions of his work in Edinburgh and New York, art reviewer Janet McKenzie wrote of «his remarkable commitment and development as a mature painter, abstract, yet inspired by natural phenomena.»

It unfolded in chronological order, allowing the viewer to trace the development of Marshall as a painter.

The ability to experience light, value, color, and atmospheric changes within nature firsthand has been crucial in my development as a landscape painter.

Smith, an internationally known painter and sculptor based in New York and Los Angeles, who has works in the collections of the Brooklyn Museum, the Rubell Collection, the Whitney Museum, and numerous others, grew up in Baltimore and recalled the profound influence of the Baltimore Museum of Art on her development as an artist.

Johnson believes there is a certain kind of taste development in the assembled painters» use of color and an opportunity to explore their palette as race, theory, and feeling.

They represent a crucial development in the legendary abstract painter's career as he began experimenting with new materials and processes, culminating in his seminal 1986 exhibition at the Serpentine Gallery in London.

Dewhurst was an art theorist as well as a painter and his 1904 book Impressionist Painting, Its Genesis and Development was the first important British study of Impressionism.

With that in mind, London Painters unites pictures that highlight these relationships and the circles of shared acquaintance, as well as London itself, the city that provided such a thrilling backdrop to so much of their development,» says Pilar Ordovas, founder of the gallery.

The essay proved something about Riley's continuing artistic curiosity and generosity, but more than that is a signal to the way in which she is neither stuck in a period - as the 60s darling of Op - nor a painter who feels threatened by developments in other media.

So that was an important development for me, just realizing that you need to follow your pleasure, at least as a painter.

as a painter i was immediately drawn to what I was witnessing in the artworld with this new development.

A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color - based and expressionist abstraction for over six decades.

A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) has been...

I keep discovering work by painters that I feel the Tate should have informed me about and realise my understanding of recent culture is deficient and in fact skewed as a result of the Tate's indifference to developments that do not suit its rigid agenda.