In addition to examining
his development as a sculptor, the exhibition at the Nasher also showcased the effect his work in three dimensions had on his studio practice, including his paintings and drawings.
Not exact matches
A French - American painter,
sculptor, chess player and writer whose work has been associated with Dadaism and many other avant - garde movements, Marcel Duchamp is commonly considered
as one of the artists who helped define the revolutionary
developments in plastic arts in the begining of the twentieth century.
As the art studio and salon of the
sculptor and arts patron Gertrude Vanderbilt Whitney (1875 — 1942), the Whitney Studio was at the center of the
development of the early modern art movement in America, borne out of Mrs. Whitney's tremendous advocacy on behalf of living American artists.
Her early training
as a
sculptor has influenced the
development of the designs she creates.
One of the most important artist in the
development of Kinetic art
as well
as Nouveau réalisme, Jean Tinguely was a Swiss
sculptor widely recognized for his thought - provoking and playful pieces that he liked to call metamechanics.
Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the
sculptor's creative process: some illustrate the origins of compositions for monumental works, while others document ideas not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent significant transformation
as they emerged
as full - scale sculptures in the exhibition chronicle Arneson's evolution
as an artist and the
development of his freewheeling creativity and prodigious imagination.
Smith, an internationally known painter and
sculptor based in New York and Los Angeles, who has works in the collections of the Brooklyn Museum, the Rubell Collection, the Whitney Museum, and numerous others, grew up in Baltimore and recalled the profound influence of the Baltimore Museum of Art on her
development as an artist.
Giacometti becomes recognizable
as a pioneer who paved the way for important
developments in art after the 1960s and regains certain aspects of his original radical artistic position, whereas Nauman's outstanding importance
as a
sculptor is made clear and historically comprehensible in a different way.
Experimental filmmaker, kinetic
sculptor, painter and poet, New Zealand - born Len Lye (1901 — 1980) was an intensely creative figure whose innovative «direct» films are increasingly recognised
as pioneering contributions to the
development of the moving image.
Artists have made use of
sculptors» archives in many ways -
as a means to build a legacy, to return to remembered exhibitions, or to chart the
development of experimental ideas.
One of the key figures of the movement was Marcel Duchamp, a French - American painter,
sculptor, chess player and writer who is considered, along with Pablo Picasso and Henri Matisse,
as one of the three artists who helped define the revolutionary
developments in the plastic arts.
It was an exciting time in the art world, and King points to two major influences on his
development of a personal sculptural vocabulary: the Romanian - born
sculptor Constantin Brancusi, whom he calls an early «idol,» and the Abstract Expressionists, who were revolutionizing art in the United States, painters such
as Mark Rothko and Barnett Newman and Jackson Pollack.