Sentences with phrase «development of abstract expressionism»

The Boston figurative Expressionists post World War II were increasingly marginalized by the development of abstract expressionism centered in New York City.

In these works he became a pioneer in the development of abstract expressionism.

But Kelly had missed the entire development of abstract expressionism while he was away.

He opened his own schools of art in New York City and in Provincetown, which were central to the development of abstract expressionism.

An important figure in the New York School, Paul Jenkins contributed to the development of abstract expressionism in New York and abroad with his intuitive, chance - based approach to painting.

A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.

And as these artists informed the development of abstract expressionism, so Burkhart gives new interpretation to a strange and compelling emotional landscape.

Not exact matches

Neel's dedication to the «unfashionable» art of portrait painting and social realism — and this during the decades of abstract expressionism, pop art and minimalism — ensured that her work remained permanently out of kilter with avant - garde artistic developments.

Hans Hofmann in particular as teacher, mentor, and artist was both important and influential to the development and success of abstract expressionism in the United States.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

In the late 1960s, he transitioned from Pop - inflected figurative expressionism with the development of his Map Paintings, which feature abstract fields of colour overlaid with the stencilled outlines of continents.

Often perceived as the last avant - garde movement, Cobra was crucial in the development of the European abstract expressionism.

The Sam Feinstein retrospective at the Cape Cod Museum of Art will reveal the seventy - year trajectory of Feinstein's development from realism through expressionism, cubist - expressionism, Hofmann - influenced abstraction to Feinstein's own unique language of color - forms — luminous and life - enhancing — in his monumental, mature abstract paintings.

While his work reflects the cultural development of twentieth - century modern art in its evolution from realism to abstraction, his own personal search went beyond the ease or angst or graphic quality of abstract expressionism to arrive at what must be called Luminist Abstraction.

Postwar Modern Art and the Rejection of Modernism The development of a new American art movement was held in abeyance until after World War II, when the United States took the lead in the formation of a vigorous new art known as abstract expressionism with the impetus of such artists as Arshile Gorky, Jackson Pollock, and Willem de Kooning.

Drawing upon historical movements such as baroque, pop art, and abstract expressionism, while referencing contemporary developments in graffiti and photo - realism, the duo create intricately layered canvases in which linear narrative falls prey to the chaos of our image saturated times.

Although not an organized or self conscious movement, one of the most important developments in abstract art to emerge following abstract expressionism occurred in Washington, D.C., and is most often designated the Washington Color School.