I've traded
my developmental editing skills for developmental edits and copyedits on some of my stories.
Not exact matches
To me, critique partners are
developmental editors — some have more experience than others, but when I'm swapping critiques with someone, we are (usually) doing an in - kind swap for
developmental editing (sometimes it's more of a line
edit or copyedit, depending on need or
skill of the person involved).
She loves finding that «diamond in the rough» in the slush pile, and she is particularly
skilled in the
developmental editing part of the process.
She is a detailed line / content editor who is also
skilled at solving the big - picture problems of a book (
developmental editing), and is especially talented at
editing fiction.
Developmental editing is a
skill that involves helping an author shape a project from conception.
There are rare exceptions but the editor - in - chief of a major traditional publisher told me recently that his staff has no time or
skill to do
developmental editing.
She developed many of her
developmental and substantive
editing skills as a Composition instructor and writing - center tutor while completing her M.A. in English at the University of Missouri - Columbia in 2004.
These people are heavily promoting moving beyond having a friend read your manuscript to hiring trained, experienced editors for both
developmental and copy
editing, finding
skilled people to provide quality covers, etc..
While
developmental editing is about the story and characters and copy
editing is about grammar rules and sentence - level issues, line
editing skills are all about our writing — as a whole: