Sentences with phrase «di cultura»

Patrick Jacobs is featured in the American Dreamers exhibit at the Centro di Cultura Contemporanea Strozzina.

Sassolino's work has been featured in a number of group exhibitions, including shows at 104, Paris, France (2015); Rolando Anselmi, Berlin (2014); Bortolami Gallery, New York (2013); Centro di Cultura Contemporanea Strozzina, Firenze, Italy (2012, 2010); Swiss Institute, New York (2011); Tinguely Museum, Basel, Switzerland (2010); Peggy Guggenheim Collection, Venice, Italy (2009); Micamoca, Berlin, Germany (2009); Dunkers Kulturhus, Helsingborg, Sweden (2008); FRAC, Rheims, France (2007); ZKM, Karlsruhe, Germany (2004); and Fondazione Bevilacqua la Masa, Venice (2002).

The Centro di Cultura Contemporanea Strozzina shows video installations as well as modern Chinese art and specialises in using different expressive forms.

Cody Trepte (b. 1983, Austin TX) has exhibited both nationally and internationally, including 2012 edition of Made in LA at the Hammer Museum, Los Angeles; Austin Museum of Art, Texas; Weatherspoon Art Museum, North Carolina, Centro di Cultura Contemporanea Strozzina, Florence, Kunstverein INGAN e.V., Berlin, Thierry Goldberg, New York, and Eleven Rivington, New York.

He has exhibited both nationally and internationally, including: Hammer Museum, Los Angeles; Austin Museum of Art, Texas; Weatherspoon Art Museum, North Carolina; Centro di Cultura Contemporanea Strozzina, Florence; Kunstverein INGAN e.V., Berlin; Thierry Goldberg, New York; Eleven Rivington, New York; and Pepin Moore, Los Angeles.

Her work has been included in many international group exhibitions including Subversive Spaces, Whitworth Gallery, Manchester (2009); Fri Porto, Den Frie Center of Contemporary Art, Copenhagen (2009); Compilation IV, Kunsthalle Düsseldorf (2009); Dome Colony, X-Initiative, New York (2009); Green Platform, Centro di Cultura Contemporanea Strozzina, Florence (2009); IMPLANT, UBS Art Gallery, New York (2008); Re-trait, Fondation d'entreprise Ricard, Paris (2007); Soft Sites, Institute of Contemporary Art, Philadelphia (2006); Eigenheim, Goettingen Kunstverein, Germany (2006).

Dublin City Gallery The Hugh Lane together with the the Centro di Cultura Contemporanea Strozzina, Florence is organising the exhibition Traces of Time (03 October 2012 — 27 January 2013) in Florence.

The Centro di Cultura Contemporanea Strozzina (CCCS — www.strozzina.org) at the Palazzo Strozzi (www.palazzostrozzi.org) in Florence, Italy, is currently organizing for the spring / summer 2012 in partnership with the Hudson River Museum, New York.

Prendere, dare, sbirciare nel museo, MAMbo, Bologna, Italy, 2009) and he took part to countless group shows (La festa dei vivi (che riflettono sulla morte), organized for AND AND AND inside: dOCUMENTA (13), San Cesario, Italy, 2011; Declining Democracy, Centro di Cultura Contemporanea Strozzina, Firenze, Italy, 2011; Sleepover, Serpentine Gallery, London, UK, 2010, Democracy1, Royal College of Art, London, UK, 2000, Aperto» 90, XXIV Venice Biennale, Italy, 1990).

This project was made possible, in part, through the generosity of Istituto Italiano di Cultura.

2011 Wander, Labyrinthine Variations, Centre Pompidou - Metz, Metz, France Terrible Beauty - Art, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germany

His work has been exhibited internationally at venues such as: Queens Museum, NYC; Cleveland Museum of Art; Museum of Contemporary Art (MOCA) Cleveland; Bureau for Open Culture; Mattress Factory Museum, Pittsburgh; Flux Space, Philadelphia; Katonah Museum of Art, NY; Green on Red Gallery, Dublin; Centro di Cultura Contemporanea Strozzina, Florence; La Galería de Comercio, Mexico City; Catalyst Arts, Belfast; and ZKM Museum of Contemporary Art, Karlsruhe.

He has exhibited both nationally and internationally, including: Anna Meliksetian MJ Briggs, Los Angeles; Thierry Goldberg, New York; Eleven Rivington, New York; Centro di Cultura Contemporanea Strozzina, Florence; Shoshana Wayne Gallery, Los Angeles; Austin Museum of Art; Weatherspoon Art Museum; Kunstverein INGAN e.V., Berlin; and participated in Made in L.A. 2012 at the Hammer Museum.

Additional supporters include Etant donnés, the French - American Fund for Contemporary Art; the Institute Italiano di Cultura; and the Consulate of Italy, New York.

Exhibitions include A Study in Midwestern Appropriation, The Hyde Park Center, Chicago, IL, curated by Michelle Grabner; Decade: Contemporary Collection 2002 - 2012, Albright - Knox Art Gallery, Buffalo, NY; 2010, Whitney Biennial, curated by Francesco Bonami and Gary Carrion - Murayari, Whitney Museum of American Art, NY (2010); and Gerhard Richter and the Disappearance of the Image in Contemporary Art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy (2010), among others.

Nuovi Percorsi di Cultura (Museum Houses in Italy.

I direttori dei quotidiani si incontrano a Tempo di libri per parlare di cultura.

Not exact matches

2005 Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educação, Olha!

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

Novoa's work has been included in numerous group exhibitions including Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy; Center for Contemporary Art Laznia, Gdansk, Poland; Museo Nacional Reina Sofia, Madrid, Spain; Mediations Biennale, Muzeum Narodowe, Poznan, Poland; El Museo del Barrio, New York; Museo Del Palacio de Bellas Artes, Mexico City, Mexico; Nassau County Museum, Roslyn Harbor, New York; Exit Art, New York; City Art Museum Ljublana, Ljublana, Slovenia; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; The University Art Museum, University of California, Santa Barbara, California also traveled to University Galeries, Illinois State University, Normal, Illinois and DePauw University Art Gallery, Greencastle, IN; Centro de Cultura Contemporanea, Barcelona, Spain; Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina and Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; Museum of Art, Fort Lauderdale, Florida; Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands, also traveled to Fundación CAIXA, Palma de Mallorca and Centro de Arte Santa Mónica, Barcelona, Spain; Engraving Museum, Curitiba, Brazil; Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico; Museo del Chopo, Mexico City, Mexico; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Museo Jesus Soto, Ciudad Bolivar, Venezuela; Ludwig Forum Fur Internationale Kunst, Aachen, Germany; Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany; Porin Taide Museo, Pori, Finland; also traveled to Mucsarnok Museum, Budapest, Hungary and Palffy Palace, Vienna, Austria; Massachusetts College of Art, Boston, Massachusetts also traveled to The Bronx Museum, New York and III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba.

2009 Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat), Museo di Arte Moderna e Contemporanea, Rovereto, Italy; Museé du quai Branly, Paris, France; Centro de Cultura Contemporànea, Barcelona, Spain New Acquisitions: African American Masters Collection, Sheldon Museum of Art, Lincoln, NB A Force for Change: African American Art and the Julius Rosenwald Fund, The Spertus Museum, Chicago, IL; Allentown Art Museum, Allentown, PA; Montclair Art Museum, Montclair, NJ Harlem Renaissance, Oklahoma City Museum of Art, Oklahoma City, OK

The Great Mother curated by Massimiliano Gioni An exhibition promoted by Comune di Milano Cultura Conceived and produced by the Fondazione Nicola Trussardi in partnership with Palazzo Reale for Expo in Città 2015.

Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)