Sentences with phrase «di san»

Thanks to its cutting - edge technology, HUAWEI Ascend Mate 7 was selected by D'Uva Workshop to offer to the 6 mln yearly visitors of the Pantheon in Rome and the Basilica di San Marco in Venice video guide paths and the opportunity to access media content online and offline, take photos and instantly share them on social networks.

Jaume Plensa's installation Together in the Basilica di San Giorgio Maggiore and the Officina dell «Arte Spirituale, Venice, has been noted by Christie's Art World News as one of the Best of the Biennale.

Cronin gathered hundreds of articles of women's and girls» clothing from around the world to represent three specific tragedies: brightly - colored saris symbolize two Indian girls who were kidnapped, gang - raped, and lynched from a tree at the edge of their village; hijabs signify 276 Nigerian Chibok schoolgirls who were kidnapped by the terrorist group Boko Haram in 2014 — over 200 of whom still remain missing; and gray and white aprons & uniforms symbolize those worn by «fallen women,» in forced labor at the Magdalene Asylums and Laundries in Ireland, the United Kingdom, Europe, and the U.S. Moving from the marble alters and sacred architecture of Venice's sixteenth - century Chiesa di San Gallo to the secular gallery context of FLAG, Cronin will present the same three fabric sculptures, here piled on top of their shipping crates to now address human trafficking as well as human rights issues.

In 2015 he participated in the 56th Venice Biennale with the exhibition Together in the Basilica di San Giorgio Maggiore, a collateral event which won the Global Fine Art Award in the category of Best Public Outdoor Installation in 2015.

1931 New York (John Becker Gallery) 1932 New York (Julien Levy Gallery - 1935) group exhibition 1933 New York (Museum of Modern Art - 1938, 1962, 1966, 1971, 1976) 1948 Chicago (Art Institute of Chicago - 1964) 1966 New York (Robert Schoelkopf Gallery - 1971, 1973, 1974, 1977) 1981 San Francisco (Fraenkel Gallery) 1990 Munich (Stadtische Galerie im Lenbachhaus) 2000 New York Metropolitan Museum of Art) 2002 Cologne (Die Photographische Sammlung / SK Stiftung Kultur) 2003 London (The Photographers» Gallery) 2004 Cologne (Galerie Thomas Zander) 2004 Paris (Foundation Henri Cartier - Bresson - 2008) 2005 Ann Arbor (Michigan, USA) University of Michigan Museum of Art) 2006 Cagliari (Italy)(Convento di San Michele) 2007 Florence (Museo Nazionale Alinari della Fotografia) 2008 Paris (Musee du Quai Branly) 2009 Winterthur (Fotomuseum)

Earlier this month, a 2010 series of Polidori's photographs depicting the interior of the Convento di San Marco in Florence went on display at Paul Kasmin Gallery in New York, allowing audiences the chance to enjoy the full power of the image - maker's large - scale works in person.

The major exhibitions of the 1980s (Palazzo delle Esposizioni di San Marino, 1983 and Guggenheim in New York, 1989) were characterised by a pictorial practice that took on increasing significance, becoming «long and fast», a natural habitat for wild, «prehistoric» animals such as the rhinoceros, crocodile, tiger, bison, owl, all of which were also bearers of a clear primacy.

Polidori visited the Convento di San Marco numerous times over the course of 2010 to capture the solemnity and sheer force of the frescoes and their reflection, through the depiction of the life of Christ, of the universal condition of mankind.

Merely a film that covers the windows of the chapel, it fills the space with rainbows, falling atop one of the most beautiful gothic monuments of Gothic sculpture in Milan, the Arca di San Pietro Martire by Giovanni di Balduccio (1336).

1994 General Release: Young British Artists, Venice Biennale 1994, Scuola di San Pasquale, Venice, IT London - Nu, Kunstforeningen Gammel Strand, Copenhagen, DK The Institute of Cultural Anxiety: Works from the Collection, Institute of Contemporary Arts (ICA), London, UK Liar, Hoxton Square, London, UK Rien à Signaler, Galerie Ananlix, Geneva, CH Five British Artists, Andréhn Schiptjenko, Stockholm, SE Great Deeds Against the Dead, Andrea Rosen Gallery, New York, US

Photographic works by Chiurai and Williamson feature on A Short History of South African Photography (12 May — 9 July), curated by Rory Bester, Thato Mogotsi and Rita Potenza, at Chiostri di San Pietro in Reggio Emilia.

Earlier exhibitions include: Orsola, an installation at the Oratorio di San Lodovico, Venice, 2006; Rood at the Green on Red Gallery, Dublin, 2005; Portraits at Purdy Hicks Gallery, London, 2003; Gorget at the David Nolan Gallery, New York, 2000; Knot at Dublin City Gallery The Hugh Lane, Dublin, 1999; Swimmers at Le Credac Centre d'Art, Ivry - sur - Seine, 1996; and Familiar at the Douglas Hyde Gallery, Dublin, 1994.

And the three - story 19th - century mill here, housing a survey of his panoramic wall drawings, is our Museo di San Marco: a building full of art conceived by one artist, executed by many hands, devoted to big ideas.

Isola di San Giorgio Maggiore II, 2011 Archival pigment print Large, edition of 7, 40 5/8 x 53 1/8 in.

Telling A World., Padiglione d'Arte Contemporanea, Milan, Italy 2017 A Short History of South African Photography, Fotografia Europea, Chiostri di San Pietro, Reggio Emilia, Italy 2017 Art / Afrique, Le nouvel atelier, Fondation Louis Vuitton, Paris, France 2017 New Acquisitions: Standard Bank Corporate Collection, Standard Bank Art Gallery, Johannesburg, South Africa

Venice, the Bacino di San Marco, with the Piazzetta and the Doge's Palace # 6,242,500 — Johannes Vermeer.

Morpho Eugenia, Galleria d'Arte Moderna e Contemporanea, Republicca di San Marino, Italy.

You can watch this exhibition in the Basilica di San Giorgio Maggiore.

Jinny Yu's site - specific installation at the Oratorio di San Ludovico in Venice, presented during the 56th Venice Biennale, comprises of a large three - dimensional painting with sound.

(2006), Glass Box, Paris (2006), Ireland at Venice, Venice Biennial, Scuola di San Pasquale, Venice (Representing the Republic of Ireland)(2005), which travelled to Lewis Glucksman Gallery, Cork (2006).

In 1987, Rauschenberg's emergency set for Brown's Lateral Pass (1985) at the Teatro di San Carlo, Naples, utilized scrap metal and fabric to create temporary hanging sculptures for the stage.

David Zwirner, Peter Blum, Scuola Grande di San Rocco, Prado Madrid, Victoria and Albert Museum, Metropolitan Museum, Louvre, Philadelphia Museum of Art, Marian Goodman Gallery.

2017 Bill Viola: Naissance á rebours, DHCArt, Montreal, CA Bill Viola alla Cripta di San Sepolcro, The Crypt of San Sepolcro, Milan, IT Bill Viola, Memorial Art Gallery, University of Rochester, New York, US Bill Viola: Selected Work 1977 - 2014, Redtory Museum of Contemporary Art, Guangzhou, CH Bill Viola, Copenhagen Contemporary, Copenhagen, DK BILL VIOLA: VISITATION REFORMATION, Uppsala Cathedral and Uppsala Art Museum, Uppsala, SE Bill Viola: Retrospective, Guggenheim Bilbao, Bilbao, ES Bill Viola: Installations, Deichtorhallen, Hamburg, DE Bill Viola.

Patricia Cronin: Shrine for Girls, Venice Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo) May 6th — November 22nd Organization: Brooklyn Rail Curatorial Projects curatorialprojects.brooklynrail.org www.shrineforgirls.org

Jinny Yu's site - specific installation at the Oratorio di San Ludovico in Venice, comprises of a large three - dimensional painting with sound.

2009 FOR THE USE OF THOSE WHO SEE, KW Institute for Contemporary Art, Berlin, Germany GAGARIN the Artists in their Own Words - the first Decade, SMAK Gent; Belgium FOR YOU / PARA USTED, The Daros Latinamerica Tapes and Video Installations, Daros Foundation, Zürich, Switzerland Continental Rifts, Fowler Museum at UCLA, Los Angeles, USA New Acquisitions and Donations 2007 & 2008, Louisiana Museum of Modern Art, Humlebæk, Denmark Aletheia — Positions in Contemporary Photography, Helsinki City Art Museum / Art, Museum Meilahti, Helsinki, Finland The Fear Society / Pabellón de la Urgencia, Arsenale Novissimo, Tese di San Cristoforo, Tesa 92, Venice 10 Printemps en Automne, Galerie Kamel Mennour, Paris The Third Moscow Biennale, Garage Center of Contemporary Culture, Moscow Cream International Festival for Arts and Media, Yokohama, Japan

2013 Other People's Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Tel Aviv Art Baja Tijuana, Casa GS, Tijuana, Mexico Noise, Ex Magazzini di San Cassian, Venice, Italy Donde el Lenguaje es el Material, Casa del Lago, Mexico City When Attitudes Became Form Becomes Attitudes, Museum of Contemporary Art Detroit, Detroit Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles Proyecto Basurto, Steve Turner Contemporary, Mexico City

1993 Merce Cunningham Dance Company Benefit Art Sale, 65 Thompson Street, New York, USA I am the Enunciator, Thread Waxing Space, New York, USA Darkness and Light, Blaffer Gallery, University of Houston, USA (curated by Marti Mayo) Zeichnungen setzen Zeichen, Galerie Raymond Bollag 1, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier Rewriting History: The Salon f 1993, Montgomery Glasoe Fine Art, Minneapolis, USA Painting, Texas Gallery, Houston, USA Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy (Under the aegis of the 45th Venice Biennale — Reinstalled at the Guggenheim Museum Soho, New York) XLV Biennale di Venezia, Italy, Tresors de Voyage (al Monastero dei Padri Mechitaristi dell» isola di San Lorenzo degli Armeni) Abstract — Figurative, Robert Miller Gallery, New York, USA Eight Painters: Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, USA Living with Art: The Collection of Ellyn & Saul Dennison, Morris Museum, Morristown, USA

In 1920, she attended art school in Italy where she married Prince Ranieri di San Faustino, though a life of royal obligations left no time for her to paint.

Rasgado's work has also been featured in important museum group exhibitions including Other People's Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Tel Aviv (2013); Noise, Ex Magazzini di San Cassian, Venice (2013); When Attitudes Became Form Becomes Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco (curated by Jens Hoffman, 2012); Los Irrespetuosos, Carrillo Gil, Mexico City (curated by Carlos Palacios, 2012); and Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art (2012).

He has also had work in group exhibitions at CAM Raleigh (2014); The Los Angeles County Museum of Art (2013); Ex Magazzini di San Cassian, Art Collateral Events, 55th Venice Biennale (2013); Herzliya Museum of Contemporary Art, Israel (2013); Museo Carrillo Gil, Mexico City (2012); and Museum of Modern Art, Mexico City (2010).

Isola di San Giorgio Maggiore, Venezia The Glass Tea House Mondrian is an innovative project that provides a space in which to experience architecture, where the pavilion itself becomes the exhibition, an innovative example in which the artist freely suggests a theme and a project, allowing experimentation with the setting, shapes, building techniques and innovative materials.

Among other sources, he has drawn inspiration from the mosaics in the Basilica di San Vitale in Ravenna Italy as seen in Still Life with Lemons, Oranges, and a Rose, after Francisco de Zurbarán, from Pictures of Magazines.

Abbazia di San Gregorio, Venice Curated by Giacinto Di Pietrantonio, Katerina Koskina & Dimitri Ozerkov Jan Fabre is fascinated by the alchemy and the memory of materials.

* General Release: British Council selection of Young British Artists, Scuola di San Pasquale, Venice, Italy.

: Quotations: The Second History of Art, Ridgefield 1992 Chiesa di San Lorenzo (Ed.)

In 2013, 700 Snowballs was on view on the Isola di San Giorgio Maggiore in Venice, Italy.

In 2013, 700 Snowballs, an installation of 700 individual glass balls, was on view on the Isola di San Giorgio Maggiore in Venice, Italy.

The highest lot, consigned by an English noblewoman, was the circa 1740 The Bacino di San Marco, by (Giovanni Antonio Canal) Il Canaletto (1697 - 1768), which fetched $ 5.28 million, well above the nonpublished estimate «in excess of $ 4 million.»

An upcoming reading will take place in the Oratorio di San Ludovico Dorsoduro, Venice as part of the 57th Venice Biennale [organized by Ikon Gallery, Birmingham, England].

Balla continued to exhibit in Europe and the United States and in 1935 was made a member of the Accademia di San Luca in Rome.

On Kawara's Reading One Million Years (Past and Future) was presented during the first three months of the 57th Venice Biennale in the Oratorio di San Ludovico, a 16th century church dedicated to the spoken word.

He was a member of the prestigious Accademia delle Arti del Disegno, Florence; the Accademia Nazionale di San Luca, Rome; and the Swedish Academy.

Earlier this year NERO, Roma published TRANSLATIO about Jacir's permanent installation Via Crucis at the Chiesa di San Raffaele in Milano.

In 2001, he was awarded the Presidente della Repubblica Prize, which was celebrated with a solo show at the Accademia Nazionale di San Luca in Rome in 2002.

Selected exhibitions include Let the World Slip Away, The Lion and Lamb N1, London (2012); John Moores Painting Prize 2012, Walker Art Gallery, Liverpool (2012); Layers, John Moores Painting Prize show, Seongnam Art Centre, Korea (2010); Double Interview, group show, I - MYU Projects and Seoul art space, Seoul, Korea; Irony and Gesture, Kukje Gallery, Seoul (2008); Sarah and Simon, Platform, London (2006); Morpho Eugenia, Galleria d'Arte Moderna e Contemporanea, Republicca di San Marino, Italy; Park Life, Clifford Chance, London (2005); John Moores 23, Walker Art Gallery, Liverpool; The Park, Platform, London (2004); Hortulus Animae, Eremo di S. Caterina, Isola d'Elba, Italy (2002).

Ilya and Emilia Kabakov (on the occasion of the master - course), Fondazione Antonio Ratti, Chiesa di San Francesco, Como, Italy, June 25 — September 10, 1999.

TeaYoun has been an active artist internationally, with numerous exhibitions including at Sungshin Womenâ $ ™ s University (Seoul, South Korea), University of South Carolina (Beaufort, SC), the Museum of Contemporary Art of Georgia (United States), Venice Printmaking Studio (Murano, Italy), La Macina di San Cresci (Florence, Italy), Textile Arts Center (Brooklyn, NY), Montana State University Gallery (Bozeman, MT), Maryville College Gallery (Maryville, TN), Black - box Theatre (Milledgeville, GA), and the Folklore Museum (Sendai, Japan), among others.

Fondazione Giorgio Cini Isola di San Giorgio Maggiore, 30100 Venezia, Italia

In 2008, the Accademia Nazionale dei Lincei awarded him with the «Antonio Feltrinelli» prize for Painting and he became a member of the Accademia di San Luca.