This somewhat musical activity is described as the ultimate uniting of a male and female wolf, and
the dialogue accompanying the event implies there is more to it than just exercising vocal chords.
Not exact matches
The extensive text
accompanying the
event announcement goes on to explain the concept in terms of multi-directional theories, its favouring
dialogue over monologue and its connection with manual activities, as represented by works in show that is explicitly and implicitly conditioned by «complex intersections of class, ethnicity, gender and sexuality».
Established to encourage international
dialogue in contemporary art with the goal of fostering collaboration opportunities between visual artists, art organizations and the international arts community, this four - day
event was
accompanied by talks, presentations, debates, screenings, dinners, and cocktails.
Associated
events included a conversation about Slought on March 11, 2008 at 7:15 pm at Sciences - Po with the organization's curatorial staff; on March 13 at 2 pm at la maison rouge - fondation antoine de galbert with featured artists Fred Forest, Braco Dimitrijevic, and Carlos Ginzburg in
dialogue with the public,
accompanied by a day - long film program; and a seminar entitled Dissidanses (on Nancy Spero) by Hélène Cixous on March 13 at 5 pm, followed by a conversation with Marta Segarra and Joana Masó on Hélène Cixous» work with contemporary artists.
When the South African artist Tracey Rose was invited to be on a panel
accompanying the opening of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, she performed a
dialogue with sock puppets in which she attacked the center, the
event and its organizers.