By bringing these works together, the curators and artists hope to encourage critical thinking and
dialogue around the complex history of police violence in the United States.
In addition, this
complex, contradictory, propositive exhibition, committed to human life on the planet during its late anthropocene phase, is an innovative initiative that is configured without the straitjacket of a traditional curatorship, but develops with free
dialogue between the participating artists and academics of the UNAM, mainly
around the analysis of detritus as matter in transformation.