Sentences with phrase «dialogue as an end in»

In public dialogue approaches, the goal is to promote dialogue as an end in itself, recognizing that informal discussions with the public can result in learning by both the public and experts.

The goal of a public dialogue is often to promote dialogue as an end in itself, «recognizing that informal discussions with the public result in learning on behalf of both the public and experts.»

Not exact matches

By the end of the Assembly, as Kenneth Slack pointed out, «most of the members felt that there was more danger from undue stress on the evangelism of individuals than the other way round, despite widely expressed anxiety, given expression by Stott, that liberation in political, social and economic sense was in danger of replacing salvation from sin at the heart of the redeeming gospel».73 There was no doubt that, despite the narrowing of the range of disagreements, important differences continued, especially with regard to the meaning of salvation and the program of dialogue with people of other faiths.

Professor Lehner ends his volume with the hope that the movement he has described «can serve as a lesson and practical guide for twenty - first century theology in its continuing dialogue with modernity».

«Particularly in Syria, may there be an end to bloodshed and an immediate commitment to the path of respect, dialogue and reconciliation, as called for by the international community, he said.

Third, in view of scattered signs among some evangelicals of an awakening concern about national and world problems, can all of us in churches — liberal as well as conservative, laity as well as clergy — have the grace to seize every opportunity for dialogue, to the end that we may begin to realize that behind our pluralism lies a God - inspired hunger for a better, more just world?

«I want seize this occasion to also plead with you to help end galamsey so we can protect the country's resources for the benefit of all,» he added, lauding government for the measures such as stakeholders dialogue and negotiation meetings put in place.

It shouldn't come as much of a surprise that Fred gets most of the offensive dialogue and ends up in most of the worst situations like being stuck in a bathroom with a party - girl afflicted with a gastrointestinal disorder.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Where the Sidewalk Ends is a crackling thriller / procedural, abounding in screenwriter Ben Hecht's characteristically punchy dialogue and Preminger's viscerally, velvety, elegantly intricate long takes, though there's also, as in all of Preminger's noirs, a subtextual undertow.

It is a simple moment, and Allen times it perfectly — his dialogue ends as Armstrong's wonderful vocal kicks in.

McQueen gives the actor a lot of dialogue - free long takes, including one close - up toward the end that's content to study his face for what seems like at least a minute as Solomon considers the possibility that his last and best chance for freedom has ended in another betrayal.

It may not have the same visual style as Welles but the dialogue is straight out of the book, the radio show, and the original ending in the script.

The reason why most who worked on the first film did not return is rumored to be due to inflexibility in script changes, and their fears appear to be justified, as what ends up appearing on screen is shockingly poor, with nothing in the way of character development, plot cohesiveness, or passable dialogue.

Stiller doesn't cut through the barbed dialogue like Laura Linney and Nicole Kidman have in Baumbach's previous films and by the end the film feels as hopelessly adrift as its lead character.

In fact, the movie ends exactly as its predecessor does, almost down to the same dialogue (Beatty & May retain screen credits, by the way).

The series ends in a long collage of flashbacks and still artwork, accompanied by a protracted internal dialogue between Shinji and the other characters as he conceives them.

Haynes brilliantly uses the restrictions of the genre to critique cultural expectations: Cathy's purposefully stilted dialogue remains bound by the front - office conventions of post-WWII Hollywood (interestingly, Frank's isn't), and unlike the men in the film, her options are as limited as the choice between a happy or a sad ending.

The other two phases, as said, are the use of these clues and materials found on the scene to access better and more complex solutions in the dialogue, and then the dialogue itself where you are required to save the target no matter what, with multiple endings which determine whether you'll sacrifice yourself, for example, or throw the both of you from the building.

Owen and Roberts get to dish out some witty dialogue; develop a strange [and maybe false] relationship over the course of the film which is structured in both the past and the present — each arc developing chronologically until the very end, when there's a revelation that makes sense even as it dumbfounds.

Silences and glances predominate much of the film as do dialogues in which something is always hidden... and at the end a revelation ties all the loose ends together.»

In the third film, At World's End, there is a lot of exposition in the scenes driven by dialogue - as - interrogation and it barrels at the viewer without pause, leading many to think the film is incomprehensible, and dismissiblIn the third film, At World's End, there is a lot of exposition in the scenes driven by dialogue - as - interrogation and it barrels at the viewer without pause, leading many to think the film is incomprehensible, and dismissiblin the scenes driven by dialogue - as - interrogation and it barrels at the viewer without pause, leading many to think the film is incomprehensible, and dismissible.

Although Dixon's path is overly reliant on some of the aforementioned narrative coincidence, Rockwell plays his dialogue and physicality perfectly in every scene, keeping us guessing as to where this maniacal stooge will end up.

It was more that we are so familiar with the Greco - Roman gods, and it was harder to come up with ways that they could have come to the United States (although as I finished the book several fringe archaeological discoveries gave me ways I could have done it); and that the Norse myths are so bleak, and always end in Ragnarok... In your acknowledgments, you allude to the best line of dialogue in the epilogue, but you don't identify iin Ragnarok... In your acknowledgments, you allude to the best line of dialogue in the epilogue, but you don't identify iIn your acknowledgments, you allude to the best line of dialogue in the epilogue, but you don't identify iin the epilogue, but you don't identify it.

The short story elements such as plot, dialogues, characterization, narrative, atmosphere, scene setting are also present in flash fiction; having said that flash fiction may not include every elements of short story (character development, plot, atmosphere, clear beginning, middle, ending etc..)

Although written a bit worse than Alex, her dialogue standing out as rather one dimensional, Demeter does end up playing an interesting role in the revised story and her inclusion feels natural, writing aside.

Rad Rodgers» replayability originates from far more than retro nostalgia as it features 8 platforming levels, 3 pogo stick levels and an end world boss with standout level design in its own right accompanied by dozens of secrets, alongside numerous collectibles, unlockable concept art, fun hats, amusing dialogue, three difficulty levels and revamping local leaderboards with points scoring focused online leaderboards that will collectively have players returning for quite some time.

This episode originally aired for DFA backers at the tail end of 2013, as the script for Act 1 was in good enough shape to start putting together a vocal cast and recording some dialogue, and the team prepared for PAX Prime.

You will get to know your squad and you will learn to either love or hate them, but in the end they all speak emotions through the amazing graphics seen in the game, as well as the extensive dialogue.

This gritty, gruesome and twisted cyberpunk RPG takes inspiration from classic titles such as Planescape: Torment, seeing the player take the control of both real - time dialogue and real - time combat, both of which can end in death!

It makes sense, as the dialogue choices in Guardians of Rebirth led to either a bad ending, a normal ending, or a true ending, and the White Rose tales of Future Blessings are simply that — tales with one true ending.

The AI will ask you a question, and you are then presented with four dialogue options, although the dialogue options also function as a quiz of sorts and you have a certain amount of times you can get a question wrong resulting in your death and ending the game.

At the far ends of the room, two mostly square paintings with a decided orange tendency are in dialogue, while the shorter axis is dominated by more vertical paintings with green as a unifying hue.

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

In Siegel's hands, Black Moon, which Malle described as a ``... strange voyage to the limits of the medium,» becomes a present - day science fiction without dialogue, traversing multiple film tropes — action, guns, lonely campfires, the end of the world — and, like its band of armed female revolutionaries, resists taking up residence in a fixed narrative or genrIn Siegel's hands, Black Moon, which Malle described as a ``... strange voyage to the limits of the medium,» becomes a present - day science fiction without dialogue, traversing multiple film tropes — action, guns, lonely campfires, the end of the world — and, like its band of armed female revolutionaries, resists taking up residence in a fixed narrative or genrin a fixed narrative or genre.

She is currently launching «cloud», an ongoing project that generates the idea of flexibility of both the spatial structures and the program space, transmitting ideas in contemporary art and moving image work which underlies their perspectives and practices, serving as a meeting platform for communication, education and open - ended dialogue.

This racial and cultural dialogue has not ended, as the never - ending discourse of racial issues in our society keeps lurking in the background of every social and cultural aspect.

(Belo Horizonte, Brazil) Organized in four segments, the exhibition path begins with the neoconcretism of Hélio Oiticica, Lygia Clark and Lygia Pape, passes through the conceptual geometry as well as through the avant - garde works of the Gutai group, and ends with action art and the presence of the body in art and are presented in dialogue with artists such as Cinthia Marcelle.

As the nations of the world prepare to meet next week at the open ended working group of the Montreal Protocol in Bangkok, Thailand, Secretary of State John Kerry prepares to travel to India for the fourth U.S. - India Strategic Dialogue.

In the end, with a deliberate sense of purpose and an open dialogue with your outside counsel, implementing value - based pricing will help to ensure that you'll never be known again as the one department in the company with the unlimited budget that still seems to exceed it year after yeaIn the end, with a deliberate sense of purpose and an open dialogue with your outside counsel, implementing value - based pricing will help to ensure that you'll never be known again as the one department in the company with the unlimited budget that still seems to exceed it year after yeain the company with the unlimited budget that still seems to exceed it year after year.

• Act as first point of contact by welcoming customers in the retail store • Engage customers in short dialogue to determine their purchasing needs • Escort and direct customers to the correct aisle or shelf that holds their choice of products • Provide customers with product information and demonstrate product features • Answer customers» questions about product features • Provide customers with pricing information and any special discounts or promotions that the store is offering • Attach price tags to each item and make sure that they reflect updated price information • Guide customers to assist them making purchasing decisions • Provide customers with warrantee and after sales services • Ensure that shelves are stocked properly and that all items and shelves are dusted and cleaned periodically • Ensure the overall cleanliness and maintenance of the store • Guide customers through the payment procedure by taking cash or processing credit cards in exchange of sold items • Handle refunds and exchanges and associated paperwork • Balance cash registers at the end of the shift and make sure that there is sufficient change available for the next shift • Order merchandise and make sure that newly received items are placed on shelves appropriately • Arrange store and window displays for products on promotion • Ensure that any discrepancies are communicated to the manager immediately • Take and resolve customers complaints and relay complicated ones to the supervisor

The Hold Me Tight conversation removed the fear from the underlying soft feelings of affection, care, and love from each of us, and we were able to sit, comfortably, without fear, in complete security knowing that our love is unshakable, as long as we break through «The Nothing» (the name of our demon dialogue / cycle — a reference to The Nothing in the Never Ending Story) and are vulnerable with each other.